Review by Booklist Review
D'Aprix Sweeney follows up her debut novel, The Nest (2016), with this character-driven story exploring the lives and laments of two couples. Flora and Julian are finally feeling financially stable since finding steady jobs in L.A., Flora doing regular voice-over work and Julian starring in a television show; officially dedicating more of his time to his acting than his perpetually struggling theater company back in New York, Good Company. Their daughter, Ruby, has just graduated high school and Flora is hunting for a picture taken when Ruby was five, at Good Company's summer theater upstate, with the three of them and their best friends, Margot and David. What she doesn't expect to find is Julian's original wedding ring, the one he claimed to have lost that same summer, sending Flora down memory lane, questioning everything she believed about her marriage and her best friend. Masterfully building character (although Julian and David get the short shrift) and dropping revelations through flashbacks, D'Aprix Sweeney's writing is smooth and propelling. Readers of introspective, relational novels will devour this. HIGH-DEMAND BACKSTORY: The Nest was a bona fide megahit, and with plenty of fanfare already generating, fans are primed for Good Company.
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Sweeney's disappointing latest (after The Nest) revolves around two New York City theater transplants and their daughter and friends in Los Angeles. When musical theater--turned--voiceover actor Flora Mancini discovers her husband Julian Fletcher's wedding ring in their garage, she suspects something is awry: he had told her he lost it swimming in a pond. A meandering set of backstories and present-day happenings ensues, involving the couple's 18-year-old daughter, Ruby, and their best friends: Margot Letta, an actor on a television drama, and her husband, David Pearlman, a former cardiac surgeon whose practice was upended when he had a stroke. In chapters alternating between the characters' points of view, Sweeney unravels the love, pain, and disappointment between them as Flora seeks to discover why Julian lied about the wedding ring, Margot's TV role comes to a close and she reckons with her part in the ring mystery, and Ruby travels to Spain with a boyfriend before starting college. While the deliciously flawed characters are well developed, the lackluster climax and drawn-out therapy scenes involving Flora and Julian are less successful. In the end, readers will long for more drama in a story of people whose lives are steeped in it. Agent: Henry Dunow, Dunow, Carlson & Lerner Literary Agency. (May)
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Review by Library Journal Review
In this follow-up to Sweeney's 1.2 million-copy best-selling debut, The Nest, Flora Mancini finds an envelope containing the wedding ring her husband, Julian, supposedly lost way back. They've been together 20 years, first as struggling actors in New York barely managing to raise daughter Ruby and sustain Julian's little acting company, then with bigger success on the West Coast. Does Julian's duplicity mean their life together was a lie? With a 500,000-copy first printing.
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Review by Kirkus Book Review
A tale of two marriages and a long-buried secret. Thirteen years ago, when their daughter, Ruby, was 5 and they were having the happiest summer of their lives, Flora's husband, Julian, lost his wedding ring in a pond. The pond was on a property in upstate New York where Julian's theater group--Good Company--was putting on their annual outdoor play. There was a photo taken of the family sitting on the steps with their best friends, Margot and David, all leaning together, arms entwined around Ruby. Now Ruby is graduating from high school, and Flora is looking for the photograph to frame as a gift. In the process, she finds something else: the wedding ring that was supposed to be in the pond. While that unfortunate situation is unfolding in the present, flashbacks take us to the history of the friendships. Along the way, the characters' working worlds are depicted in absorbing detail: Margot is a megastar on a hospital TV series, Flora is a former Broadway singer and dancer, now a voice-over artist, David is--or was, actually--a cardiac surgeon. One of the best scenes in the book is the night David and Margot meet, over the body of a heart attack victim during Shakespeare in the Park. Always the New York maven, Sweeney nails the Central Park setting--"teenagers shrieking, the occasional smash of a bottle of beer morphing into a million glittering emeralds on the pavement"--and amusingly notes the many different versions of the story that survive over years of retelling. No one can agree how David ended up onstage or how they got to the Chinese restaurant afterward, but Margot "knew her version was--if not the most accurate--the best." All that said, this novel is far quieter than Sweeney's hit debut, The Nest (2016), and the characters are less well developed. We should know Flora best, but Margot is more clearly drawn (which would be no surprise to Flora, always second fiddle). While a little thin, plotwise, Sweeney's second novel lives up to its title: warm, witty, and interesting. Copyright (c) Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
