The last days of John Lennon

James Patterson, 1947-

Book - 2020

"John Lennon was one of the world's most influential people. Mark David Chapman was one of the most invisible. By the end of 1980, the Beatles had been broken up for a decade -- a decade John Lennon had spent in search of his true identity: singer, songwriter, activist, burn out. "It's the perfect time to be coming back," he declared. Except that Lennon was a marked man. As early as the Beatles' controversial 1966 American tour, the band had feared for their safety. "You might as well put a target on me," Lennon said, and the Nixon administration complied by opening an FBI file. If only the agents hadn't been so intently focused on the star himself, they might have detected Mark David Chapman...9;s powerful, ever-growing obsession with his onetime idol. Chapman, himself a tragic nowhere man, ultimately achieved the notoriety he craved by actualizing the target on Lennon -- single-handedly wounding the spirit of a generation."--Publisher's description.

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Subjects
Genres
True crime stories
Biographies
Published
New York : Little, Brown and Company 2020.
Language
English
Main Author
James Patterson, 1947- (author)
Other Authors
Dave Wedge (author), Casey Sherman, 1969-
Edition
First edition
Physical Description
x, 434 pages, 16 unnumbered pages of plates : illustrations (some color) ; 25 cm
Bibliography
Includes bibliographical references (pages 341-432).
ISBN
9780316429061
Contents unavailable.
Review by Library Journal Review

In what sounds like an unbeatable setup, blockbuster crime writer Patterson joins forces with New York Times best-selling authors Sherman and Wedge to chronicle the last days of John Lennon. With a 300,000-copy first printing.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Beatlemania meets autopsy in the latest product from the Patterson factory. The authors take more than half the book to reach John Lennon's final days, which passed 40 years ago--an anniversary that, one presumes, provides the occasion for it. The narrative opens with killer Mark David Chapman talking to himself: "It's like I'm invisible." And how do we know that Chapman thought such a thing? Well, the authors aver, they're reconstructing the voices in his head and other conversations "based on available third-party sources and interviews." It's a dubious exercise, and it doesn't get better with noir-ish formulas ("His mind is a dangerous neighborhood") and clunky novelistic stretches ("John Lennon wakes up, reaches for his eyeglasses. At first the day seems like any other until he realizes it's a special one….He picks up the kitchen phone to greet his old songwriting partner, who's called to wish him all the best for the record launch"). In the first half of the book, Patterson and company reheat the Beatles' origin story and its many well-worn tropes, all of which fans already know in detail. Allowing for the internal monologue, things improve somewhat once the narrative approaches Chapman's deranged act--300-odd pages in, leaving about 50 pages for a swift-moving account of the murder and its aftermath, which ends with Chapman in a maximum-security cell where "he will be protected from the ugliness of the outside world….The cell door slides shut and locks. Mark David Chapman smiles. I'm home." To their credit, the authors at least don't blame Lennon's "Happiness Is a Warm Gun" for egging on the violence that killed him, but this book pales in comparison to Kenneth Womack's John Lennon 1980 and Philip Norman's John Lennon: The Life, among many other tomes on the Fab Four. A thimbleful of fresh content lies buried in tales familiar and often told. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.