Review by Booklist Review
With the publication of the story collection Calm Sea and Prosperous Voyage (2019), the reading world rediscovered the vaulting talent of trenchant Chicago writer Howland. Now her first book resurfaces with all its epigrammatic, disconcerting, and incandescent firepower intact. This clinically observed yet compassionate, drolly and bravely matter-of-fact memoir recounts Howland's 1968 stay in a university hospital psychiatric ward after a suicide attempt. A divorced mother of two young sons left in the care of her parents, Howland struggles with the drastic mysteries of her illness and the appallingly inadequate treatments provided on Ward 3. One way of coping is to focus on her fellow patients and turn them into complex characters in a microcosm of pain, chaos, and longing. The descriptions are breathtaking: "Her eyes blaze like some cold undiscovered element." And how crisply she charts the desperate dramas, penetrating strangeness, mordant humor, and transcendent alliances. Among the many chronicles of depression and psych wards, Howland's is uniquely arresting in its omniscient attention, radiant artistry, zealously pursued insights, and abiding respect for those who share her struggle.
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Kirkus Book Review
Howland was committed to the psychiatric ward of an unidentified metropolitan hospital for ""rehabilitation"" after a suicide attempt (although she relates the event, we are never really clear why she tried to kill herself). In W-3 Howland assumes the role of the impartial, detached observer. Daily routine consists of taking drugs, struggling to keep up personal appearances, holding meetings to recommend on passes and recreation, dealing with the medical students. Then she becomes aware of the frightening reality of Cootie refusing to speak, Gerda stubbing cigarettes on herself, a man beating his head on the wall. But the lines separating doctors from patients don't seem that clear: the staff is almost as strange as the inmates. She soon sees that ""patients existed for the sake of the hospital, not the other way around."" Without sentimentality or rhetoric, Howland conveys, above all, the human support the patients gave each other. What's missing is an exploration of Howland herself: why is she there? how can she be such an accurate, compassionate reporter when she has just attempted suicide? One suspects that she is not facing up to herself. But the book remains a compelling chronicle of people trying to make do in a world which eludes their grasp. Copyright ©Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.