Instructions for dancing

Review by Booklist Review

After catching her dad cheating, Evie stopped believing in Happily Ever Afters, but when a trip to donate her romance-novel collection leads to an eerie encounter with a witchy old woman, Evie finds that she's been bestowed with a supernatural power: whenever she witnesses a couple kissing, she receives a vision of their entire relationship, from hopeful beginning to inevitable end. Her search for an explanation leads her to La Brea Dance studio, where she meets gorgeous, spontaneous aspiring rocker Xavier (or X), and the two are paired in an amateur dance contest. As Evie and X practice, they develop their undeniable chemistry, but Evie's visions--and her father's impending remarriage--continue to shake her faith in love. Yoon returns with another irresistible romance, this time with a metafictional look at the genre and a dash of magic that makes the proceedings all the more engaging--and fun. There may be nothing easier than slipping into Yoon's smooth, flowing prose and into the hearts of her characters. The story layers in Evie's troubling superpower, her reluctant crush, the dance competition, the changing relationships in her friend group, and the fallout with her father without stumbling or overcomplicating matters. And the resonance only grows when Evie and X share a climactic kiss on the dance floor and Evie's ensuing vision changes everything. An endearing, affecting exploration of the journey of love.HIGH-DEMAND BACKSTORY: Everything Yoon touches turns to gold--and gets a film adaptation--and this cinematic supernatural romance will be no exception. Stock up!

From Booklist, Copyright (c) American Library Association. Used with permission.

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Review by Publisher's Weekly Review

After her parents' divorce, romance enthusiast Evie Thomas, 17, swears off love. Donating the last of her romance book collection in the process, she comes across a neighborhood library box and a mysterious woman who encourages her to take a book for herself. Evie doesn't think much of the volume, Instruc-tions for Dancing, but realizes that something strange is occurring when she sees her sister, Danica, kissing her boyfriend, and has a vision of both how they got together and how they'll break up. After Evie sees the romantic fates of other kissing couples, her best friend urges her to visit the "please return to" address in the book--the La Brea Dance studio. There, Evie is sucked in by the magnetic owners, fiery instructor Fifi and the owners' grandson, X, and is persuaded to join the LA Danceball competition to help the studio gain clients. With X as her partner, she learns the steps to leading with her heart. With deadpan humor, realistically wrought relationships among the Black principal cast, and a well-executed fantastical element, Yoon (Everything, Everything) delivers a story of love's unpredictability and the importance of perspective that unfolds with ease and heart. Ages 12--up. Agents: Sara Shandler and Joelle Hobeika, Alloy Entertainment. (June)

(c) Copyright PWxyz, LLC. All rights reserved

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Review by School Library Journal Review

Gr 8 Up--After her parents' divorce and father's remarriage announcement, Evie Thomas is struggling to believe that true love exists. As a result, she decides to donate all her romance books to the little free library. There, a woman insists she take the book Instructions for Dancing, which is from the local La Brea Dance Studio. Soon after, she see how the relationship of a couple in the park will end. Thinking this is a fluke and encouraged by a friend to return the book, she takes it to the studio, only to find herself dragged into taking a class. There, she meets a sweet, elderly Black couple and the owner's son, X, whom she ends up partnering with for a dance competition. Soon, she starts thinking she might have feeling for X. Does true love really exist? Narrator Bahni Turpin does a great job of bringing the author's unique characters to life. Her narration is spot-on when relating deadpan humor, teen angst, and Evie's newfound ability. The characters are realistic and full of nuance and bring Evie's world to life. The cast is diverse; most main characters are Black. VERDICT A light, enjoyable romantic comedy with a touch of magical realism that helps listeners realize that not everything is as it seems. Recommended for most library collections, particularly those where realistic fiction, books with a bit of magic, and romantic comedies are popular.--Kira Moody

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Review by Horn Book Review

When her parents get a divorce due to her dad's infidelity, Evie is thoroughly disillusioned with the notion of love. A chance encounter while disposing of her romance novels results in her obtaining a book titled Instructions for Dancing that gives her the ability to foresee the fate of any couple she happens to see kissing. With the book's help, she finds herself at a dance studio, where she is swept up in learning ballroom dance. As her new dance partner becomes her love interest, Evie, burdened with upsetting information, begins to explore whether love is ultimately worth the pain it can potentially cause. While the romantic and fantastical elements of the premise seem light, Yoon's (Everything, Everything, rev. 11/15; The Sun Is Also a Star, rev. 11/16) novel includes thoughtful messages about loss, grief, and the power of love. At times joyous and heartwarming, this emotional roller coaster of a story also has moments of melancholy and sorrow, and it ends with a bittersweet conclusion, much as readers may root for happily-ever-after. But as Evie sees stories of love and eventual heartbreak and weighs the cost of falling in love, she eventually learns just to enjoy the dance. Monique Harris September/October 2021 p.109(c) Copyright 2021. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Review by Kirkus Book Review

A girl's views on love and heartbreak are full of confusion--and then a dance book leads her to romance. High school senior Evie Thomas thought she had the perfect family until she caught her dad with another woman. Formerly a genuine romantic, she is devastated. Even as her mother and sister appear to move on, she leaves her romance novels at a Little Free Library, where she meets a mysterious woman who insists she take the book Instructions for Dancing. It leads her to a dance studio run by an elegant older couple who have an attractive grandson, Xavier, who goes by X. Evie and X start practicing to represent the studio in a dance contest--as well as spending time together off the dance floor building a connection that will improve their performance. Meantime, Evie has been having visions that show her when and how people's relationships will end. Despite herself, she falls for X and allows herself to reconcile with her father. Evie is guarded and careful while X is passionate and intrepid; both are likable characters whom readers will instantly love. Main characters in this richly textured novel featuring clever dialogue and expert pacing are Black; it includes diverse secondary characters who are interesting and fully realized. The elements of fabulism deliver an unexpected twist, presenting the question of whether love is worth the pain of loss. A remarkable, irresistible love story that will linger long after readers turn the final page. (Romance. 12-18) Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

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Chapter 1 A Better Version of Me Books don't work their magic on me anymore. It used to be that if I was in a funk or in the barren hinterland between sad and mad, I could just pluck any random one from my favorites shelf and settle into my fuzzy pink chair for a good read. By chapter three--chapter four at the very latest--I'd be feeling better. These days, though, the books are nothing but letters arranged into correctly spelled words, arranged into grammatically correct sentences and well-structured paragraphs and thematically cohesive chapters. They're no longer magical and transporting. In a past life I was a librarian, so my books are arranged by genre. Until I started giving them away, the Contemporary Romance section was the biggest. My favorite of all time is Cupcakes and Kisses. I pull it down from my shelf and flip through it, giving it one last shot to be magical. The best scene is when the no-nonsense head chef and the sexy, constantly brooding line cook with the mysterious past have a food fight in the kitchen. They both end up covered in flour and icing. There's kissing and a lot of dessert-related wordplay: Sugar lips. Sweet buns. Sticky situations. Six months ago this scene would have made me gooey inside. (See what I did there?) Now, though? Nothing. And since the words haven't changed from the last time I read them, I have to admit the problem isn't the book. The problem is me. I close the book and stack it on top of the others I'm giving away. One last trip to the library tomorrow and all my romances will be gone. Just as I start putting them into my backpack, Mom pokes her head into my room. Her eyes travel a circuit from my face, down to the tower of books, up to the four empty rows on my shelf, and then back to my face. She frowns and looks like she wants to say something, but then she doesn't. Instead, she stretches out her hand and pushes her phone toward me. "It's your father," she says. I shake my head so hard my braids whip around my face. She jabs the phone my way again. "Take it. Take it," she mouths. "No, no, no," I mouth back. I've never seen two mimes arguing, but I imagine it would look something like this. She moves out of the doorway and all the way into my room. I have just enough space to dart around her, so I do. I sprint down our small hallway and lock myself in the bathroom. Mom's inevitable knock comes ten seconds later. I open the door. She looks at me and sighs. I sigh back at her. Most of our communication these days comes in the form of these small exhalations. Hers are Frustrated and Long Suffering and Exasperated and Impatient and Disappointed. Mine are Confused. "Yvette Antoinette Thomas," she says. "How long are you going to keep this up?" The answer to her question--and I think it's a fair one--is forever. Forever is how long I'm going to be angry at Dad. Really, the better question is: Why isn't she? She slips the phone back into her apron pocket. There's a dusting of flour on her forehead and some in her short Afro, making it look like she suddenly went gray. "You giving away more books?" she asks. I nod. "You used to love them," she says. The way she says it, you'd think I was setting them on fire instead of donating them to the library. I meet her eyes. It feels like maybe we're having a moment. If she's willing to talk about me giving away my books, then maybe she's willing to talk about something real, like Dad and the divorce and how things have been since. "Mom--" I begin. But she shifts her eyes from mine, wipes her hands down the front of her apron and interrupts me. "Danica and I are going to make brownies," she says. "Come down and help us." The baking's new. She started the day Dad moved out of our old house, and she hasn't stopped since. If she's not on shift at the hospital, she's baking. "I'm meeting Martin and Sophie and Cassidy tonight. We're supposed to start planning our road trip." "You spend more time out of the house than in it these days," she says. I never know what to do when she says something like that. It's not a question and not an accusation, but it has a little bit of both in it. Instead of answering, I stare at her apron. It reads Kiss the Cook and has a drawing of two enormous red lips smacking. It's true that I'm not home much these days. The thought of spending the next few hours baking with her and my sister, Danica, fills me not with despair exactly, but something close to it. Danica will be dressed perfectly for the occasion--a vintage-style apron with a matching chef's hat that sits in the middle of her Afro poufs. She'll talk about her latest boyfriend, who she is (very) excited about. Mom will tell gory emergency room stories and insist on playing reggae music, something old-school like Peter Tosh or Jimmy Cliff. Or--if Danica gets her way--they'll play trip-hop while Danica documents the whole thing for social media. They'll both pretend that everything is just completely okay with our family. Everything is not okay. Mom sighs again and rubs her forehead. The flour dust spreads. "There's flour," I say, reaching to wipe it away. She dodges my hand. "Leave it. It's just going to keep getting dirty anyway." Mom's originally from Jamaica. She moved here when she was fourteen with Grandma and Grandpa. The only time she has a Jamaican accent is when she's nervous or upset. Right now her accent is slight, but it's there. She turns and goes back downstairs. As I get dressed, I try not to think about our not-quite-an-argument but end up thinking about it anyway. Why was she so upset with me for giving away the last of my romance books? It's like she's disappointed in me for not being the same person I was a year ago. But of course I'm not the same person. How could I be? I wish I were as unaffected by the divorce as she and Danica are. I wish I could bake with them, carefree. I wish I could go back to being the girl who thought her parents, especially her dad, could do no wrong. To being the girl who hoped to have a love just like theirs when she grew up. I used to believe in happily-ever-afters because they had one. I want to go back and unknow all the things I know now. But you can't unknow things. I can't unknow that Dad cheated on Mom. I can't unknow that he left us all for another woman. Mom misses the version of me that used to love those books. I miss her too. Chapter 2 (Former) Favorite Romance Genres Contemporary 1. Enemies to Lovers--Asking the perennial question will they kill each other or will they kiss each other? I'm kidding. Of course they're going to kiss. 2. Love Triangle--Everyone loves to hate love triangles, but actually they're great. They exist so the main character can choose between different versions of themselves: who they used to be, and who they're still becoming. Side note: If you ever find yourself choosing between a vampire and a werewolf, choose the vampire. See #1 below for more on why you should (obviously) choose the vampire. 3. Second Chance--These days I realize this is the most unrealistic trope. If someone hurts you once, why would you give them the chance to do it again? Paranormal 1. Vampires--They're sexy and will love you forever. 2. Angels--They have wings that they'll use to envelop you or to take you away from this place to wherever you need to be. 3. Shape-shifters--Jaguars and leopards mostly, but basically anything in the big cat family. I once tried reading about dinosaur shape-shifters. T. rexes, pteranodons, apatosauruses, etc. They are as horrifying as you think they are. Chapter 3 Give a Book, Take a Book By the time I get downstairs the next morning, Mom's already left for her shift at the hospital. Danica is at the dining table taking pictures of the brownies she and Mom made. They're arranged into a pyramid on one of Mom's fancy new cake platters. Danica is from the jaunty-angle school of picture taking. She tilts her phone and circles the brownie pyramid, taking picture after jaunty picture. I get myself cereal and sit at the table next to her. We've been in this apartment for six months, but it still feels temporary, like I'm just visiting. I keep waiting to get back to my real life. Compared to our old house, this place is small. I miss having our own private backyard. Now we share a courtyard with twelve other apartments. Our house had two bathrooms, but now we only have one. Mostly, though, I miss how every room held our memories. Danica settles on a photo and slides her phone to me so I can see her post. "You can't even tell they're burnt," she says with pride. She's right. They do look perfect. I scroll through her posts. There's a selfie of her and Mom dusted with flour, holding a big block of chocolate and laughing, that makes me wish I'd stayed and helped. I read through the hashtags--#motherdaughterbakenight #blackgirlmagicbaking #perfectbrowniesareperfect--before sliding the phone back to her. "How come you're not at brunch?" she asks. Usually I spend Sunday mornings with my best friends at Surf City Waffle, the absolute best waffle place in all of Los Angeles. This morning, though, they're all busy. "Everyone's got stuff," I say. "So you're just gonna hang around here, then?" she asks, and not in a way that makes me think she wants me to hang around here. I drop my spoon back into the bowl and take a good look at her. Most days, she looks like a supermodel from the '70s with her enormous Afro, bright glittery makeup, and vintage clothes. Right now she looks even more beautiful than usual. If I had to guess, I'd say she has a date. But I don't have to guess, because the doorbell rings a second later. A huge smile breaks across her face, and she runs to the door with a squeal. In the last year, Danica has had eight different boyfriends, which is an average of 0.667 boyfriends per month or 0.154 boyfriends per week. Anyway, my problem is not the quantity or even the quality of her boyfriends (to be clear, the quality could be better. I don't know why she chooses boys who are so much less interesting and smart than she is), it's the fact that she's dating at all. Why am I the only one who learned the lesson of Mom and Dad's divorce? I leave my bowl on the table and try to sneak through the living room so I can avoid saying hello. No luck. "Hey, Evie," says the guy. He says "hey" as if it has more than one syllable. "Hi," I say back, trying to remember his name. He's dressed in board shorts and a sleeveless T-shirt, like he's going to the beach or just got back from it. He's white, tall, and muscled, with long, messy blond hair. If he were furniture, he'd be a really nice-looking shag carpet. We stand there awkwardly for a few seconds before Danica puts us all out of our misery. "Ben and I are thinking of going to the movies," she says. "You can come if you want." But the look on both their faces tells me two things: #1: They are not thinking of going to the movies. They are thinking of staying here. Alone. In the apartment. So they can make out. and #2: If they were going to the movies, they wouldn't want me tagging along. Why did she even ask? Is she feeling sorry for me? "Can't. Have fun, though," I say. The only thing I have to do today is go to the library and get rid of my books, but sharing that will make me feel pathetic. I go upstairs and get dressed. When I leave, I say bye like it has more than just the one syllable. Excerpted from Instructions for Dancing by Nicola Yoon All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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