Dangerous women

Hope Adams, 1944-

Book - 2021

"Nearly two hundred condemned women on board a sailing ship bound for Australia. One of them is a murderer. London, 1841. One hundred eighty Englishwomen file aboard the Rajah, embarking on a three-month voyage to the other side of the world. They're daughters, sisters, mothers-and convicts. Transported for petty crimes. Except one of them has a deadly secret, and will do anything to flee justice. As the Rajah sails farther from land, the women forge a tenuous kinship. Until, in the middle of the cold and unforgiving sea, a young mother is mortally wounded, and the hunt is on for the assailant before he or she strikes again. Each woman called in for question has something to fear: Will she be attacked next? Will she be believed? B...ecause far from land, there is nowhere to flee, and how can you prove innocence when you've already been found guilty? From debut author Hope Adams comes a thrilling novel based on the 1841 voyage of the convict ship Rajah, about confinement, hope, and the terrible things we do to survive"--

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Subjects
Genres
Mystery fiction
Sea stories
Detective and mystery fiction
Historical fiction
Published
New York : Berkley [2021]
Language
English
Main Author
Hope Adams, 1944- (author)
Physical Description
pages cm
Bibliography
Includes bibliographical references.
ISBN
9780593099575
Contents unavailable.
Review by Booklist Review

In 1841, the Rajah sets sail from London bound for Van Dieman's Land (present-day Tasmania), carrying a group of female convicts. Kezia Hayter, a young woman related to the court painters John, George, and Charles Hayter, is on board as the matron. Hoping to give the women a chance at new lives in Australia by teaching them a marketable skill, she leads them in making a patchwork quilt, giving them an opportunity to create something beautiful while learning to sew and work together. All goes smoothly until one of the women, Hattie, is killed, leaving her young son, Bertie, scared and alone. The ship's captain, Charles Ferguson, along with Kezia, holds hearings to find the killer. As the inquiries proceed, relationships among the women emerge as a key to motive. Basing her novel on fact, Adams draws from the actual ship's logs to create an intriguing story. (The quilt is in the National Gallery of Australia in Canberra.) This variant of the locked-room murder will appeal to readers who enjoy historical fiction centered on women's lives.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Adams's debut transforms an actual 19th-century sea voyage into a striking personal drama. In April 1841, a transport ship sets sail from London with 180 women convicted of minor crimes aboard. During the three-month voyage to the penal colony in Van Diemen's Land (now Tasmania), the ship's matron, Kezia Hayter, chooses a group of convicts to sew a presentation quilt. Near their destination, someone stabs one of the quilters, Hattie Matthews, and it becomes clear that another member of the group has secretly stolen the place of another woman on the ship in order to flee from justice for a much more serious crime. Evocative sketches of those on board reveal the realities of poor women's lives with a gently feminist, but still comfortably period, aesthetic, as do the difficulties that Kezia has in having her insights respected by the men investigating Hattie's stabbing. The romance that develops between Kezia and the ship's captain comes off as blandly inevitable, but the undercurrent of gossip around the relationships the other women pursue is much juicier. Readers who like their historical mysteries well-grounded in real history will be rewarded. Agent: Nelle Andrew, Rachel Mills Literary. (Feb.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

Alas for the hopes of an ardent young reformer aboard a shipful of women convicts when one of them is attacked. In April 1841, the Rajah leaves London for Van Diemen's Land (now Tasmania). Onboard are nearly 200 women convicted of petty crimes and sentenced to transportation to the other side of the world. With them are Capt. Charles Ferguson, master of the Rajah; a pious but stern clergyman; the jovial ship's doctor; and the 23-year-old matron of the prisoners, idealistic Kezia Hayter. She hopes to build a community among the women by choosing 18 of them to assemble a quilt to present to their new home's governor when they arrive. In a series of temporal jumps to and from the past, the near past, and the present of 1841, Kezia's life and the lives of the convicts--some of whom have known nothing but poverty and degradation, some grieving for the families they had to leave behind, a few who were allowed to bring their children with them--are stitched together. When Hattie Matthews is stabbed, Kezia helps the captain, the parson, and the doctor interview the seven witnesses to the event. Some of them recall Hattie's fear that she was being watched, others the swatch of fabric in which was embroidered a warning for Hattie to keep silent. What none of the investigators know is that one of the convicts is an imposter who stole the identity of another prisoner in a desperate attempt to escape the gallows. Her fear that someone onboard may recognize her makes her the obvious suspect in what might well yet be a murder--and forces her to turn to the one person who could be her undoing. A historical episode artfully adapted in a bleak tale that offers glimmers of hope for women discarded by society. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

9780593099575|excerpt Adams / DANGEROUS WOMEN I wish I didn't know, she thought. I wish I'd never found out. I wish I could be the person I was this morning, before we sat down to our stitching. The sea moving past the ship was almost black in the fading light. Where the Rajah was now, in the middle of the Southern Ocean, there was only a short time between sunset and darkness. She leaned over to look more closely at the water. It rushed past the hull, curling up into small waves, which slid away to lose themselves in larger waves or long swells of water. For a long time she'd been afraid of it, walking along with her eyes fixed on the planks of the deck, seeing the ocean only when it couldn't be helped, catching sight of it from the corner of her eye. Now, after many weeks at sea, she'd grown used to it, was in awe of it and loved it, albeit warily. She'd fallen into the habit of going to the rail when the stitching work was finished. She liked to stand there for a few minutes, alone, trying to see what lay beyond the line of the horizon, breathing in the wide water and the high sky that seemed to go on and on till you grew dizzy staring up at it. Now the only thought in her head was what she'd learned. ­Every feeling in her heart was muddled, and the fear that had overcome her since she'd found out--­discovered by noticing a gesture for the first time--­wouldn't go away. There had been a shadow before, near the coil of rope, and she peered behind her now to see if anyone was there, looking at her. She saw nothing. But what was that noise? She held her breath, though the only sound was the familiar groaning of ropes in the rigging. Then she felt a change in the air around her, became aware of someone coming up beside her, and turned, ready to tell whoever it was to go and leave her alone. Pain took away her words. She reached out, but as soon as it sliced into her clothes, as soon as it pierced her skin and reached her flesh, the blade was gone and whoever had held it had disappeared, too, and there was nothing left but an agony of white, shining pain, and her own hands suddenly scarlet and wet as she clutched them around herself. The knife, the knife has killed me, she thought, and a sound filled the whole of her head and poured out of her mouth in a torrent of screaming. 1 NOW 5 July 1841 Ninety-­one days at sea A knife . . . is it true? Who's got a knife? Hide. I must hide . . . Oh, my blessed saints, help us . . . Is there blood? Where is it? Is it here? Someone's got a knife . . . Who's got it now? Where is it? They'll cut our throats . . . The women's voices twisted into one another, rising and falling in the gathering darkness of the cabin. The lanterns had not yet been lit and the light from the small windows was fading. The women who weren't shrieking were wailing and clinging to each other, and even though no one said the words, and no one dared to ask, one question hung in the fetid air: Is she dead? Those who'd been on deck when it happened sat together, trembling and white-­faced, some still holding their baskets of scraps and sewing. The three women known as the Newgate Nannies shifted and settled on the cabin's longest bench, gathering their garments around them, like three birds of prey folding their wings. Behind them, the sleeping berths rose up, and the dark corners of the convicts' quarters seemed gloomier than ever. The Rajah rolled a little in the swell, her timbers creaking with the motion of the waves. They were now much nearer to Van Diemen's Land than to England. The sea had been as flat as a sheet of glass for the last two weeks but had grown choppy around dawn. By sunset birds had appeared, wheeling in free spirals around the masts, their black shapes standing out against the pale sky. July in these latitudes meant winter, and there was often a chill in the air. "She was probably asking for it," said a harsh voice, sharp with spite. "Shut your filthy mouth," said another woman, with a pockmarked face--­the one who took care of the children aboard. "Say another word, you fat bitch, and I'll bash your teeth so far into your head you'll be farting them out through your arsehole." Someone stood up as angry murmurs turned to shouts, and another hissed, "Quiet, the lot of you. They're coming." They heard the men before they saw them. Their voices rang loud in the darkness, their feet stamping heavily on the steps of the companion­way. The women stared at these strange creatures as though they were more than human: taller, stronger, calmer. The cap­tain and the Reverend Mr. Davies, accompanied by three sailors, faced the huddled bodies of the women, like a human wall. The matron, Miss Kezia Hayter, was with them. She wore a blue knitted shawl around her shoulders, and her pale face was unsmiling. Her hair, usually so well arranged, was disheveled and her eyes were full of sadness. As they waited for the captain to speak, some women cried; others clamped their lips together and tightened their jaws, eyes wary, daring others to blame them. There were those also who longed for matters to be as they were before, in the harmony they'd found briefly before the screams began. Before they'd seen Hattie Matthews lying there, her hair like red-­gold autumn leaves scattered on the deck. Before everything was torn apart. Excerpted from Dangerous Women by Hope Adams All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.