The tunnel

Abraham B. Yehoshua

Book - 2020

"From the award-winning, internationally acclaimed Israeli author, a suspenseful and poignant story of a family coping with the sudden mental decline of their beloved husband and father-an engineer who they discover is involved in an ominous secret military project"--

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FICTION/Yehoshua Abraham
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Subjects
Genres
Audiobooks
Published
Boston ; New York : Houghton Mifflin Harcourt 2020.
Language
English
Hebrew
Main Author
Abraham B. Yehoshua (author)
Other Authors
Stuart Schoffman (translator)
Edition
First U.S. edition
Physical Description
324 pages ; 22 cm
ISBN
9781328622631
Contents unavailable.
Review by Booklist Review

A retired highway engineer copes with dementia and changes in the sociopolitical topography of Israel, in the latest from acclaimed Israeli writer Yehoshua, a warmhearted and subtly provocative novel. Zvi Luria forgets his friends' first names, buys way too many tomatoes, and picks someone else's grandkid up from school. To slow the degeneration, he accepts a volunteer position, assisting a younger engineer with a road-building project in the Negev. When the route is complicated by a Palestinian refugee family trapped on a hilltop, Luria draws upon his remaining faculties and designs a tunnel, a radical proposal permitting a degree of coexistence. The symbolism is potent, and consistent with the politically outspoken Yehoshua's recent shift away from his prior advocacy for a two-state solution. Yet Yehoshua never allows politics to dominate. Instead he steers his narrative toward memories of the past, the mysteries of the desert, and the comedic and reconciliatory possibilities opened by forgetfulness. And the story's heart lies in poignant domestic moments between Luria and his wife, as the aging couple together navigate new terrain.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Library Journal Review

A 72-year-old engineer with the Israel Roads Authority, Zvi Luria has quit his job because of encroaching dementia and crankily resists pediatrician wife Dina's efforts to keep him positive. Then he meets Asael Maimoni, son of a former legal adviser the aloof Zvi barely remembers. Asael is building a secret road for the military, Dina recommends Zvi as an unpaid assistant to keep his mind challenged, and soon Zvi is involved in a venture larger than he had anticipated. Asael needs Zvi's tunnel-building expertise because he refuses to flatten a hill along the route he's constructing; with a former army commander, now with the Nature and Parks Authority, he is protecting a small family of Palestinian refugees who live there. As the engrossing, carefully crafted narrative unfolds, Zvi is drawn into the cause, with Yehoshua exploring tangled issues of identity, the uneasy balance of personal and political, the consequences of aging, and what it takes to sustain hope. A shocking final image reminds us never to take anything for granted. VERDICT Multilayered and accessible; from award winner Yehoshua (A Woman in Jerusalem).

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Struggling with early-stage dementia, a recently retired engineer living in Tel Aviv volunteers his services for a military project in the Negev Desert that is threatened by unexpected human complications. Zvi Luria's mental condition first makes itself known through the 72-year-old man's inability to remember people's first names--a failing that results in hapless social encounters. With a boost from his loving, assertive wife, Dina, a respected pediatrician approaching retirement, Luria becomes an unpaid assistant to Maimoni, an admiring young engineer working in his old office. The future of a secret military road in the huge Ramon Crater is thrown into doubt with the discovery that a family of undocumented West Bank Palestinians is living in hiding on a hilltop there in an ancient Nabatean ruin. To protect the dwellers, Luria proposes carving a tunnel through the rock rather than demolishing it. When Dina becomes ill and is unable to keep tabs on her impulsively drifting husband, his grasp on reality weakens. Ultimately so does his opposition to "mixing personal matters and work." In Escher-like fashion, the book spins out multiple versions of reality, including Luria's, in which the light in the tunnel of his consciousness steadily recedes; his wife's and children's in attempting to understand what he is thinking and feeling; and the humiliating mock reality invented by the Palestinians in taking on Hebrew names to pass as Jews. For all its unsettling emotion and dark overtones, this is one of Yehoshua's most spryly amusing efforts. The only first name Luria manages to remember--and keeps repeating--is the Arabic name of a young Palestinian woman who tells him to address her by her adopted name. His adventures with cellphones are priceless. Ultimately, the most important struggle is the one prescribed by his neurologist: "The spirit versus the brain." Whether Luria knows it or not, his spirit is more than willing. A quirky, deeply affecting work by a master storyteller. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

AT THE NEUROLOGIST   "So, let's summarize," says the neurologist.   "Yes, summarize," echo the two, quietly.   "The complaints aren't imaginary. There is atrophy in the frontal lobe that indicates mild degeneration."   "Where exactly?"   "Here, in the cerebral cortex."   "I'm sorry, but I don't see anything."   His wife leans toward the scan.   "Yes, there's a dark spot here," she acknowledges, "but tiny."   "Yes, tiny," confirms the neurologist, "but it could grow larger."   "Could," asks the husband, voice trembling, "or likely will?"   "Could, and likely will."   "How fast?"   "There are no firm rules for pathological development, certainly not in this part of the brain. The pace also depends on you."   "On me? How?"   "On your attitude. In other words, how you fight back."   "Fight against my brain? How?"   "The spirit versus the brain."   "I always thought they were one and the same."   "Not at all, not at all," declares the neurologist. "How old are you, sir?"   "Seventy-three."   "Not yet," his wife corrects him, "he's always pushing it . . . closer to the end . . ."   "That's not good," mutters the neurologist.   Only now does the patient notice that tucked among the doctor's curls is a small knitted kippah, which he apparently removed when Luria lay on the examination table, lest it fall on his face.   "So take, for example, the names that escape you."   "Mostly first names," the patient is quick to specify, "last names come easier, but first names fade away when I reach out to touch them."   "So here's a little battleground. Don't settle for last names, don't give up on first names."   "I'm not giving up, but when I try hard to remember them, she always jumps in and beats me to it."   "That's not good," the neurologist scolds his wife, "you're not helping."   "True," she says, accepting blame, "but sometimes it takes him so long to remember a first name that he forgets why he wanted to know."   "Still, you have to let him fight for his memory on his own, that's the only way you can help him."   "You're right, Doctor, I promise."   "Tell me, are you still working?"   "Not anymore," says the patient. "I retired five years ago."   "Retired from what, may I ask?"   "The Israel Roads Authority."   "What is that exactly?"   "It used to be called the Public Works Department of the Ministry of Transportation. I worked there forty years, planning roads and highways."   "Roads and highways." The neurologist finds this vaguely amusing. "Where? In the North or the South?"   As he considers the proper answer, his wife intervenes:   "In the North. Sitting before you, Doctor, is the engineer who planned the two tunnels in the Trans-Israel Highway, Route Six."   Why the tunnels? wonders the husband, these are not his most important achievements. But the neurologist is intrigued. And why not? He's in no hurry. It's his last patient of the day, the receptionist has collected the doctor's fee and gone home, and his apartment is located above the clinic.   "I haven't noticed tunnels on Route Six."   "Because they're not so long, maybe a couple of hundred meters each."   "Still, I should pay attention, not daydream on the road," the doctor reprimands himself. "You never know, other road engineers might come to see me."   "They'll only come if they can't hide their dementia under the overpass," says the patient, attempting a joke.   The neurologist objects: "Please, why dementia? We're not there yet. Don't rush to claim something you don't understand, and don't raise unnecessary fears, and above all, don't get addicted to passivity and fatalism. Retirement is not the end of the road, and so you need to find work in your field, even part-time, private work."   "There is no private work, Doctor. Private individuals don't build highways or plan roads. Highways are a public affair, and there are others out there now, younger people."   "So how do you spend your time?"   "Officially I sit at home. But I also take walks, all over the place. And we go out a lot, theater, music, opera, sometimes lectures. And of course, helping my children, mostly with the grandchildren, I take them around, pick them up, bring them back. And I also do some housework, errands, shopping at the supermarket, the produce market, and sometimes ​--"   "He loves going to the produce market," says his wife, eager to end the recitation.   "The market?" The neurologist is taken aback.   "Why not?"   "By all means, if you know your way around, it's fine."   "Because I cook."   "Aha, you also cook!"   "Actually I mostly chop, mix, reheat leftovers. I'm in charge of making lunch before she gets back from her clinic."   "Clinic?"   "I'm a pediatrician," his wife says softly.   "Great," says the doctor, relieved. "In that case, I have a partner." Excerpted from The Tunnel by A. B. Yehoshua All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.