How to write a mystery A handbook from Mystery Writers of America

Book - 2021

From some of the most successful mystery writers in the business, an invaluable guide to crafting mysteries, from character development and plot to procedurals and thrillers.

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Subjects
Genres
Handbooks and manuals
Published
New York : Scribner 2021.
Language
English
Edition
First Scribner hardcover edition
Item Description
Includes index.
Physical Description
ix, 326 pages : illustrations ; 24 cm
ISBN
9781982149437
  • Introduction
  • The Rules and Genres
  • The Rules-and When to Break Them
  • Carved in stone or gentle suggestions: what are the rules in the mystery genre, why do they matter, and when don't they matter?
  • Carolyn Hart
  • Keeping It Thrilling
  • Nine things your thriller needs to be lean, mean, and exhilarating.
  • Beth Amos
  • Insider, Outsider: The Amateur Sleuth
  • The point, and point of view, of your accidental detective.
  • Lindsey Davis
  • Finding Lou: The Police Procedural
  • Are you a cop, or do you just play one on the page?
  • Linwood Barclay
  • The Mindset of Darkness: Writing Noir
  • It's about character: the flawed protagonist and letting your characters fail.
  • Hank Phillippi Ryan
  • Crossing the Genres
  • Mixing your mystery with a vampire, a talking cow, or a love interest?
  • Kate White
  • The Historical Mystery
  • Time, place, and the past.
  • Suzanne Chazin
  • The Medical Thriller
  • Playing on the reader's real-life fears and hunger for insider knowledge.
  • Gigi Pandian
  • Researching the Spy Thriller
  • Or: Why can't I just make it all up?
  • Stephanie Kane
  • Other Mysteries
  • Mysteries for Children: An Introduction
  • The kids' mystery, from picture books to YA-expectations and some hints.
  • C. M. Surrisi
  • Unleash Your Inner Child
  • Middle-grade mysteries: you, too, can become a rock star for ten-year-olds.
  • Elizabeth Sims
  • The Young Adult Mystery
  • Complex, authentic stories for the young adult-emphasis on adult.
  • Pat Gallant Weich
  • Graphic Novels
  • The mystery within the panels: your conversation with words and pictures.
  • Dag Öhrlund
  • The Short Mystery
  • What do the characters (and readers) want in your mystery short story?
  • Charles Salzberg
  • Ten Stupid Questions about True Crime
  • Building a vivid page-turner, out of nothing but facts.
  • Carole Buggé
  • The Writing
  • On Style
  • The writer's voice, or, cooking with cadence, rhythm, and audacity.
  • Steve Hockensmith
  • Always Outline!
  • The why and the how of planning it out first.
  • Rob Hart
  • Hallie Ephron
  • Never Outline!
  • The argument for spontaneity.
  • Shelly Frome
  • The Art of the Rewrite
  • Turning your raw first draft into a clear, compelling story.
  • Rae Franklin James
  • Leslie Budewitz
  • Plot and the Bones of a Mystery
  • Bringing together all the elements of your novel so it stands strong.
  • Tim Maleeny
  • Robert Lopresti
  • Diversity in Crime Fiction
  • Enriching your novel by writing characters, not categories.
  • Elaine Viets
  • The Protagonist
  • Your hero: the one we relate to, the one who drives the story.
  • Stephanie Kay Bendel
  • The Villain of the Piece
  • Your hero in reverse: the forces that create a vivid villain.
  • Kris Neri
  • Supporting Characters
  • The chorus of voices that backs up your protagonist.
  • Gay Toltl Kinman
  • Writing the Talk
  • Dialogue that sounds true, reveals character, and draws in the reader.
  • Bradley Harper
  • Stephen Ross
  • Setting
  • Your most versatile element: backdrop, player, and the all-pervading sense of place.
  • Thomas B. Sawyer
  • Humor in Crime Fiction
  • Funny mystery, or mystery with fun: why, how, and when to stop?
  • James W. Ziskin
  • Writing in Partnership
  • Two writers with one voice: how we learned to collaborate.
  • Bradley Harper
  • Tie-Ins and Continuing a Character
  • Playing in someone else's sandbox.
  • Hal Bodner
  • After the Writing
  • Secrets of a Book Critic
  • Reviews and reviewers: what to learn from them, and what to ignore.
  • Marilyn Stasio
  • Self-Publishing
  • How to flourish as an independently published writer.
  • Nancy J. Cohen
  • Authors Online
  • Building your author identity and reaching out to readers, online.
  • Mysti Berry
  • Building Your Community
  • It's the writer, not the book: finding a home in the virtual village.
  • Bev Vincent
  • Legal Considerations
  • What every mystery writer needs to know about publishing law.
  • About the Contributors
  • Contributor Permissions
  • Index
Review by Booklist Review

Featuring a powerhouse list of contributors (Jeffery Deaver, Linwood Barclay, Lee Child, Deborah Crombie, Meg Gardiner, Charlaine Harris, T. Jefferson Parker, and many more), this collection of essays from Mystery Writers of America offers a comprehensive and highly informative guide to writing crime fiction. The contributors discuss amateur sleuthing, the mechanics of the thriller, the differences between noir and hard-boiled detective stories, historical mysteries, true crime, graphic novels, YA stories, medical thrillers, the spy novel, and even novelizations. Recurring themes: doing the necessary research, getting the small details right, and creating characters with depth and a real human presence. It's just a wonderful book, a seminar in genre writing conducted by some of the genre's most accomplished practitioners. Especially interesting are the varying points of view on some subjects (Deaver says outlining is essential; Child says never mind the outline); readers soon learn that there is no one right way to go about writing crime fiction, and that the goal should be to find the process that works best for them. This is a writing guide that readers and writers will turn to again and again.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

More is less in this uneven anthology for the aspiring mystery writer, edited by Child (the Jack Reacher series) and featuring contributions from over 50 authors. "Mystery writers," Child writes, "is a noble and evocative term, but we shouldn't think it limits us," and the entries that follow are a mixed bag of quick hits and worthy advice. Marilyn Stasio's "How Not to Get Reviewed," for example, is a single sentence offering: "Send multiple copies of your book to the reviewer's home and keep bugging her by email." Louise Penny's "Building Your Community," on the other hand, is a standout. In it, she recounts how she built an audience by opening up to her fans, prompted by advice to promote herself because if readers "like you, they'll probably buy your book, and will probably like it." Jeffery Deaver's "Always Outline" urges against "pansters" who "write by the seat of their pants," while Child follows with a plea to "Never Outline." The most valuable insights come on the craft level: Jacqueline Winspear's tips on setting mysteries in the past and Catriona McPherson's on incorporating humor, for example, hit as practical and insightful. Budding authors looking for pro tips will find some useful tidbits, but this is ground mostly covered. (Apr.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

Everything you wanted to know about how to plan, draft, write, revise, publish, and market a mystery, courtesy of the cheerleaders from the Mystery Writers of America. In a marketplace crowded with how-to-write titles, the big selling point of this one is the variety of voices behind more than 30 full-length chapters covering everything from mystery subgenres (Neil Nyren) to publishing law (Daniel Stevens), punctuated with a variety of shorter interpolations. A few of them are more pointed than the longer chapters--e.g., when Rob Hart advises, "Allow yourself the space to forget things," Tim Maleeny says, "Love your characters, but treat them like dirt," or C.M. Surrisi notes, "If you're writing a mystery for kids, remember that your protagonist can't drive and has a curfew, and no one will believe them or let them be involved." The contributors vary in their approaches, from businesslike (Dale W. Berry and Gary Phillips on the process of creating graphic novels, Liliana Hart on self-publishing, Maddee James on cultivating an online presence) to personal (Frankie Y. Bailey on creating diverse characters, Chris Grabenstein on writing for middle schoolers, Catriona McPherson on deploying humor) to autobiographical (Rachel Howzell Hall on creating a Black female detective, Louise Penny on building a community of followers) to frankly self-promoting (T. Jefferson Parker on creating villains, Max Allan Collins on continuing someone else's franchise). Although many familiar bromides are recycled--"All stories are character-driven," writes Allison Brennan, and Jacqueline Winspear, Gayle Lynds, and Daniel Stashower all urge the paramount importance of research--the most entertaining moments are the inevitable disagreements that crop up, especially between Jeffery Deaver ("Always Outline!") and editor Child ("Never Outline!"), with Deaver getting the better of the argument. Other contributors include Alex Segura, William Kent Krueger, Tess Gerritsen, and Hallie Ephron. A chorus of encouraging voices that mix do-this instruction with companionable inspiration. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.