Dog flowers A memoir

Danielle Geller

Book - 2021

"After Danielle Geller's mother dies of a vicious withdrawal from drugs while homeless, she is forced to return to Florida. Using her training as a librarian and archivist, Geller collects her mother's documents, diaries, and photographs into a single suitcase and begins on a journey of confronting her family, her harrowing past, and the decisions she's been forced to make, a journey that will end at her mother's home--the Navajo reservation. Geller masterfully intertwines wrenching prose with archival documents to create a deeply moving narrative of loss and inheritance that pays homage to our pasts, traditions, heritage, and the family we are given, and the ones we choose"--

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BIOGRAPHY/Geller, Danielle
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2nd Floor BIOGRAPHY/Geller, Danielle Due May 13, 2024
Subjects
Genres
Autobiographies
Biography
Biographies
Published
New York : One World [2021]
Language
English
Main Author
Danielle Geller (author)
Edition
First edition
Physical Description
260 pages : illustrations ; 24 cm
ISBN
9781984820396
  • Creator
  • I.
  • And boy it just burns me up
  • It was my fault but also
  • II.
  • Another likely story
  • Little Bit
  • Because I'm not that kind of bitch
  • [Apocalypse]
  • [Pretty Little Thing]
  • I would still now want him with me
  • So I can take-care of him
  • Nobody is ever
  • III.
  • I woke up with a dream about me & mom & dad & Christmas and how the light of God pulling me into the life that is now teaching what I have to do
  • Them supposeable being
  • [Exhaustion]
  • The Art of Living Dangerously
  • Knowing it was just another one of his lies
  • IV.
  • I Love Them So!
  • [Little Sheep]
  • [Beauty]
  • [Nursing Home]
  • [I Tried to Say]
  • [Little Tweets]
  • [Solitary]
  • Still cruising
  • [Cat Killer]
  • [Dumpster]
  • [Correspondence]
  • [Ghanging Woman]
  • [Selvage]
  • Acknowledgments
Review by Booklist Review

A riveting and searching memoir, award-winning Geller's first book is her artful attempt to piece together her late mother's life as she herself comes of age and into her own destiny as a writer. Among the few possessions her mother left behind, Geller, who has a background in library science, finds diaries, letters, calendars, and photos that fill in the narrative of a woman who struggled with alcoholism and was largely absent from the author's life. Sharing many of these artifacts here, tagged with titles, dates, and descriptions, Geller writes, "I am tempted to erase the questions and unknowns from my mother's life--to simplify the arrangement--but what kind of archivist would I be?" Simultaneously, in evocative passages that contain both the child she once was and the writer she will become, Geller recalls growing up with her younger sister, mostly in their grandmother's care while their father also battled addiction. She studies, graduates, makes her own way. She returns to her mother's Navajo reservation homeland and communes with grandmothers, aunts, and cousins in memorializing her. With both harrowing episodes and moments of beauty to linger in, Geller's finely crafted work of extraordinary strength and survival spans worlds, encompassing life and after-life.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In this stirring debut memoir, Geller uses her late mother's ephemera to recollect her own fractured childhood and reconstructs her mother's life. Geller's mother, Laureen "Tweety" Lee, was homeless for the last six months of her life. She'd struggled with alcoholism and was unconscious when Geller paid her a final hospital visit. Eight suitcases held by a grieving "on-again, off-again lover" contained all of Laureen's possessions. From these, Geller assembled a paper trail of diaries, photos, and letters that traced Laureen's departure from a Navajo reservation at age 19, the series of low-skill odd jobs she worked, her marriage to a narcissistic man who "loved the sound of his own name," and her becoming a mother at 22. Geller, raised outside of the poverty of reservation life and the only one in her family to make it into the middle class, returned to the reservation to reconnect with family members and learn about her mother's past. The author's accounts of her family members' struggles with addiction are heartbreaking ("I couldn't understand why she chose to drink, when drinking had already cost us so much," Geller writes of her sister), and the narrative is punctuated with haunting photographs and her own childhood drawings. This beautiful memoir is not to be missed. (Jan.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Gellar (creative writing, Univ. of Victoria) vividly recounts her experience coming to terms with her mother's life. After not speaking to her mother for six months, Gellar is called when her mother, nicknamed "Tweety," is in a coma after withdrawing from alcohol. Tweety was an irregular presence throughout Gellar's life, and she and her sister were primarily raised by her grandmother. After Tweety's death, Geller receives her possessions and uses her training as an archivist to document and piece together her mother's life. Gellar attends a memorial service held at the Navajo reservation where Tweety grew up; by meeting extended family and sorting through her possessions, Gellar begins to form a more complete picture of her mother. Weaving stories from her childhood as well as from the present, Gellar describes in rich detail a family life filled with patterns of neglect, abuse, and mental illness mixed with moments of joy and humor. With instability as a constant in her life, it's uplifting to see how Gellar manages to find her own voice and is able to share her story with clarity and heart. VERDICT An introspective reflection on the complexities of family relationships that will engage fans of memoirs.--Anitra Gates, Erie Cty. P.L., PA

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A Navajo woman's memoir of family, loss, and self-discovery. Geller, a creative writing teacher, takes readers on two parallel journeys: that of her mother, Laureen, who left the Navajo reservation at age 19, "almost as soon as she could," and her own, which begins with her notifying her sister Eileen that their mother was dying. Laureen had spent "the last six months of her life homeless, sleeping in a park in Lake Worth, Florida," and the author traveled to visit her during her final days. After Laureen's death, Geller collected her mother's belongings, "packed into eight suitcases" and including "her diaries, her photos, and the letters she kept." Using these personal items, the author expertly weaves her story into Laureen's, comparing her memories with her mother's records. Geller traces her childhood, adoption by her grandmother, experiences with abuse, and troubled relationships with her sister and father. One of the primary themes here is the author's complicated feelings about her Navajo identity, whether discussing how she "learned to twist my sorrow into a joke," describing her family to her friends, or recounting her meeting with a Navajo jewelry maker. "I didn't imagine she knew my mother's family; I didn't even imagine she cared," writes Geller. "But I had reached the limits of my documentary sleuthing--the letters from my mother's fam-ily were old, the addresses and phone numbers ancient--and this jeweler seemed like my last chance." After that encounter, she was invited to a memorial for her mother on the reservation and began the process of connecting with her extended family and working to understand her own cultural identity. Geller's mix of archival research and personal memoir allows readers to see a refreshing variety of perspectives and layers, resulting in an eye-opening, moving narrative. A deftly rendered, powerful story of family, grief, and the search for self. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

and boy it burns me up My mother left the Navajo reservation almost as soon as she could. At nineteen, she moved to the city, as many do, to continue her education. In a brown and water-stained copy of an incomplete job application, I found evidence of these early years: From April 4, 1983, until July 1, 1984, she took classes on cultural awareness, health education, and leadership at the "Albuquerque Job Corps Center." ("It was the best," a woman who attended the school in the late eighties wrote in a recent Google review. "I will always remember the good times I had.") For work experience, my mother found part-time jobs in retail at Kirtland Air Force Base; as a file clerk at the "Albuquerque Rehab. Med. Center"; and as a typist at the "New Mexico State Labor Com.," a position she held for only a month. In August, my mother moved to Prescott, Arizona, and began working as a waitress at the "Palace Hotel Restaurant," where my parents met. My father told me they met at the Hotel St. Michael, which was not true, but my father always loved the sound of his own name. My father worked for his brother's computer company as a traveling technician. Those were his glittering days: He charged expensive rental cars to disposable credit cards and drove back and forth across the country. He gave the keys to his cars and hotel rooms to the homeless and traveling people he met. He dropped acid in the desert and once, he claimed, met a man entirely surrounded by a golden aura--Jesus Christ himself. The way my father told their story, I always believed my parents fell in love quickly. That after those early smoke-filled nights, she left with him when he returned to Florida, where I was born in the summer of 1986. But the application I found was dated March 27, 1985, a few months after she quit her job in Prescott and moved back to New Mexico. The reason given: "Looking for Another type of job." When I asked my father how my mother got to Florida, he said she called him months after they first met. "I could come see you," she said. When I called Eileen to tell her our mother was dying, I wasn't sure what words to use. I repeated the doctor's words: Sick. Heart attack. Nonresponsive. Very, very sick. She asked, from a distance, what I meant. Eileen and I were not good sisters to each other. We never held each other, and we didn't end conversations with love. But in that moment, I would have given anything to take her in my arms, to give her some small comfort. "Her heart doesn't work anymore," I told her. "She's not going to get better." "What?" My sister's voice edged on anger, an anger I had always feared. "She's dying," I said, simply, and then listened as her anger dropped into heavy, wracking sobs. I couldn't take my words back, and I couldn't think of anything else to say. All I could do was listen to her cry until she finally decided to hang up. She called me a few hours later. Her voice sounded like smoke rising, faint and curling. She was high. She asked if I planned to go down to Florida. I had been sitting in front of my computer with flights mapped out, but I hadn't been able to convince myself to buy a ticket. I wasn't sure I wanted to go. "Someone has to be with her," Eileen said. She was somewhere in Montana, and she said she would try to buy a bus ticket, but she worried she wouldn't make it to Florida in time. The walls of my room were painted cornflower blue. "I'll go," I promised. "You can't go down there alone," she said, but we both knew I would. "I'm sorry, Danielle," she added, beginning to cry again. "I'm sorry." A few months after my mother moved to South Florida, she was pregnant with me. My father claimed she could get pregnant off a toilet seat. My father's mother convinced her to keep the baby, and she offered them a two-bedroom apartment in a building she owned on Nokomis Avenue, a chalk-white dirt road. Our neighbors were inconstant. My grandmother's tenants were as poor as our neighborhood, and no one seemed to stay for long. She liked to tell the story of one of her tenants who dragged all his furniture, even the refrigerator, onto the lawn in the middle of the day. She couldn't get a reason out of him--he talked nonsense, raving about who knew what, so she called an ambulance. Later she found out his rotting teeth were the cause of his madness, but she found the story funny and laughed each time she told it. I was too young to remember most of our time in that apartment, but in my mother's things I find a soft paper envelope labeled with her neat script: "Birthday Negatives, July 28, 1987." When the pictures were taken, I had just turned a year old. In some of the photographs, I wear a white jumper; in others, only a diaper. Over one shoulder I carry my favorite pink blanket, whose corner will rough and wear from the constant rub of a finger soothed by its exposed stitch. My mother and my father and my grandmother, Evelyn, are all here. The way my father tells those early years, my mother was the one who hit him . Angry-drunk, she whipped him with the cord of an alarm clock, and then she called the cops. My mother and the neighbors and I stood in our gravel driveway and watched the police chase my father down the road, around the block. The dust settled soft and white. The way my father tells it, my mother was wrong and the police were wrong and my memories were wrong, because I did not remember the violence the way he wanted me to. I remember my father's shadow in the doorway in the moments before he threw my mother to the floor. The way she curled up under the kitchen table and stayed there, sobbing, even after he was gone. She told me to get rid of his beer. I pulled the chair over to the sink and dutifully poured each can down the drain. My mother stayed for years after that fight, after many fights, but I remember one of her early leavings. She took my sister and me to the women's shelter at the Salvation Army. The light was all cream and yellow. We caught head lice from the shelter's temporary beds. My grandmother convinced my mother to go back to my father, her son, the way I imagine she always did. Once home, my mother washed our long hair with the special shampoos and picked the nits off our scalps with a comb, but my father, impatient, went to the store and bought a new hair buzzer. I watched him lift the buzzer from its polystyrene cradle. I cried as he cut off all my hair. Florida is unchanged and true to memory: fulgid sunlight and flat horizons, broken only by palm trees and scrubby pines. The parking lot at the JFK Medical Center sprawls confusingly, and I circle it twice. After I park, I follow a couple into the building, but as I step onto the sidewalk, a small bush rustles, and a curly-tailed lizard lands on the ground in front of me. I jump back, both startled and embarrassed. I caught lizards as a kid--even wore them like earrings, their small mouths clamped to my earlobes, their thin bodies wiggling against my neck--but this place, this lizard and I, have become strangers. I watch him for a breathless moment: his mouth open, his sides heaving. Then he darts across my path and disappears into another small shrub. I enter the lobby through a pair of tinted glass doors and approach the officer at the front desk. He positions me in front of a camera and prints my badge on a sticky label, then directs me to an elevator down the hall. Inside the elevator, I inspect the photo on the badge: a grainy shadow you might call me. I follow his directions out the elevator and down the hall to the critical care unit, quiet and cold. The curtain in front of my mother's room is open. Standing beside her bed, a nurse delicately washes her face. I waver at the threshold, and when the nurse glances in my direction, she startles, as if I were a lizard landing on her path. "Who are you?" she asks. "I'm her daughter," I say. The nurse frowns and shakes her head. "We were told she didn't have any family. Nobody's been here to see her." Her words land sharp and heavy on my heart. I glance at my mother's face, wrinkled and sun worn. Who did they imagine my mother to be? Another homeless woman, unloved and forgotten? Slowly, I walk toward her and rest my hands on the rail of her bed. "I came as soon as I could," I say--in her defense, and mine. Excerpted from Dog Flowers: A Memoir by Danielle Geller All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.