Other people's children A novel

R. J. Hoffmann, 1969-

Book - 2021

"Gail and Jon Durbin moved to the Chicago suburbs to set up house as soon as Gail got pregnant. But then she miscarried - once, twice, three times. Determined to expand their family, the Durbins turn to adoption. When several adoptions fall through, Gail's desire for a child overwhelms her. Carli is a pregnant teenager from a blue-collar town nearby, with dreams of going to college and getting out of her mother's home. When she makes the gut-wrenching decision to give her baby up for adoption, she chooses the Durbins. But Carli's mother, Marla, has other plans for her grandbaby."--Publisher.

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Subjects
Genres
Domestic fiction
Published
New York : Simon & Schuster 2021.
Language
English
Main Author
R. J. Hoffmann, 1969- (author)
Edition
First Simon & Schuster hardcover edition
Physical Description
376 pages ; 24 cm
ISBN
9781982159092
Contents unavailable.
Review by Booklist Review

After several heartbreaking miscarriages, Gail and Jon Durbin decide to adopt. With their marriage fraying because of the stress and unrealized expectations, they are overjoyed when eighteen-year-old Carli chooses them to adopt her unborn baby, while she is determined to go to college and prove to her abusive mother Marla that there is more to her and to life. The Durbin's happiness is magnified when they bring baby Maya home from the hospital. This joy soon turns to sorrow when Carli, under pressure from her mother and grappling with an emptiness since giving up her Maya, does not sign the paperwork to finalize the adoption. Their world turned upside down, the Durbins react in a surprising way. Hoffmann writes with care and compassion about parental love, loss, trauma, and families. Multiple points of view help readers to see each character from different angles and saves some characters, like Marla, from what could just be a stereotype. While the ending is a little too pat, Hoffmann's debut showcases a riveting narrative. With plenty to discuss, this is an excellent pick for book discussion groups.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Hoffmann's riveting debut is a high-stakes exploration of how far people will go to protect their family. Despite three miscarriages and failed adoption attempts, Gail Durbin remains determined to become a mother. Her husband, Jon, though supportive, is less sure about parenthood. After being abandoned by his own father and neglected by his mentally unstable mother, Jon is terrified of becoming a terrible parent himself. Then, Carli, a poor, pregnant 18-year-old, chooses Jon and Gail as the prospective adoptive parents of her unborn child. Once baby Maya arrives, Jon realizes that caring for Maya will give him a chance to be a successful father; Gail feels complete and hopeful for the first time in years; Carli grapples with what her future will look like without her daughter as she struggles to attend community college and eke out an existence more promising than living with her abusive mother; and Carli's mother, Marla, resorts to callous, violent tactics to get the Durbins to return her granddaughter. What results is a nail-biting examination of socioeconomic disparity and loyalty as Maya's future hangs precariously in the balance. Hoffmann's believable characters don't disappoint, and his engrossing look at fraught issues piques. This sharp tale of heartache, loss, and redemption resonates. (Apr.)Correction: An earlier version of this review misspelled the author's last name. It also incorrectly referred to him as a woman in one instance.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

DEBUT Gail and Jon Durbin want nothing more than to make their family complete with a baby. But after three miscarriages, it just isn't happening, so they decide to adopt. Carli, an 18-year-old high school student, got pregnant and, after looking through numerous prospective parent profiles, chooses the Durbins to adopt her baby. But Carli's mother, Marla, has other ideas. She doesn't want Carli to give up her baby when she can raise her by herself--with the help of Marla, of course. But that is Marla's motherly guilt speaking, as she was not there to raise Carli and her sister. When Carli attempts to reclaim her child from Gail and Jon, three mothers, three decisions, and three threads weave together to create a life for a baby. VERDICT Hoffman's debut is powerful with strong, well-developed characters. The decisions they must make are gut-wrenching, particularly those of Gail and Carli. The story takes turn after hairpin turn, moving into domestic suspense, that will have readers waiting with bated breath until the conclusion; even then, they'll be left to wonder if there is more.--Erin Holt, formerly at Williamson Cty. P.L., Franklin, TN

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A well-to-do Chicagoland couple's dreams of having a child are finally fulfilled when a barely scraping by teen picks them as the parents-to-be of her unborn child. But after the baby arrives and joins her new family, things become much more complicated. How far would you go to keep your family together? After a number of miscarriages, Gail and Jon Durbin are willing to put it all on the line to keep their newborn, Maya, with them. The fact that her teen birth mother, Carli, can't sign the final consent form for the adoption until 72 hours past the birth is a detail that they do not pay enough attention to, particularly in light of the ferocity of Carli's mother, Marla, in the hospital when she meets Maya and realizes she is losing her first grandchild to strangers. But family is everything, and after an idyllic few days Gail simply cannot comprehend a world where her daughter--her and Jon's daughter--can simply be taken away. This book deals with weighty, emotional relationships. What makes a mother? A family? Debut author Hoffmann has done a good job of looking at the unseemly corners as well as the bright spots of married and family life--the fights, the anger, the love, the willingness to put it all on the line to support the person you love when they fall down, and the damage that you can cause with your own failings. So often books elide the consequences of fictional characters' illegal choices. Kudos to Hoffmann for holding his characters to account for their choices and actions while still leaving the reader with a hopeful ending. A can't-put-it-down novel that will live in readers' thoughts long after they finish reading. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Gail Gail Gail didn't usually drink, but she stood on the patio and took a long sip from her third glass of pinot. It was disappearing quickly, evaporating, maybe. The first-birthday parties always cut especially deep, and this one proved no exception. There was a jump house, of course, and a section of the backyard had been fenced off for a petting zoo. Relatives had flown in from both coasts. A creepy clown was tying balloon animals that all looked like crickets. The birthday boy wouldn't stop crying, so he was sent upstairs with an aunt for a nap. But first-birthday parties were for the parents, not the babies, and certainly not for infertile women in their early thirties. Gail searched in vain for someone she knew. A few faces seemed vaguely familiar from her husband's holiday party, but sorting the relatives from Jon's coworkers proved difficult. She spotted Jon standing by the jump house, the tallest in a cluster of men whose scruffy jeans and T-shirts marked them as programmers. Jon swiped his dark, shaggy bangs out of his eyes and laughed. They were probably talking sports or music or databases. Gail envied him--men floated upon the surface of their conversations, while women always insisted on diving so deep. Days like today made Gail's lungs hurt. She had just fled the kitchen, where she was helping the baby's grandmother slice vegetables and heat up the chicken nuggets for dinner. The kitchen usually proved a safe haven at first-birthday parties--mindless tasks, no children. But the grandmother knew about Gail and Jon's situation and was asking all the wrong questions. How long will it take? Is there a lot of paperwork? International or domestic? How much does it cost? Have you heard anything lately? How can you stand the waiting? Stories always followed the questions--stories about adoptions that fell apart at the last minute and women who got pregnant soon after they adopted-- because they finally relaxed and stopped trying so hard. Gail answered the questions vaguely, with the fewest words that politeness allowed, and then she set down her knife and walked out, before the stories came, and before she gave in to the urge to tell Grandma about the girl in Morris. Now Jon spotted Gail and waved her over, but she just smiled, waved, and looked away. She couldn't go back to the kitchen, but she also couldn't summon the energy to fabricate an opinion about the Blackhawks defense or the best Modest Mouse album. The wine made everything slant a bit, and the yard swarmed with children she didn't want to look at, darting around adults she didn't know. She could go help with the three-legged race, but it seemed well staffed with mothers. Heidi and Colin were already surrounded by strangers. She could go to the bathroom again, but she'd already been twice in the last hour. She'd probably be discovered if she hid in the car. Finally, Gail stepped off the porch and drifted toward the petting zoo. She leaned against the fence erected around the animals and tried to focus on the rabbits and goats and chickens. She tried to ignore the children chasing them, and she mostly succeeded. She tried not to think about the book that went out to that nameless, faceless pregnant girl in Morris, and she failed miserably. Paige from the agency had told Gail nothing about the girl but her hometown. She never shared more than that, and she always reminded Gail to manage her expectations. That girl would be sorting through a stack of books, and there was no way to guess how she would decide. Getting your hopes up in the early stages too often leads to disappointment , Paige always said. The first three times the book went out, Gail had mostly managed to heed Paige's advice, but those first three times had been easier. The answer had come quickly, a quiet no from Paige, in two days, in four, in three. This time, though, after a week passed without a word, Gail had begun to imagine that girl in Morris thumbing through their book. Gail tried to guess what she saw in the carefully curated pictures, what conclusions she would draw from the painstakingly crafted sentences. She knew that she should think about something else. She shouldn't get her hopes up. And she should have told Jon about sending the book to Morris. A little girl wedged in the corner of the petting zoo caught Gail's attention. She wore a frilly dress and couldn't have been more than three, maybe four years old--about the same age as Gail's child would have been if her first pregnancy stuck. The girl sat in the grass and held a chick in her lap. When it tried to escape, she scooped it back up. When it pecked her, she giggled. The chick settled into the folds of the girl's dress, and she bent over it, her hair draped down the sides of her face, murmuring to her little friend. As Gail watched, she considered the minimum required stay at a first-birthday party. There should be a formula, a spreadsheet. She could imagine the inputs: The number of your friends in attendance; the length, in years, of your relationship with the parents; the number of your own children writhing in the jump house. If you brought no children, the number of times you miscarried would serve as a key variable. The time elapsed, in months, since your last miscarriage might complete the algorithm. You could display the output in minutes or seconds. "I hate these things." Gail turned to find Jon next to her, his brown, almost black eyes scanning the yard. His hair was tousled--he usually didn't touch a comb on weekends. He stood a foot taller than her, lanky in a manner that didn't appeal to many other women, but all his parts fit together in a way that had always seemed just right to Gail. "Why can't they just invite their family and call it a day?" "They're testing our fealty," Gail said. "Heidi's mom is probably tracking attendance." "Seems like we should be able to buy our way out of this. A more expensive present? Maybe some savings bonds?" "That's not how these things work. Tribute must be delivered in person." "How are you doing?" Jon asked. Gail leaned into the fence again and studied the girl. She'd have three children, two walking by now, if she had never miscarried. She indulged this math too often, and the equations never balanced. "I'm OK," she said. The wine helped. That book in Morris helped. The little girl with the chick helped. Gail watched as a man wearing leather loafers, a deep tan, and expensive-looking sunglasses walked up to the fence behind the little girl. "Time to go, Taylor," he said. The girl looked up from the chick, stricken. "No, Daddy. Not yet." Jon took another swig of beer and leaned his elbows against the fence, his back to the zoo. "Where were you? Earlier." "In the kitchen. Slicing celery and getting grilled by Heidi's mom." Jon raised his eyebrows. "About?" He knew the answer to that, of course. "Heidi must have told her." "Shit. I'm sorry." Jon's forehead wrinkled as he glared across the yard at Heidi. "She's got loose lips for somebody in HR." Taylor's dad checked his enormous watch. "We have to be at your brother's soccer game in twenty minutes." Taylor looked back down at her lap. "But I got a friend." "C'mon," Taylor's dad said impatiently. "Let's go." "Let's go," Jon said. Gail glanced at her watch. "We'd miss the chicken nuggets and coleslaw." Taylor looked up at her dad. Her lower lip quivered, and her face began to collapse. When the tantrum began, the other children and the animals scattered. The chick in Taylor's lap stayed put only because she folded the hem of her dress over it, trapping it. Heads throughout the yard swiveled toward the commotion. After everyone confirmed that their own progeny wasn't screaming, their eyes lingered, to see what would happen next. Jon glanced at Taylor only once, and then turned back to the yard. "Let's get Indian takeout," Jon said. "Trade this mess for a date." "Did you talk to Heidi and Colin?" Gail asked. "I did. I even took a picture with Evan." "Really? You held him?" Jon drank again from his beer, shook his head. "I've got a cold." "C'mon, Taylor," her dad said sternly. He looked around the yard, becoming fully aware of his audience. "It's time." Tears streamed down Taylor's face, and she hyperventilated between wails. Gail could see the chick wriggle beneath the dress. Taylor's hands pressed the fabric tightly around it. She finally recovered long enough to shout, "I don't want to leave him, Daddy! Don't make me leave him!" "You're right," Gail said. "Indian sounds good." Jon drained the last of his beer. "I'm gonna take a leak, and then we'll make like Houdini." Jon headed toward the house, and Gail turned her full attention to the standoff between Taylor and her dad. She couldn't help but root for Taylor. Her dad seemed like an asshole, the brother would probably survive if they arrived a few minutes late for his game, and Taylor's need to hold her little friend seemed so visceral. Taylor's dad leaned closer. "Please, Taylor," he said more quietly. Taylor began to settle a bit. Her lips trembled, but her voice was clear when she stated her terms. "I want to keep him, Daddy." "You can't keep him," her dad said. "You know that." "I'm gonna keep him," she said. She stated it as fact and looked up to gauge his reaction. "I said no!" her dad hissed. Something hardened in Taylor's eyes, and Gail's allegiance drifted toward the chick. Taylor leaned back and let loose a truly catastrophic scream. Her dad's eyes darted again, landing, finally, on the petting zoo lady who guarded the gate on a camp chair. Taylor's dad walked quickly to the woman, and his daughter tracked him, even as she screamed. He bent down and whispered something. The woman shook her head emphatically. He said something else, more urgently this time. The woman ignored him. He looked at his daughter, then tugged a money clip from his pocket. He peeled off a small stack of twenties. The woman glanced at the cash and then shrugged. She took the money, wadded it up, and crammed it into the pocket of her jeans. Taylor's dad circled the fence, bent to his daughter, and whispered fiercely in her ear. She stopped crying immediately. She smiled. She got up, still holding the chick bunched in the fabric of her dress, and walked triumphantly to the petting zoo's entrance. Gail moved even before she decided to. "You can't do that," Gail said to the man. He picked up his daughter and squinted at Gail. His lip curled slightly. "I just did." Gail tried to summon the words that might win the chick's freedom, even as she tried to figure out why it mattered so much. "It's not right," was all she could manage. Taylor looked down at the wriggling lump in the fabric of her dress, and then up at Gail, her eyes, too, now drawn to slits. Her father drew a breath and leaned forward as if about to shout. Instead, he just shook his head, turned, and marched out the side gate, avoiding eye contact with everyone. Gail leaned her head against the passenger window on the drive home. The wine left her with a dry mouth and a headache gathering at her temples. The smell of curry leaked from the bag of food at her feet. She wondered where Taylor's family would keep the chick. She imagined a tub in the guest bathroom, covered in shit, the chick's chirps growing weaker by the day. What would they feed it? How long would it last? Would Taylor tire of it before it died? Jon was quiet as he drove, and for this Gail was grateful. For all the boneheaded things Jon sometimes said, he knew when to keep quiet and let her work through things. And, of course, he knew how parties like that could send Gail sideways for a few days. He had offered to go alone, and she probably should have let him. After a while, though, the silence began to grate on her. It seemed to accuse her, to indict her for what she had failed to say. She should have told Jon about the book right when Paige sent it out. She definitely should have told him about it after the first week drifted past. But the fact was, after they sent each of the other three books, she had regretted telling him. Every time, he'd gone quiet. He avoided looking at her, his eyes darting like a cornered raccoon while they awaited the verdict. This time, as each day slid by without a call, it became harder to tell him, even as Gail knew that it became more important. Maybe all those questions from Heidi's mom made her want to tell him now. Maybe it was all those kids running around the backyard screaming and laughing that allowed her to accept that something good might happen this time. Probably it was the pinot. "Paige sent out a book," Gail said quietly. "Oh," Jon said. The word came out hollow, as if he'd gotten the wind knocked out of him. Gail stole a glance at him. He stared hard at the road, as if he were driving through rain. Her skull ached. She shouldn't have had that third glass. She should have kept her mouth shut. "To who?" he finally asked. "Some girl in Morris. That's all I know." "Where's Morris?" "About an hour west. Small town off Eighty." Jon chewed his upper lip. He fell back into silence, his eyes darting to the rearview mirror, to the side mirror, to anywhere but Gail. Finally, as they turned onto their street, he spoke again. "When did it go out?" Gail tried to think of vague words to drape over the truth. Jon pulled the car into the driveway and shifted into park. "Tomorrow will be two weeks." At that Jon grew still, and they both stared at the garage door. Even Jon knew that two weeks was a long time. Gail tried to imagine what he was thinking, but he was so hard to read when he got like that. Gail had no doubt about how she was feeling, though. She had tried to fight it. She tried to distract herself with work, and she'd made lists of all the ways that things could go wrong, but as day five crept into day six, the hope became insidious, hard to suppress, and it wormed its way deep into her bones, like cancer. Gail settled into bed, turned on the lamp, and opened her notebook. The sound of Jon's guitar leaked through the door from his office across the hall. She started by drawing a line through Tell Jon about the book . The little jolt--like an espresso or a sneeze--that she always felt when crossing an item off her list, was muted by guilt. She made a note to pick up the dry cleaning. She flipped to her grocery list and added arugula and celery and avocados. She crossed out chicken breasts and added pork tenderloin. She made a list of the restaurants and butcher shops that she'd call the next day when she got to work. She turned to the last page, where she kept the list of baby names, because she liked to look at them. Because she couldn't not do it. Gail was grateful for the music that seeped from Jon's office. He hadn't said a word after they came in from the car. They'd sat at opposite ends of the too-long kitchen table eating cold tandoori chicken. That book, the fact that she hadn't told him about it, sat at the table between them, spoiling their date. At least his guitar spoke. Gail didn't recognize the melody. He might have made it up himself. She still loved to hear him play. The night they first met, at a mutual friend's party, after everyone was drunk, someone thrust a guitar into his hands. She hadn't really paid much attention to that tall, skinny guy with his bangs over his eyes. But once he started playing that Elvis Costello song she loved, she couldn't pull her gaze from his long, graceful fingers as they danced up and down the guitar's neck. When the song finally ended, she looked up at his face and found him staring at her. As he played that night, he shifted deftly from one song to the next and then back again, crafting a new song that was all his own. His ability to play by ear and to improvise thrilled her in a way that she could never find words to describe. On their first date, they snuck into the Arctic Monkeys concert at the Metro, through a door that Jon's bartender friend had propped open. They danced in the first row of the pit, and Gail had felt a rush of something that frightened her. On their second date, when Jon bought standing-room-only tickets to the Cubs playoff game and then talked his way down to a pair of seats that remained inexplicably empty near the Braves' dugout, she began to feel a bit less frightened, but the rush remained. When he snatched a foul ball from the scrum in the aisle and then gave it to the kid with the glove in front of them, she began to see that he lived his life entirely by ear--he improvised everything in a way that she never could--and she began to love him , too. Jon switched to the banjo. Gail couldn't stand the banjo, and she had nothing more to cross off or add to her lists, so she put her notebook on the side table and climbed out of bed. She padded down the hall toward the stairs but paused at the door to the nursery. She opened it, slipped into the darkness, and closed the door behind her. She flipped on the light and let her eyes wander the room. The sea turtle rug waited in the center of the floor. Animals shaped like the letters of the alphabet circled the top of the wall. The changing table, the rocking chair, and the crib stood ready. Children's books lined the bookshelf. She'd organized them alphabetically at first, but it proved too messy. By color wasn't much better. She finally arranged them by height before accepting the fact that it really didn't matter. Every object in the room had started as an entry on a list in her notebook. Jon hated the lists, but Gail had started when she was ten and had forgotten how to function without them. She had copied her grandfather, who kept a tiny spiral-bound steno pad in his shirt pocket, a nub of a pencil crammed into the coil. Her lists made sure that she never missed a homework assignment, never arrived for an exam unprepared. During high school, when Gail's mom fell most deeply into the booze, Gail's lists made sure that food landed in the fridge, dentist appointments were kept, and the utilities got paid. When she started selling for the family knife-sharpening business, the lists helped her stay on top of the accounts and the calls and the proposal deadlines. She tried going electronic once, but the lists on her computer felt insubstantial, ephemeral, easily ignored. Before they started trying and failing to conceive a baby, the lists had been Gail's superpower, her secret weapon. But after her first miscarriage, they started to feel obsessive, even to Gail. Still, she didn't set them aside, because they helped her with the waiting. She made individual lists devoted to children's books and clothes and supplies like diapers and wipes and creams. She devoted a list to the cribs they might buy, along with the pros and cons of each, the cost, the safety rating from Consumer Reports. After she found a negative review on The Glow or ChildMode , she could draw a line through the name of the crib, striking the very same chord of satisfaction as completing a task. She made a list of potential themes for the nursery--nautical, polka dots, outer space. She finally settled on zoo animals. Another list cataloged paint colors, and on that list, she taped a tiny slice of the color swatches from Benjamin Moore, because it was hard to remember the difference between North Star and Smoked Oyster and Carolina Gull. Now, everything was in place, except, of course, for the most important thing, and for that she could only wait. The waiting wasn't always so difficult. Gail's twenties didn't feel like waiting at all. In the beginning, when she was struggling to learn how to sell, her notebook was crammed with lists of lost customers, customers at risk, and eventually, as she learned the job, customers won. When she moved to downtown Chicago, to that apartment on Paulina Street, she made lists of parties she attended, the bands she saw at the Double Door, and the dates of the best summer street festivals. And after Jon moved into that apartment on Paulina, they hosted many of the parties, so the notebook held guest lists and mai tai ingredients and a recipe for hash brownies. When she and Jon got married at Salvage One on the Near West Side, her lists exploded with potential dresses and florists and caterers and DJs. And as they approached thirty, the friends who had flocked to their parties slid away with their first and second babies, so she listed the names of other people's children and new addresses in the far-flung suburbs like Buffalo Grove and Glen Ellyn and Oswego. It was hard to remember, after everything that happened, that Jon was the first to ask the question. When should we have kids ? he asked, like he was asking about takeout from Jade Garden or a movie on Netflix, like it was only a question of when, not if. He claimed that he had always wanted kids, but it took a while for Gail to decide that she was willing to try. That first night of unprotected sex terrified her. The second was thrilling, the third an adventure. For a while, every month delivered another opportunity, each menstrual cycle another lunge at the brass ring. But then too many months piled up, and Gail discovered that a small, hard nugget of hope had begun to metastasize in her gut, even as her womb remained stubbornly empty. She listed her cycle dates and her basal body temperature and the state of her cervical fluid and, of course, the sex. She made lists of what she ate and her sleep patterns and how many times she went to the bathroom, and Jon's question gained weight even as Gail remained thin. Finally, when it became clear that things needed a shove, her doctor prescribed the shots. The shots worked, and four years ago, Gail had become pregnant for the first time. When she told her friend Cindy, Cindy had given Gail the number for a Realtor in Elmhurst, where she lived, and that nugget of hope began to mutate toward expectation. The fetus was just the size of a grain of rice when they made an offer on their house, just a little bit bigger when it bled down her leg. Every setback rattled Gail badly, but the truth was, those failures not only crystalized her answer to Jon's question, they made her obsess upon it. Gail probably would have settled into the rocker and ruminated on the one thing that was still missing from the room, becoming more and more annoyed by the muffled plunk of the banjo, if her phone didn't vibrate in the pocket of her pajama pants. And she probably wouldn't have answered if it hadn't been Paige from the agency. "Hello?" "Her name's Carli," Paige said. Gail pressed the phone tightly to her ear. She opened her mouth to speak, but her tongue seemed to fill her mouth. "The girl from Morris. Her name's Carli, and she wants to meet you." Excerpted from Other People's Children: A Novel by R. J. Hoffmann All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.