Brood A novel

Jackie Polzin, 1979-

Book - 2021

"Our nameless narrator stubbornly tries to keep her small brood of four chickens alive and safe over the course of one savage winter in Minnesota. Woefully unprepared for the task, she battles the relentless predators, severe weather and unforeseen bad luck--all the while grieving a recent miscarriage, and coming to terms with her infertility and the accompanying uncertainty that her future holds. Intimate and startlingly original, this slender novel is packed with sorrow and joy. Brood is a stunning meditation on longing, grief, and relentless hope"--

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FICTION/Polzin Jackie
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1st Floor FICTION/Polzin Jackie Due May 13, 2024
Subjects
Genres
Domestic fiction
Novels
Published
New York : Doubleday [2021]
Language
English
Main Author
Jackie Polzin, 1979- (author)
Edition
First edition
Physical Description
222 pages ; 20 cm
ISBN
9780385546751
9780593311332
Contents unavailable.
Review by Publisher's Weekly Review

In Polzin's witty and profound debut, an unnamed narrator reflects on her flock of chickens and her dwindling hopes of becoming a mother. As the unnamed narrator and her economist husband, Percy, work to keep their four chickens alive through a year of extreme Minnesota weather, Percy is in the running for a professorship at a university in California. While Percy awaits job news, a move that would necessitate leaving the chickens behind, the narrator processes the loss of a miscarried child. With their odds for having a child growing slim ("I had hoped to outweigh the risks of pregnancy at my age with sheer desire," the narrator muses), the couple turn their attention to the birds, "an endless source of entertainment and worry." What astounds is Polzin's ability to draw such deep understanding of the couple through their interactions with the chickens, which live only in the moment: "Do the chickens think of warmer times? They do not. By the time a snowflake has landed, snowflakes are all a chicken has ever known. Theirs is a world of only snowflakes or only not." The narrative is full of such sharp, distinctive observations as the narrator works to move on from her desire to have children. Told in short vignettes studded with breath-catching wisdom, this novel feels both delicate and sustaining from beginning to end. Agent: Molly Friedrich, the Friedrich Agency. (Mar.)

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Review by Kirkus Book Review

In Polzin's debut, a woman finds solace in a charming, albeit hapless, flock of chickens. Polzin brings us into the fold of her introspective novel by introducing a cast of chickens. Next comes her nameless narrator. The chickens have names, but they're irrelevant. The story here has nothing to do with the chickens but rather with what they offer a woman silently reckoning with a recent loss (spoiler: It's not eggs). "A chicken knows only what it can see," our narrator muses. They also "die suddenly and without explanation" and only want what is necessary to survive. "I want something that will not end in disappointment," she thinks to herself. Despite being married, having a handful of friends and a quasi-present mother, she's left alone with a lot of time to rehash the trauma of her recent miscarriage. Percy, her loving yet abstracted husband, is around but too preoccupied with waiting to hear from a prestigious university about a potential job to stop and notice. Her friend Helen, a real estate agent and new mother, provides an escape from time to time, letting the narrator clean her listed properties before they're shown--a task she gratefully obliges to, approaching each job with "the steely reserve of a doctor." "I polish and shine with a frenzy indistinguishable from rapture," she says. Grieving a role she felt destined to fill, our narrator turns from the intangible and immerses herself in the tactile, including the feathered, clucking company of her birds. Calling to mind the cerebral works of Olivia Laing and Jenny Offill, Polzin's story has a quiet intensity that churns throughout. It's in the tension she builds within her narrator's isolated world, navigating the paradox of domestic intimacy, the comfort and terror it sows, and the unexpected shapes motherhood can take. There are no heart-quickening plot twists or climactic endings here, and that's the beauty of Polzin's writing. It doesn't need either to move you. In Polzin's deft hands, the mundane is an endless source of wonder. A moving meditation on loss, solitude, and the hope that can rise from both. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

I n our first week of owning chickens, four years ago, Helen stopped by to see the quaintness of the operation with her own eyes. I show the coop to any visitor who expresses interest in the chickens. Helen is an exception. She is my friend and thus shows an interest in my life. She does not otherwise care about the chickens. Her visit took place in the brief interval before the grime of chickens had been established. The paint was fresh, the mice had not yet located the stockpile of various grains, and our garden had begun to sprout fairy greens and delicate purple stems of a plant whose identity I never confirmed. Helen's questions were predictable, but my limited knowledge of chickens did not include the predictable questions or the answers to them. "Do the chickens know their names?" she had asked. The chickens have never answered to a particular name but answer to any upbeat tone, names included, hoping for whatever treat may accompany the sound. "Do the chickens like to be pet?" She took a step back to indicate the question was not a request. "Are they upset when you take away their eggs?" I didn't know the answers to any of these questions. "Has a chicken ever laid an egg in your hand?" she asked. "No," I said. And still, a chicken has never laid an egg in my hand. I had not yet collected the eggs from early morning. Two brown eggs lay in a bowl of spun straw, one fair like milk tea, the other dark and a bit orange. At the time I did not know which chickens laid which eggs. "Here." I placed the fair egg, which was also the smaller of the two, in Helen's palm. Her fingers did not soften to the shape. "What should I do?" she asked. "Cook it, eat it," I said. "I mean now. What should I do now?" She did not hold the egg, but allowed the egg to rest on her flat hand, was only tolerating the egg for, I suppose, my benefit. The egg was not especially clean. The cleaner an egg looks, the more likely a visitor will accept the egg with grace and hold it in a manner befitting an egg, a force equal but opposite to the weight of the egg applied by a cupped hand, creating perfect balance and suspension in midair. "Is it cooked?" she asked. "It's warm." She had seen me retrieve the egg from the straw, the straw worried down and out and up at the sides in the precise counter-­shape of a nesting chicken, a bed of straw so primitive as to predate fire, and yet she wondered out loud. "It's fresh," I said. "It's warm because it's fresh." "Has an egg ever hatched in your hand?" Everyone wonders if an egg, warm from a chicken, will hatch into a chick. The warmth of the egg prompts the retrieval of this otherwise remote idea. Among other triumphs of our generation, we have nearly extinguished the idea of an egg as a source of life. The confusion does not arise from the fact that people are no longer eating eggs or even that people are no longer cooking eggs. On the contrary, eggs are being eaten at a furious rate, and while the most adventurous preparations of eggs are crafted at the hands of professionals, in home kitchens the world over eggs are being prepared in more adventurous forms than ever before. The problem is not that eggs are bad for us or that eggs will make us fat. Rather, eggs are not as bad for us as we thought they were and eggs will not make us fatter than we already are. The problem is that people do not see the connection between an egg placed in their hand, fresh from a chicken, and the egg bought in the store. An egg that derives its warmth from existence inside the body of a chicken is far too fantastic to proceed as usual. If a fresh egg is placed straight into a carton versus an open palm, the confusion over what to do with an egg ceases to exist. Weeks after Helen's first visit to the chickens, she returned with her boyfriend. He was a new boyfriend (and soon enough an ex-­boyfriend) and she was trying to impress him. She had deemed her previous visit with the chickens sufficiently novel and called to warn me. "I'm bringing Jack," she said. "Do you still have the half bottle of gin from last summer?" "Of course," I said. "Percy doesn't drink gin and I'm trying to hate the same things as him." This last part was to make Helen laugh, but she only hummed, which meant she was snacking, most likely on one of the soft-­baked cookies she's so fond of, which she buys in a paper sleeve and stores in the vegetable drawer behind a bag of carrots. The snacking, and therefore the humming, meant she was alone. "Oh, good. Place it in the freezer, and could you do me a favor? Offer the gin early on." Helen wanted and expected the whole experience to play out in the same fashion as her previous visit. She did not say it but I knew. Helen is a realtor, and realtors of all people should understand the disappointment of a second viewing. A realtor never makes a sale on a second look. If the first merits a second, the second requires a third. From surprise to disappointment to qualified relief. Helen's visit would be a disappointment. I could not reproduce or even approximate the experience. The chickens had stopped laying. The two brown eggs had been their last. If Helen had not called to suggest gin, I might have suggested it myself. The chickens would easily entertain from behind the curtain of midday gin. In the event I was wrong about the entertainment value of chickens or the power of gin, Percy suggested I give them eggs. "There hasn't been an egg in two weeks." Percy walked to the refrigerator and returned with a carton full of extra-­large white eggs. "Give them these." "No chicken of ours lays white eggs," I said. "And these eggs are cold." "Helen won't notice and she wouldn't care. She'd prefer white," he said, which was likely true, though I would not give him the satisfaction of saying so. Percy took a small pot from beneath the stove, filled it with water, and set the pot to boil. I had forgotten to mention I was also morally opposed to his suggestion. By the time Helen's leased BMW turned into the back alley, three eggs sat steaming in a shadowed corner of the nest box. "How do I grow a chicken from this egg?" Jack asked, the egg in his hand hot and gleaming. Helen admires confidence, falls often for the type, and I could see it was a flaw in Jack, preventing him from asking even such basic questions as "Why does the egg burn my hand?" Excerpted from Brood: A Novel by Jackie Polzin All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.