Robert Ludlum's the Treadstone exile

Joshua Hood

Book - 2021

Hood's fast-paced sequel to 2019's Robert Ludlum's The Treadstone Resurrection finds Adam Hayes, a former operative for Treadstone, a CIA unit that "turned him into a government-sanctioned assassin," in Ceuta, Spain, where he's feeling proud of himself for not having killed anyone in 152 days. He's left his wife and child behind in America and gone on the run after the U.S. government declared him persona non grata. In Ceuta, he becomes involved in a smuggling ring, and the no-kill record is soon broken. Meanwhile, Andre Cabot, the founder and CEO of a cybersecurity firm, is in financial difficulty, and decides to steal his way back into solvency. Hayes lands right in the middle of Cabot's plans and m...ust be dealt with. Never mind cliched prose ("get the hell out of Dodge"), a surfeit of backstory, and voices in the heads of Hayes and other characters that yammer at them in italics. Few thriller fans will be able to resist as the author hauls them by their necks down many rough roads while Hayes mows down the opposition.

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FICTION/Ludlum, Robert
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Subjects
Genres
Thrillers (Fiction)
Spy fiction
Published
New York : G. P. Putnam's Sons [2021]
Language
English
Main Author
Joshua Hood (author)
Other Authors
Robert Ludlum, 1927-2001 (creator)
Physical Description
372 pages ; 24 cm
ISBN
9780525542629
Contents unavailable.
Review by Publisher's Weekly Review

Hood's fast-paced sequel to 2019's Robert Ludlum's The Treadstone Resurrection finds Adam Hayes, a former operative for Treadstone, a CIA unit that "turned him into a government-sanctioned assassin," in Ceuta, Spain, where he's feeling proud of himself for not having killed anyone in 152 days. He's left his wife and child behind in America and gone on the run after the U.S. government declared him persona non grata. In Ceuta, he becomes involved in a smuggling ring, and the no-kill record is soon broken. Meanwhile, Andre Cabot, the founder and CEO of a cybersecurity firm, is in financial difficulty, and decides to steal his way back into solvency. Hayes lands right in the middle of Cabot's plans and must be dealt with. Never mind clichéd prose ("get the hell out of Dodge"), a surfeit of backstory, and voices in the heads of Hayes and other characters that yammer at them in italics. Few thriller fans will be able to resist as the author hauls them by their necks down many rough roads while Hayes mows down the opposition. Hood is a master of action. Agent: Sloan Harris, ICM Partners. (Feb.)

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1 Ceuta, Spain It was late afternoon and hot as hell when Carlito Rocha eased the Yamaha YZ125 to a halt on the hill overlooking the Calle Real. An hour before, the block was alive, the street packed with cars and the cobblestone sidewalks that bordered the glass boutiques awash with shoppers. But now it was siesta, and the street lay silent and still. The only sound: the gentle put-put of the dirt bike's two-stroke engine as Carlito motored down the hill and turned into the alley at the end of the block. He stopped next to a green dumpster, backed the bike out of sight, and deployed the kickstand with the heel of his ratty tennis shoes. He made sure the front tire was pointed at the street. He thought about leaving the engine running in case someone called the polic'a, in which case he'd need to make a quick getaway. No, someone will steal it, he thought. Carlito pulled the key from the ignition and climbed off the bike. He wiped the sweat from his forehead and tightened the straps of his backpack before starting toward the metal door twenty feet in front of him, carefully avoiding the broken beer bottles and scattered trash that lined his path. He was almost to the door when something stopped him in his tracks. What the hell is it? He didn't know, but something was wrong, and he was instantly on guard. Eyes ticking back the way he'd come, searching the mouth of the alley for a threat that wasn't there. Carlito found himself hesitating, thinking back to the plan he'd made a week ago. Wondering why in the hell he'd ever thought it was a good idea to leave the Barrio del Pr'ncipe-the lawless fourteen-thousand-square-meter slum that he knew better than the back of his hand-and come north to the Barrio de Borizu. He knew the answer was the same then as it was now. He'd come north after the economic collapse of 2008 that had precipitated his family's move from their two-story house near the ocean to the squalid apartment in the barrio. After his father used what little money they had left to drink himself to death, Carlito had become the man of the house, leaving him responsible for feeding his mother and young sisters. He'd tried to do the right thing, get a job, but with the Ceuta economy in shambles there was no work. It was a situation that left him with only two choices: starve or steal. And Carlito was done being hungry. So he decided to go north and try his hand breaking into the hotels close to the marina where the guiris-the rich tourists-stayed. He thought back to his mother and sisters sitting at home, starving in that piece-of-shit apartment. They are counting on you, coward, he thought. Carlito tugged the gray ski mask from his back pocket and pulled it over his curly brown hair. The mask was filthy, the fabric reeking of sweat and exhaust, but he ignored it. He grabbed the scarred crowbar from his pack and turned back to the door. In one practiced motion, he drove the tip into the seam an inch above the lock and yanked on the handle. The door flexed and the bolt grated against the frame but refused to give. "C'mon, you bitch," he cursed, bracing his foot against the wall. He pushed off, leaning back, pulling until his biceps shook and the sweat rolled down his face. He was panting now, mouth moving in a silent prayer, begging whatever god was listening that the door would open before he ran out of strength. Then the lock tore free of the frame and the door swung open, throwing Carlito off balance. He stumbled backward, losing his grip on the crowbar, the clatter of the metal off the concrete sending ice up his spine. Oh, shit. He scooped the crowbar off the ground, heart hammering in his chest when he stuffed it into the pack, the open doorway before him looming dark as the grave. Every instinct screaming at him to run. Get back to the bike and get the hell out of the alley. But in the end, it was the hollow growl in his stomach and the thought of his family back in that wretched apartment that won out. Carlito rooted around the bottom of the pack, brushing over the tools of his trade, the rusted hammer and dull bolt cutters, before closing around the grip of the .44 Magnum he'd stolen the week before. The heft of the heavy revolver in his fist, the rattle of the massive bullets in the chamber, restored his confidence, reminding Carlito that no matter what was waiting for him inside, he was the one with the gun. The motherfucker in charge, he thought, stepping inside. When Adam Hayes arrived at the Hostal La Perla, he hadnÕt killed anyone in one hundred and fifty-two days. It wasnÕt the kind of achievement you gloated about, not even in a lawless town like Ceuta, but it was a streak he wanted to keep alive. Which is why he was standing in the street, blue eyes scrutinizing La PerlaÕs weathered yellow faade and wondering if the hostel was worth the twenty-five euros advertised on the faded marquee. It's only for one night. With that thought in mind, he started toward the front door. The "lobby" was on par with the exterior: four bare concrete walls and a peeling linoleum floor-the only furniture a pair of worn couches and a scarred wooden table covered in faded travel magazines. But Hayes didn't see any rats, which meant it was clean enough. More importantly, the lobby was free of the scumbags he would have encountered if he'd gone to any of the off-the-grid hotels he'd frequented in his past life. Places that catered to murderers, pimps, and human traffickers-the kind of trash that made Hayes's trigger finger itch-threatened to break his streak. He moved to the front desk, where the night manager sat, eyes glued to the television perched in the corner. "Yes?" he asked, eyes never leaving the TV. "A room," Hayes answered in accentless Spanish. "One on the bottom floor, near the back if you have it." "Yes, yes, whatever you want," the manager said. The manager grabbed the twenty-five euros Hayes placed on the desk without looking up. His hand darted below the desk and returned with a key attached to a faded square of plastic. "Room 107," he said, still glued to the TV. "It's around back, next to the toilets." "Gracias." Hayes took the key and followed the burnt rope smell of marijuana into a hallway lit by a pair of bare bulbs. He was on autopilot now, the thousands of hours spent working the Treadstone kill houses back in the States taking over. Freeing his mind and body to work independently of conscious thought. His eyes locked on an open door, muscle memory taking over as he approached, pace slowing, hand dropping to the pistol holstered at his waist, fingers closing around the grip. But instead of an assassin waiting with a gun, Hayes found a mass of unwashed backpackers passing a joint. "Want a hit?" one of the kids asked in French. "Thanks, but I'm good." He continued down the hall, pausing at the emergency exit to check the deadbolt, make sure it was secure before stopping in front of room 107. He unlocked the door; any thought that his days of staying in run-down hotels were over when he left Treadstone twenty-four months earlier vanished at the sight of the chipped Formica table and the ancient air conditioner hanging over the sagging bed. It's only for one night. That was three days ago. The A/C had given out the first night, and it was stifling in the room. Too hot to sleep, or think, or do anything other than sit there and sweat. But Hayes was well versed in the art of suffering. It was a skill he'd mastered during his time in Treadstone-the CIA's Special Access Program that had plucked him out of the military and turned him into a government-sanctioned assassin. He sat at the table, the sand linen button-down clinging to his back like a sheet of Saran Wrap as he dropped the magazine from the STI Staccato XC, racked the round out of the pipe, and began breaking down the pistol for the third time that day. He took his time, wiping a rag over the Trijicon miniature reflex sight mounted in front of the rear sight before removing the slide. Hayes had just set the guide rod and spring on the oil-soaked shirt he'd laid across the table when his cell finally chirped to life. About damn time. "Da?" he answered, putting the phone on speaker. "Marina HZrcules," the voice replied in Russian. "Do you know where that is?" Hayes might have been stuck in the room for the past three days, but he hadn't been idle. Besides checking his gear and cleaning the pistol, he'd memorized the travel map he'd picked up during one of his forays out for food, and while his fingers flew over the pistol, Hayes brought it up in his mind. "Yes, I know where it is." "Good, be at the Sky Bar in one hour, and come alone." Hayes ended the call, slammed the magazine into the now reassembled pistol, racked a round into the chamber, and got to his feet. He stuffed the STI into its holster and moved to the bed, where his bag lay waiting. His time as a Green Beret in Afghanistan had taught him how to live out of a rucksack; how to pack light, which is why the only comfort items in his bag were an extra shirt, a pair of pants, one small toiletry bag, and four pairs of socks. Everything else either went bang or boom. Hayes stripped off his shirt, strapped a level III Kevlar vest to his chest, and shoved an extra magazine of 9-millimeter hollow points into the pouch on his belt. After belting the travel wallet with his passport and emergency cash across his stomach, he pulled on his shirt. He stuffed the wad of euros into his right pocket and the spring-loaded Microtech Troodon knife into his left, shouldered the pack, and started for the door. Hayes stepped out into the hall and after locking the door behind him, started toward the office. He was two feet from the emergency exit when the door flew open. The blaze of sunlight that rolled into the dark hallway hit Hayes in the face. It exploded like a flashbang, leaving him blind. His instincts took over and he stepped to the left, shoulder searching for the wall, right hand yanking the pistol from its holster. He blinked the stars from his eyes and was seeking a target when a masked figure stepped into the hall, the pistol in his hand aimed at Hayes's face. 2 Ceuta, Spain Hayes stared at the man, oddly calm despite the barrel of the .44 Magnum yawning like a tunnel in front of his eyes. He was aware of every detail, the weight of the 9-millimeter in his hand, the press of his finger against the trigger, and the voice in his head screaming like a banshee. KILL HIM. KILL HIM NOW. Hayes understood that neither the voice nor the extreme calm that came over him in times like these was natural. They were synthetic emotions, by-products of the mind job the Treadstone scientists had done when they transformed him from a Green Beret to a government-sanctioned assassin. An apex predator trained to hunt and kill without the slightest hesitation. But he was done killing and the fact that the man was still breathing was a testament to how far he'd come. Hayes silenced the voice-pushed it back into its box until it was nothing more than an annoying hum-and then focused all his attention on the man with the pistol. He wasn't sure if it was the fear in the man's eyes or the tremble of the pistol in his hand, but for whatever reason, he found himself hesitating. Searching for a reason not to kill the man. He took his finger off the trigger and lowered the 1911, praying he wasn't making the biggest mistake of his life. "Take it easy," he said in Spanish. "M-money . . . g-give me your money." The figure's voice was rough around the edges but not deep, and Hayes realized that it wasn't a man in front of him, but a teenager. Yeah, I'm definitely not killing a kid. "What's your name?" he asked, returning the pistol to the holster. "What?" "Your name." "C-Carlito," he stuttered. "Listen, Carlito, why don't you . . ." "No, you listen. Give me your money, or I'll k-kill you." They were tough words, but Hayes wasn't buying it. "It's a hell of a thing to kill a man," he said, taking a step forward. "Ba . . . back up." Hayes ignored him, took another step, closing the distance until he was inches from the pistol. Close enough to see Carlito's index finger whiten as he increased the tension on the trigger. "Just take it easy," he said. Still holding the room key in his hand, Hayes lifted his arms to his chest and held them palms out-hyperaware of the pistol pointed at his face. He was determined to end the situation without violence, but when he heard the click of the trigger spring engage the hammer, Hayes wasn't sure if that was a possibility. While he wasn't sure if the boy was preparing to shoot him or was simply unaware of how much pressure he was exerting on the trigger, Hayes realized it didn't matter. Especially considering that either option ended with him taking a bullet to the face. Had about enough of this silly game. His hands were almost level with Carlito's eyes when Hayes opened his fingers and let the room key drop from his hand. The light tumbling in through the open door glinted off the key as it fell. The unexpected spark of sun on brass caught Carlito's attention. Hayes watched his eyes, waited for the shift in focus he knew would come-and the moment the boy's eyes ticked down to the falling key, he struck. He grabbed the barrel with his left hand and the cylinder with his right. His fingers closed around the hammer, locking it down before torquing the pistol from the boy's hand. In the blink of an eye it was over. Hayes's fingers were wrapped around the grip of the revolver, the barrel jammed into Carlito's forehead. "D-don't kill me," the boy begged. Excerpted from Robert Ludlum's the Treadstone Exile by Joshua Hood All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.