Review by Booklist Review
Gr. 3^-5. Add this to the stories of the Righteous Gentiles. In 1940 Chiune Sugihara, the Japanese consul in Lithuania, saved the lives of hundreds of Polish Jewish refugees. He personally wrote out visas that enabled the Jews to escape the Nazis. To do that, he risked the lives of his own family and disobeyed the instructions of the Japanese government. The story is told in the first person by the consul's son, Hiroki, who remembers himself at the age of five when desperate refugees were crowding at his father's door. He remembers how his father consulted his family and how they all discussed their choice: if they helped those people, the family could be in danger; if they did nothing, all the refugees could die. Lee's stirring mixed-media illustrations in sepia shades are humane and beautiful; they capture the intensity of those days--when the crowds were at the gate and one man wrote and wrote the visas by hand--from the child's viewpoint. The immediacy of the narrative will grab kids' interest and make them think. And yet, this story cries out for fuller historical treatment than a picture book can give it. So many questions are left unanswered: What happened to the refugees? What happened to the consul's family? A brief afterword just hints at the astonishing drama. --Hazel Rochman
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Mochizuki and Lee's (Baseball Saved Us) skillful volume pays tribute to Chiune Sugihara, a Japanese diplomat posted to Lithuania who in 1940 saved the lives of thousands of Polish Jews. Defying orders from his government, Sugihara handwrote visas for weeks to grant refugees passage through the Soviet Union to Japan. Told in the voice of his then-five-year-old son, the narrative centers upon the boy's impressions: the creaking of the bedsprings as his sleepless father tossed and turned, the Jewish children huddled outside the consulate, his mother massaging her husband's cramped arm. Lee's precise, haunting art, created by scratching out images from beeswax applied to paper and then adding oil paint and colored pencil, has the look of sepia-toned photographs: it unites carefully balanced compositions and emotional intensity. Mochizuki and Lee's inspired treatment brings out the import of Sugihara's brave and compassionate decision. An afterword by Sugihara's son updates the account: the family spent 18 months in a Soviet internment camp, and his father was stripped of his diplomatic post. A stirring story. Ages 4-up. (May) (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review
Gr 2-6The story of a Japanese diplomat who saved thousands of Jewish refugees in defiance of official government orders. This little-known Schindler-like account is effectively narrated in first-person style, ostensibly by young Hiroki Sugihara, son of the man who was Japanese consul in Lithuania in 1940. As Nazi soldiers invaded Poland, many Jews crossed the border to Lithuania and hundreds besieged the Japanese consulate for travel visas. Three times, Hiroki's father requested permission from his government to issue visas and was refused. He decided to follow his conscience and obey the dictates of God, rather than his government. For the next month, until he was reassigned to Berlin, he issued and personally signed visas, from dawn to dark, while hundreds stood in line for their passage to freedom. An afterword by Hiroki Sugihara tells of the subsequent history of his family. For children, this story will be a lesson in courage and conscience and a valuable addition to Holocaust materials. For those who have some knowledge of the Japanese/German Axis pact, the remarkable actions of Consul Chiune Sugihara carry an added dimension of heroism and brotherhood above and beyond political pressures. Lee's dramatic full-page, sepia-colored illustrations focus on the faces of the Japanese consul and his family, the Jewish men and women appealing for help, and the children, whose fate lay in the hands of the adults, men and women of different races and cultures caught in a fearful time.Shirley Wilton, Ocean County College, Toms River, NJ (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review
(Intermediate) Michael Dorris's adult novels Yellow Raft in Blue Water and Cloud Chamber chronicle the deceptions and betrayals that nearly destroy a family, generation after generation. Yellow Raft in Blue Water moves from the present generation of fifteen-year-old Rayona back through two generations of women on her maternal side, while Cloud Chamber opens in nineteenth-century Ireland and moves forward through five generations of Rayona's paternal family. Whereas these two books convey how suffocating and harmful relationships can be, The Window throws itself open to the strengths of familial bonds. From the moment eleven-year-old Rayona sits by the window waiting for the return of her frequently delinquent mother, this novel pulsates forward with an energy and wit that never falters. In lively contrast to Dorris's more somber historical novels for children, the seemingly cocky but vulnerable and emotionally needy Rayona narrates this short novel with a breezy, spunky voice. When her Indian mother does not return from her latest binge to declare their usual "National Holiday" (on which she and Rayona can eat breakfast for supper and practice being best friends), Rayona's philandering black father informs her that her mother has checked into a rehab center, but that he is unable to care for Rayona. Her foster placement with the relentlessly cheerful Potters (Rayona is amazed to discover that "there are actual people like this who aren't on a weekly sitcom") proves short-lived and disastrous; placement with the stolid Mrs. Jackson turns to unexpected fun for them both but is likewise cut short. Rayona senses that her father, in talking with her about his family (with whom she will live next) is "leaving something out, some detail, some secret within a secret, but I am so anxious to find out what happened next, to get to the 'me' part, that I let it go by." The Window is all the "me part," keeping the exuberant narrator squarely in the middle as she finds her place in the secrets of her family. Rayona soon learns that her grandmother (her father's mother) is white-a fact he tells Rayona when he is taking her to meet her grandmother for the first time. Rayona resolves not to miss another word for the rest of her life. Sitting in the window seat of the airplane, she understands that she will never again "be able to look out a small window and see [her] whole world from it." With the introduction of Rayona's great-grandmother, the ancient and proper Mamaw, her sensible and wise Aunt Edna, and her grandmother Marcella (a "vanilla Hostess cupcake" of a woman), Dorris's novel becomes yet more unguarded as these three women embrace their young relative with unconditional love. No scene feels more genuinely celebratory than when her aunt and grandmother travel west with Rayona to return her home. Having installed a device atop their car to provide cool air-a contrivance that re-quires the windows to be rolled up-the three must shout to be heard, causing a cacophony of "beg your pardons." When Grand-mother opens the window, thinking to be chastised but instead winning the approval of everyone as the cooler sails away, all three break into hilarity and song. Without glos-sing over the hurt and pain of parental abandonment, this novel of open win-dows is a joy, a "national holiday" to which we can return any day of the week. s.p.b. Picture Books Marc Brown Arthur's Computer Disaster; illus. by the author (Preschool, Younger) Arthur knows he's not supposed to be using his mother's computer, but the lure of Deep, Dark Sea, "the greatest game in the universe," is irresistible. Predictably, the computer breaks; luckily, it's easy to fix; reassuringly, Mom is not mad, just disappointed. She decrees that there will be no computer gaming for a week-at least for Arthur: "'I'll be right up,' called Mom. 'As soon as I blast these skeletons from the treasure chest.'" "Adapted by Marc Brown from a teleplay by Joe Fallon," this story of mild disaster followed by mild reproof will be a pleasant diversion for fans of the popular TV personality. r.s. Eve Bunting Ducky; illus. by David Wisniewski (Preschool) David Wisniewski's Caldecott-winning paper-cutting talents get a comedic workout here, illustrating Bunting's slightly sly text about a plastic duck who, along with thousands of fellow bathtub toys, is washed overboard when a storm hits the freighter ferrying them across the ocean (Bunting supplies a note about the factual event that inspired the story). The duck tells the story ("Our ship has disappeared. The sea is big, big, big. Oh, I am scared!"), including an unfortunate encounter with a shark ("It shakes its head and spits us out. I expect we are not too tasty, though we are guaranteed non-toxic") and the basic existential dilemma of a bathtub toy out of its element: "I wish we could swim and get away. But all we can do is float." The ocean's currents eventually bring the duck to shore alongside many of his compatriots, and he finally achieves his destiny, floating in the security of a bubblebath. This is an out-of-the way excursion for both author and illustrator, and if Wisniewski's pictures are sometimes too weighty for Bunting's buoyant text, they are certainly splashy enough. r.s. H Peter Collington A Small Miracle (Younger) The creator of On Christmas Eve (reviewed 11/90) revisits that significant night in another masterfully executed wordless picture book. The artist's trademark sequential frames make the experience of turning the pages like watching a movie; this time it's a gripping, matter-of-factly magical story of charity and selflessness rewarded. In the midst of a bustling, prosperous contemporary village, a desperate old woman loses every-thing when she sells her sole prized possession-her accordion-and then is robbed. On her way home, she encounters the same thief attempting (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
