Far out man Tales of life in the counterculture

Eric Utne

Book - 2020

"Far Out Man is the story of a man who has been a seeker his entire life, and occasionally, a finder as well. In 1984, Eric Utne launched the Utne Reader. He had hope--he wanted to prove that the Love Revolution of the Sixties was alive and well and impervious to cooptation, and he devoted the magazine to bringing people together in order to make the world a better place. This book serves as a chronicle of both an individual life and a generation, covering the madness of the Vietnam era, the hopes and excesses of the sexual revolution and the Me Decade, the idealism and depredations of the entrepreneurial Eighties and Nineties, and the promise and perils of the digital age. Ultimately, Far Out Man is the story of Eric Utne's lifel...ong search for hope, how he lost it (after Trump's election), and what he found on the other side that keeps him going and sustains him in his darkest moments. This book is dedicated to helping each and every seeker find, or become, themselves, and to thereby help heal our broken world"--

Saved in:

2nd Floor Show me where

070.92/Utne
1 / 1 copies available
Location Call Number   Status
2nd Floor 070.92/Utne Checked In
Subjects
Genres
Autobiographies
Published
New York : Random House [2020]
Language
English
Main Author
Eric Utne (author)
Edition
First edition
Physical Description
xviii, 348 pages : illustrations ; 25 cm
Bibliography
Includes index.
ISBN
9780812995282
  • Author's Note Far Out
  • Introduction Searching for Hope Beyond Hope
  • I. Hippie Dropout
  • 1. All You Need Is Love
  • 2. The Future Is In Your Hands
  • 3. Closer Than Kin
  • 4. The Summer of Love
  • 5. Dropping Out, Tuning In
  • 6. Macrobiotics
  • II. New Age Seeker
  • 7. The Brown Rice Guru
  • 8. Diet Number Seven
  • 9. The Eyes of a Child
  • 10. Acupuncture Student
  • 11. Cracking the Karmic Egg
  • 12. The Third Great Awakening
  • 13. The Entrepreneurial Revolution
  • 14. The Gandhi/Gatsby Syndrome
  • 15. Betty From Minnesota
  • III. Mythopoetic Man
  • 16. What Do Men Really Want?
  • 17. American Almanac
  • 18. Utne Reader
  • 19. Over Yonder
  • 20. Meeting the Shadow
  • 21. Cultural Activism
  • 22. The Neighborhood Salon Association
  • 23. The Mud Lake Men
  • 24. Under the Volcano
  • 25. Vision Quest
  • 26. The King Killer
  • Iv. Coming Home
  • 27. Stay-At-Home Dad
  • 28. The Eyes of the Heart
  • 29. Teaching Revolution
  • 30. Parzival
  • 31. A Lotta Jubilada
  • 32. Becoming an Elder
  • 33. The Utne Men's Saga
  • 34. It's the Dream
  • 35. False Prophets
  • Epilogue. Far Out Man
  • Acknowledgments
  • Photo Credits
  • Index
Review by Publisher's Weekly Review

In this ardent memoir, Utne (Brenda, My Darling), founder of the Utne Reader, frames his life as an American archetype: the young man seeking happiness, community, and meaning. Utne details his explorations of the 1960s and '70s counterculture in a conversational tone, with evocative stories of his "hippie crash pad" in St. Paul, Minn., and hitchhiking to San Francisco, as well as moments of comedy, as when he nearly burns down his house lighting sage on fire for a group ritual. The narrative is generally riveting thanks to its insight into multiple alternative cultural movements of the past half century; along the way, Utne sold psychedelic mushrooms, embraced a macrobiotic diet, founded New Age self-help groups for men, and taught middle schoolers at a Waldorf school. However, the personal aspects of the memoir, such as anecdotes of his marriages, feel more detached than his counterculture narrative, and the repeated mention of well-known friends can come off as name-dropping. Still, Utne's earnestness and honesty as he admits to mistakes during his life--such as dropping out of college and starting a business with his mercurial wife--are charming. Readers looking for stories of the swinging '60s will find this an entertaining personal testament. Agent: Jim Levine, Levine, Greenberg, Rostan. (July)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

The founder of the Utne Reader tells his story. Hippie, vision quester, early New Age acolyte, and member of the "mythopoetic men's movement," Utne is best known as the publisher of his eponymous magazine of politics and culture, which he founded in 1984 and sold in 2006. But as he observes in his memoir, all of these terms are just labels and signifiers, facets of an existence that has been eclectic in the most encompassing of ways. Born on Aug. 6, 1946, the first anniversary of Hiroshima, the author prefers to frame his narrative in terms of history--not as a set of incidents arrayed against its backdrop but in the more immediate sense of having been a participant. That such a reading is equally accurate and overstated is the conundrum at the heart of this alternately enlightening and myopic book. On one hand, Utne was everywhere, and he has never been afraid to offer dissenting views and intriguing, provocative observations. Although he visited Haight-Ashbury during the Summer of Love, he was far from a true believer. "If San Francisco is the mecca of love," he told a friend, "then I'm an infidel." So, too, his relationships with Michio Kushi, who spearheaded the macrobiotic movement, and Robert Bly began as productive before becoming increasingly fraught. Unfortunately, that independence--that posture of being inside and outside at the same time--grows increasingly self-serving as the narrative progresses. For Utne, the central subject is his spiritual journey. "This is my prayer," he writes. "May our actions come out of hopelessness. May our actions be expressions of love." While it's difficult to argue with the sentiment, the framing of the language is telling. The author too rarely shifts the gaze from his own centrality. "While you are alive, be alive," his stepgrandmother, Brenda Ueland--who operates as something of a muse in these pages--told him. In heeding her call, Utne fails to account for the bigger picture, making his book just another song of the self. A fascinating life recounted in an uneven memoir. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

1 All You Need Is Love I was born on August 6, 1946, the first anniversary of the dropping of the atomic bomb on Hiroshima. The Bomb detonated the Baby Boom, the largest and most privileged of American generations. I grew up in an era of unprecedented affluence and security made possible by America's unprecedented economic and military might. Our privilege and safety were products of things we could not see, or chose not to. Every year, when the new car models came out, my parents assembled our family for a photo in the driveway of our suburban ranch home, one of about fifty houses on Ridgewood Lane, all of them built just after World War II. We gathered in front of our new Buick station wagon. My older brother, Bob, younger brother, Tom, and baby sister, Mary, and I, along with our parents, all beamed for the camera. We looked like a happy, successful, all-American family. We were well-dressed, well-scrubbed, and healthy. We had a three-bedroom ranch house with attached garage, memberships in St. Michael's Lutheran Church, the St. Paul Athletic Club, and the Town & Country Golf Club. We recorded family holidays on reel-to-reel audiotape and said grace over dinner and our prayers at bedtime. We were living the post-war American Dream. Our neighbors did the same. Everyone smiled and said nice things. They all appeared to be happy tending their new homes along the lanes and cul-de-sacs of suburbia. Our home was in Roseville, Minnesota, a suburb of Minneapolis and Saint Paul, located exactly halfway between the equator and the North Pole. A boulder with a plaque marking the forty-fifth parallel sits not far from our front door. The terrain in this part of the world is called oak savanna--broad expanses of rolling grassland and teeming wetlands, flecked with wildflowers, ribboned with meandering rivers and streams, and studded with clusters of oak, birch, and maple. It's an "in between" zone, a liminal space between the moist broadleaf forests of the eastern United States, which end in Minnesota, and the drier great prairies of the west, which begin here. Water comes right up out of the ground in most parts of Minnesota. Springs flow into creeks that converge into streams that grow into mighty rivers. The state is the headwaters of North America, the source of rivers that flow in three directions to three separate oceans. The place where the state's two largest rivers, the Mississippi and the Minnesota, come together is known to the indigenous Dakota Indians as Bdote. Some Dakota consider it the center of the universe, the place where the first humans emerged from their underwater realm. In one of my earliest memories I'm standing alone in our front yard. It's a soft midsummer evening. The sun has just set and everything glows in the shadowless twilight. Surveying my realm, I raise my arms high, hands splayed up and out, and declare out loud, "I'm Rickey Utne. I'm seven years old. And I'm ALIVE!" My friends and I spent every moment we could on, in, and around the swamp that lay beside our neighborhood. This was where we floated on our makeshift raft, setting off through cattails and milkweed to cross what we called "the Western Sea." The swamp was where we caught and released painted turtles and garter snakes, dodged fluty red-winged blackbirds, plugged our noses when the green algae turned fetid in the dog days of August, built tree forts and sank knee-deep in the gooey black mud. We told each other to watch out for drop-offs and quicksand. One false step and we might disappear forever. We gazed into those dark waters and glimpsed the mysterious underworld that lay just beneath the surface of our lives. One hot August day when I was ten years old Butch Seymour made a butterfly net. Soon all the kids made butterfly nets. As if on cue, a massive migration of monarch butterflies descended on our neighborhood. Thousands of shimmering orange and black mariposas alighted on our three backyard apple trees. We screamed and howled as we ran from tree to tree, swinging wildly. I must have caught a dozen butterflies with a single swipe. A few weeks later, a gigantic swarm of green darner dragonflies filled the sky in every direction as high as the clouds. Unlike the regal, silent monarchs, this zigzagging horde made a loud droning buzz--like fast-moving, now-hovering, now-darting, four-winged berserkers. My bedroom was in the basement, and the only light came in through what we called a window well, which looked like a backlit terrarium at ceiling level. One day my friend Jeff and I were playing in my room when we thought we noticed something moving in the sand of the window well, so we went outside to investigate. That was when I met my first salamander. There must have been four or five of them. We were both excited and scared, and we dared each other to pick one up. I went first, digging my fingers into the cool sand. The little dragons with their darting tongues and smooth skin moved slowly and were easy to catch. But, of course, these salamanders were out of place. Their home was under attack. They were refugees escaping from the giant dump trucks and the earth grader that had come to fill in our swamp, covering it with truckload after truckload of gravel and dirt until it simply wasn't there anymore. Later that day, around sundown Jeff and I went to the construction site. We were noble knights. Our duty was to defend the realm. The earth grader, with its fiery, smoke-belching exhaust pipe rising above the cab, was an invading dragon. We threw mud balls into the dragon's black maw until it was filled to the top. We rode home on our steeds, our deed accomplished. The next morning I was in my classroom at summer Bible camp when the police arrived, lights flashing. Everyone looked out the window, excited to see what had happened. But the policemen came to our classroom door. They said they were looking for Rickey Utne and Jeff Hilger. We were apprehended like criminals and put into the back of the squad car. I was sure we were going to jail, but they drove instead to my house. As soon as we pulled up, my mother came outside, obviously expecting us. She led me by the proverbial ear into the house before what seemed like a throng of gawking neighbors. I was humiliated. Mom made me write "I will never destroy other people's property" a hundred times. But the lesson didn't take. That may have been my first act of protest against the status quo that so mindlessly kills life. Or, to be more accurate, my first attempt to let my life be a "counter friction to stop the Machine," as Henry David Thoreau put it in his essay on civil disobedience. For better or worse, it wouldn't be my last. By the time I was twelve years old, I thought most humans lived the way my family did, or if they lived differently than us, that we had it better somehow, and we deserved it. We were Americans, after all. We had all the modern conveniences, we believed in progress, we were living the American dream. I didn't know then what I was missing. But I do now. I was on the baseball team, participated in Boy Scouts, and attended church catechism classes. But the adults leading those activities were just like my parents; they had other priorities--their jobs, their parties, cigarettes and highballs, each other. They wanted to enjoy the postwar perquisites they felt they'd earned. We kids were mostly left to roam our suburban environs on our own. At best, that meant we could discover the world for ourselves, and, at worst, it meant that no one was paying any attention to us, let alone passing down any real wisdom about how to live. Thus began my unease with the American dream. The Age of the Machine, aka the industrial age, began in the late eighteenth and early nineteenth centuries. William Blake called the Machine "the Beast," and D. H. Lawrence called it "the insentient iron world . . . ​the Mammon of mechanized greed," declaring it "ready to destroy whatever did not conform." The Machine is anti-life. By the mid-twentieth century, with the dropping of atomic bombs on Hiroshima and Nagasaki, the techno-industrial edition of the machine age had kicked into high gear. That's when nuclear power plants began to proliferate. The interstate highway system sprawled across the continent, gobbling up entire urban neighborhoods and replacing fertile farmland with suburban developments and "junkspace." Public education was made universal and compulsory. Petrochemicals fueled the generation of energy and the production of food. Plastics and antibiotics became central to our agriculture and healthcare systems. Carbon dioxide filled the atmosphere and began to melt the permafrost in the Far North and glaciers worldwide. Sea levels rose, forests declined, and deserts expanded. Global mass extinction of species at unprecedented levels would soon follow. Excerpted from Far Out Man: Tales of Life in the Counterculture by Eric Utne All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.