The year I flew away

Marie Arnold

Book - 2021

After moving from her home in Haiti to her uncle's home in Brooklyn, ten-year-old Gabrielle, feeling bullied and out of place, makes a misguided deal with a witch.

Saved in:

Bookmobile Children's Show me where

jFICTION/Arnold, Marie
1 / 1 copies available

Children's Room Show me where

jFICTION/Arnold Marie
2 / 2 copies available
Location Call Number   Status
Bookmobile Children's jFICTION/Arnold, Marie Checked In
Children's Room jFICTION/Arnold Marie Checked In
Children's Room jFICTION/Arnold Marie Checked In
Subjects
Published
Boston : Houghton Mifflin Harcourt [2021]
Language
English
Main Author
Marie Arnold (author)
Physical Description
245 pages ; 22 cm
Audience
Ages 10 to 12.
Grades 4-6.
ISBN
9780358272755
Contents unavailable.
Review by Booklist Review

When the violent Macoute raid Gabrielle's Haitian village, her parents decide it's in her best interest to live with her aunt and uncle in America until they can join her at a later date. Filled with excitement for a life in glorious New York City, Gabrielle soon finds that her expectations are extremely different from her reality in America, and soon she finds herself wishing she could just fit in. The question is: What would happen should those wishes come true? This refreshing middle-grade story offers a "new kid" narrative that defines the heart of what it means to be American in today's world. Arnold champions the beauty and complexity of Gabrielle's culture, which is intensified by Caribbean mysticism, an unlikely (yet highly influential) character, and the bustling backdrop of the City of Dreams. The beauty of this book lies in its depiction of not only the joy and excitement but the sacrifice and weight of immigration for young people. Arnold is thorough and intentional in fleshing out what it means for Gabrielle to support her family back in Haiti, which heightens the stakes of her choices, making readers even more deeply invested into her success. This book will shift the notion of what exactly it means to be Black, to be an immigrant, and to fit in and be accepted.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Balancing realistic and fantastical elements, Arnold's astute debut asks hard questions about what it means to be an American and who is considered one. Ten-year-old Gabrielle is facing the biggest challenge of her life as she moves from her small, close-knit Haitian village to New York City. When her parents' papers don't come through, she's sent alone to stay with an overworked aunt and uncle she's never met, a standoffish teen cousin, and young twins. Though Gabrielle is determined to do her best, fitting in turns out to be harder than she thought. She doesn't know English very well, and a mean girl bullies her relentlessly at school. Then a red door appears in her apartment building's lobby at midnight; behind it, a seemingly benign witch offers to grant her wish of fitting in--for a small price. Arnold depicts experiences of racism that people of color frequently face in the U.S. ("In America, your color walks in the door before you do. Always") while maintaining Gabrielle's sense of her own strength and writing an inclusive, sometimes fanciful supporting cast, including Rocky, a rat that wants to be a rabbit. Ages 8--12. (Feb.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Horn Book Review

Arnold presents an accessible and relatable immigration story, engagingly interwoven with magic. Holding the hope of her family on her shoulders, ten-year-old Gabrielle is determined to be on her best behavior when she leaves her home in Haiti for the "heaven" of America, moving in with her uncle and his family in Brooklyn. However, she realizes that life in the U.S. is not as magical as she had anticipated: her English is limited, her hair doesn't flow like it does for the girls on TV, and her clothing stands out. All she wants is to be a regular American girl. Seeing her desire to fit in, an evil witch, Lady Lydia, offers Gabrielle a deal. The witch will grant her three wishes, but, with each wish, Gabrielle will lose some "small, insignificant" thing -- a strand of hair, a sock. Although that seems like a harmless exchange, Gabrielle soon realizes that her desire to be "American" will cost her much more than she'd bargained for, and she must decide how much she is willing to lose in order to belong. Although the pacing is somewhat uneven at the end, the book presents an engrossing story of self-acceptance and self-discovery and will appeal to readers who enjoyed Callender's Hurricane Child (rev. 5/18). S. R. Toliver July/August 2021 p.104(c) Copyright 2021. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

At home in Haiti, 10-year-old Gabrielle Marie Jean loves the rain, scary stories, beating the boys in mango-eating contests, and her family, most of all. When her parents' paperwork issues mean she must immigrate to the United States alone, every heavenly thing she believes about America can't outweigh the sense of dread she feels in leaving everything she knows behind. A preternaturally sensitive child, Gabrielle feels responsible for not only her own success, but her whole family's, so the stakes of moving in with her uncle, aunt, and cousins in Brooklyn are high--even before Lady Lydia, a witch, tries to steal her essence. Lydia makes her an offer she can't refuse: achieving assimilation. Arnold skillfully fuses distinct immigrant experiences with the supernatural to express a universally felt desire for belonging. Gabrielle desperately wants to fit in despite the xenophobia she experiences every day and despite making new, accepting friends in Mexican American Carmen and Rocky the talking rat-rabbit. But in trying to change herself, Gabrielle risks giving Lydia the power to conquer Brooklyn. Gabrielle is a charming narrator, and of course, good guy (girl) magic wins out in the end, but the threat to immigrant lives and identities is presented poignantly nonetheless in this richly imaginative origin story of one Haitian American girl that offers a fantastical take on immigrant narratives. Pratchett-like worldbuilding centers immigrant kids in a story filled with culture, humor, and heart. (Fiction. 9-12) Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Chapter One The River That Wasn't There It takes hard work to eat nine mangoes back to back, but that's just what I'm going to do. I'm about to become mango champion of my village. My best friend, Stephanie, stacks a pile of mangoes in front of me. The boys assemble their stack in front of Paul, the boy I will be racing against. This match has been a long time coming. All the kids in the village put off their chores to watch us.       My heart is beating loud and fast, like a drum at a carnival. I look over at Paul. He's taller, bigger, and quicker than me. But today is not his day; it's mine. I've been practicing. I turn and nod to Stephanie; she smiles back at me. We are ready.       All the kids shout, "One, two, three--eat!"       I bite into my first mango--it tastes like honey and summer. It oozes out sticky-sweet nectar that runs down my fingers. I tear into another with my teeth, suck all the juices out, then toss the skin aside and start on a new one. While the boys laugh and make fun of me for even trying to beat Paul, I rip into my third mango.       Paul is showing off by juggling some of the mangoes before he eats them. He's so sure that he'll win that he takes time to joke around. But I'm not joking around. This is serious. I'm on my seventh mango. Soon, the boys notice that I am ahead and close to winning. That's when they call out to Paul and demand that he eat faster.       "She's a girl! You can't let her win!" the boys shout.       "Hurry, Gabrielle! Hurry!" Stephanie shouts.       Paul speeds up--he's like a hungry animal. I'm on my last mango, but Paul is close to catching up with me.       "You can do it!" The girls cheer as my victory gets closer. I bite and chew through the last mango, just as Paul is about to finish his. It's close--but not close enough. I toss aside the final mango skin, and it lands in the bucket before Paul's mango does--I win!       "Yay!" Stephanie and I rejoice with the other girls.       "Gabrielle Marie Jean, you better not be in another mango contest!" My mom's voice rings throughout the village. The crowd scatters, everyone but Stephanie.       "You better not be staining that dress, it's one of your good ones . . ." my mom says. I can't see her yet, but her voice fills up the village. She's getting closer. I look down at my dress, and it's dripping with mango juice and dirt.       "Ah, we gotta go!" I say to Stephanie as I grab her hand. We run off and head to our favorite hiding place--the crawlspace under the church. We wiggle our way inside and lie flat on our stomachs. We look out at the parade of shoes and sandals going by us.       We hear my mom asking other grownups where I am. They all tell her they don't know. My mom calls out my name. Judging by her tone, I'm really in for it.       "We can't hide here forever," Stephanie says.       "Maybe we hide just long enough for my mom to find something else to be mad about."       "Okay, but you are usually the reason she's mad, so . . ."       Stephanie's right. I am usually the one who makes my mom use her I'm-not-happy-with-you face. And yes, sometimes I do get into trouble, but it's mostly not my fault. Like, it's not my fault that I like competing against the boys. They think that because they are boys they can do everything better. So it's up to Stephanie and me to show them girls can do stuff too. Also, it's not my fault that mangoes are so good that I have to eat them all.       "Gabrielle, you have three seconds to come out from wherever you're hiding!" my mom warns as we watch her red sandals get closer. Stephanie and I look at each other with wide eyes.       "Go, save yourself," I tell her.       "I can't leave you here alone," she replies.       "It's too late for me. Go!"       "Okay. Good luck," she says as she crawls out of our hiding spot.       I hear footsteps approaching. I see red sandals head toward me and then stop. Mom knows I'm under here. But she doesn't scold me or yank me out from under the crawlspace. Instead, she sits at the base of the steps.       "Well, I can't find my daughter. I guess I better get a new one. One who doesn't get mud and mango juice all over her dress. One who finishes her chores before she goes to play. But even if this new daughter is perfect, I'll still miss the one I had before. The one who gave the best hugs and made me laugh. The daughter who almost won a mango contest."       "Almost?" I shout in disbelief. I crawl out from under the church to defend my championship. I stand before her. "Mom, I won, I really won!"       "Yes, I know," she says as she stands up.       That's when I realize . . . "Hey, you tricked me!"       "Moms are allowed to trick their kids. Now, explain yourself. You are a mess, young lady!" she says.       "I know, I'm sorry, but I had to compete."       She looks me over, but this time she twists her lips from side to side. I think that means she's thinking.       "Am I in trouble?" I ask.       "Well, that depends. Who did you beat out to win the mango contest?"       "Paul."       "He's twice your size!" she says with a big grin. She quickly changes her expression, like she just remembered she was supposed to be upset. "You should be grounded this evening. Which is a shame, because guess whose bones have been talking?"       "Madame Tita?" I ask as I start jumping up and down.       Madame Tita is a round woman with pretty skin, like midnight. She wears colorful wraps on her head and moves like a turtle. Her voice is deep and rumbles. She sounds like what mountains would sound like if mountains had a voice. She's one hundred years old, and what she says goes because she's the oldest. When her bones ache a little, she says they're talking to her. And when her bones speak, it usually means it's going to rain!       Rain is even better than mangoes. When it rains, it's playtime for us kids. The adults have to work by gathering the water and storing it to use later. And here's the best part--our parents let us play, jump, and dance in the rain. That way, we get clean without having to use the water they saved up.       "Madame Tita said it's going to rain?" I ask.       "Yes. Her bones have spoken; rain will come soon. I'll let you play in it, but only if you promise no more mango contests."       "But Mom . . ."       She places her hands on her hips and tilts her head to the side. Uh-oh, head tilting is never good.       "You have to make a decision. Rain or mangoes?" she says.       "Rain."       She smiles. "I had a feeling you'd say that."       "Mom, I worked really hard to win today. And I did. So, if I work hard to get something, does that mean I will always get it?" I ask.       She bends down so that our eyes meet, and she moves one of my braids away from my face. "Gabrielle, if you work hard and do your best, there's nothing you can't do."       "Can I fly a plane?"       "Yes, you can do that."       "How?"       "Well, first you have to go to school to learn all about planes."       Something makes my heart hurt, and I hold on to my chest and look down at the ground.       "What is it, Ba-Ba?" my mom asks, calling me by my nickname.       "We don't have money to send me to airplane school."       "Gabrielle, you are a kid. And as a kid, you have only one job: dream the biggest dream you can. And your dad and I will try to help you make that dream come true."       "Even airplane school?"       "Yes, even airplane school."       "Okay, I guess . . ." I reply.       She looks at my lips. "Oh no, are you pouting?" she says with a smile.       "No, no, I'm not pouting!"       "It's too late, I saw you pouting. You know what that means . . . spider fingers!"       She wiggles her fingers and starts tickling me. I squirm and wiggle uncontrollably as I laugh. She tickles me again and again. Everyone in the village can hear my laugh because it's a super laugh. The kind you can't stop even when you try really hard.       "Okay, okay. I'm not pouting anymore, Mom."       She stops tickling me and hugs me extra tight. When the hug is over, there are tears in her eyes.       "What's wrong, Mom?"       She blinks them away quickly. "Ba-Ba, your dad and I . . . we love you."       "Mom, I already know that. The sky is changing colors. It's all gray. The rain is coming. Can I go play now, please?"       She laughs softly, shakes her head, and says, "Go get your bathing suit and the soap."       I zip back to our house, quickly put on my bright yellow bathing suit, and rub soap all over myself. I run out to the front porch. The air is cold, and thunder rumbles in the sky.       It's coming . . . it's coming . . . BOOM! The sky opens up, and it starts to rain. It's raining so hard, it's like the sky is arguing with the earth.       "It's here! It's here!" I yell.       There are kids already playing in the rain. Darn it, I'm late! Stephanie is in her red bathing suit, calling for me to come and get wet with her. A few houses away, Paul signals he wants to race. I'm ready! I run off the porch, but Mom stops me because I forgot to rub soap behind my ears and behind my neck.       "Aw, Mom!" I say as she rubs the soap behind my ears. When she's done, I run out to the center of the village with my friends and shout, "Here's the rain! Here's the rain!" And we take off running. We zoom through the village with our hands held up high in the air. We open our mouths wide and swallow plump drops of rain. We race. We dance. We laugh.       When our parents finally drag us back inside, the rain has gone and night is falling. I get ready for bed, but not really, because tonight is the first of the month. And every first of the month, the grownups gather in the center of the village and tell ghost stories. This time they are telling stories on the front porch of Madame Tita's house because the center of the village is still full of muddy water.       I love, love, love story time. I'm not talking about bedtime stories with happy endings. I'm talking about grown-up story time with real-life tales of ghosts and creatures of darkness.       We aren't allowed to listen to the stories. The grownups always send us to bed. But going to bed and staying in bed are two different things. So on story night when my mom says, "Gabrielle, it's bedtime," I do as she says and lie down. But then I get up, and so do all my friends. We sneak into the center of the village and overhear the best and scariest stories ever told.       There are tales of witches who take your smile away for good if you back out of a deal, or warlocks who take your breath in the night if you wrong them.       My favorite stories are always the ones about people going on adventures. They face impossible tasks and deadly foes. Sometimes the people in the story lose an ear in battle or leave behind a finger or even an eyeball. It's gross and creepy; in other words, it's awesome!       When I take in the stories, I get so caught up in the adventure that I sometimes forget to blink or breathe. Stephanie has to poke me in the ribs, and only then do I let the air back into my lungs. She saves my life once a month.       I think story time should be all the time. But as soon as the sun comes up, it's back to chores. My friends and I have to help out our families by fetching water from the well, which is really far away. We have to sweep and mop the floors. We walk to the market and sometimes carry baskets of food on our heads under the blazing-hot sun. Going to the market is hard, but not going at all is worse. That means your family doesn't have enough money for food.       Some of my friends' families are split apart because the parents can't afford to keep any more kids. So they send some of their kids off to live with relatives in other villages. Some of the people I know don't own shoes and have to ask a neighbor for something to wear on their feet. The people in my village come together, and we help each other with food and clothing.       Also, we don't always have electricity. We have to use gas lamps or candlelight. The meat at the market is expensive, and often we have to go without it. And lately, even the rice has gotten costly. Sometimes we eat cornmeal porridge instead, because a handful of it makes a pot big enough to feed two families.       Most of the grownups in the village are merchants, including my parents. It's hard because the road they have to take to the market is unpaved, rocky, and often full of mud. It takes them forever to get to the market and forever to get back home.       The absolute worst part of my homeland is violence. It comes from a group of soldiers with unlimited power called Macoute. They are tall and thin, like pencils. They wear tan, ugly uniforms and even more hideous hats. They enter villages and trample over everything. They take people away, and their families never see them again. And if you try to resist, the Macoute will hurt you.       They came one night for Stephanie's brother, Jean-Paul. We tried to hide him and help him get away, but they found him. They hit him over and over until he didn't move anymore. We had a funeral, and everyone cried. Stephanie's mom, Mrs. Almé, cried the hardest and the longest.       Ever since then, every night I walk by Mrs. Almé's bedroom, I see the shadow of a flowing river. It's a river she made with her tears. I call it Night River because it only exists at night. Tonight, I see the Night River, but this time, Mrs. Almé is drowning in it. I can smell the salt in the water and feel the heaviness of her body as it begins to sink to the bottom. I rush inside her house.       I was right. The Night River overflowed and threatened to carry her away for good. Everyone in the village comes to see what is happening. But all they see is Mrs. Almé with her eyes closed, twisting and twitching out of control. They can't see the river.       "Madame Tita, I know what's wrong!" I shout.       "Then help her, Gabrielle!"       Suddenly, I'm standing on a bluff. Below me is the raging, wrathful river. The wind howls in my ears and the cold air whips through my nightgown. It makes my whole body tremble. Mrs. Almé's body is being picked up and thrown around by the current. She's going under!        Not if I can help it!       "Night River, you can't have her!" I shout as I leap off the bluff and down into the abyss.       The river fights me, but I stay strong. I wrestle and punch at the waves. I dive deeper and deeper down into the freezing river. I see Stephanie's mom. She is about to sink into the floor of the river. I swim down to her and latch onto her nightgown. Together we head toward the surface. Suddenly, something with tentacles grabs hold of her ankle and wraps around it.       I know what the creature is--an octopus. But not just any kind of octopus. This one feeds on loss and loneliness. But I won't let it get her. I hold her face in my hands and concentrate. I focus on the one thing that could fight off the creature--memory.       I place all the memories of Stephanie and her family in my eyes. Mrs. Almé sees the images reflecting in my eyes like a moving photo album. She starts to remember all the people who love her. She kicks the creature in the face--hard. It lets go, and together we burst through the surface of the water.       In a flash, the river dries up, and we are back in Mrs. Almé's bedroom, breathless and soaking wet. She pulls her daughter close and hugs her for a long time.       Later, I ask my mom why I was the only one who saw the river. She says I'm sensitive and have a gift--I'm able to see what others typically don't.       The next day, I wake up with a feeling in my bones, just like Madame Tita. But this isn't a feeling about the weather. It's a feeling of change. Something huge is about to happen.       After my parents tell me the news, I realize I was wrong. It wasn't a huge change, it was a gigantic change--we are heading to America!       America is heaven. I've never been there before, but all of us kids have heard the rumors. We know that in America, everyone gets electricity, twenty-four hours a day. Also, there are jobs in America, and not just selling stuff in the markets. I heard the country has so much money that the streets are paved with gold coins! That's right, free money on the street. And no one picks it up because they all have enough money and don't need more.       Also, the best part about America--free school!       Parents don't have to pay for their kids to go to school. That means I won't have to stay home if my parents don't have enough money to send me to class. It means that I can go to school full-time!       And food is everywhere. I heard of this thing where you go to a restaurant, and the staff just keeps bringing you more and more food. They never stop! It's called a "buffet." Can you believe it? The food never ever stops!       When anyone gets a chance to go to America, the village celebrates, because whoever goes to America sends back money to help the villagers they left behind. So if one family goes, it helps the other twelve families back home. I am so excited, Stephanie and I jump up and run around the village, and it isn't even raining. But then we get some not-so-good news: my parents could not get the papers they needed, and so I will have to move to America alone!       "It's okay, Ba-Ba," my mom says. "You will stay with Uncle John and his family. And we will come as soon as we can."       "But I don't want to go without you," I say.       My dad picks me up and places me on his lap. "Ba-Ba, you will have to be brave. Many families do not travel together when they first go to America. You will need to be strong because it's what the family needs from you. You can do this. We know you can," he says as he kisses my fore-head.       "Daddy, I don't know Uncle John very much. What if he doesn't like me? What if my aunt doesn't like me? Or their kids don't like me? What if--"       My mom takes my hand in hers and says, "Ba-Ba, no matter what, you have to promise us this--you will not give them any trouble. You cannot misbehave and get sent back here. It would break our hearts. Do you understand?"       I know what she means. Every once in a while, a kid goes to America and gets sent back to Haiti for misbehaving. They call those kids timoun pa bon . That means "no-good kid." No one wants to be sent back, because when you get sent back, the village people are cold and mean to you because you wasted a chance many of them will never get.       "Promise us. Promise that you will not be sent back for bad behavior," Dad says as he looks earnestly into my eyes.       "Yes, I promise. I will behave, and I won't get sent back."       When I think about going to America without my parents, my stomach feels like it's slipped down to my toes and my heart is running away from my body. But I will be strong for my family. And in the end, I'm happy I made the promise to behave myself. It will be an easy promise to keep; after all, I'm going to heaven. How hard can it be to be happy in heaven? Excerpted from The Summer I Flew Away by Marie Arnold All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.