Review by Booklist Review
In 1840, Mathinna, the orphaned daughter of an Aboriginal chief, is adopted by the governor's wife in Hobart City in what is now Tasmania. Though the story revisits Mathinna, the focus shifts to England, where Evangeline Stokes has been wrongfully accused of theft and sentenced to transport. Her long, harsh trip is complicated by her pregnancy, though it is lightened somewhat by friendship with brash, also-pregnant Olive; Hazel, who has midwifery skills; and the sympathetic ship's surgeon. Then tragedy strikes, and by the time they arrive at the prison, Hazel is posing as the mother of Ruby, Evangeline's daughter. As in Orphan Train (2013), Kline deftly balances tragedy and pathos, making happy endings hard-earned and satisfying. Mathinna does not fare so well here, nor did her real-life counterpart, but the fact that even her sad, untimely ending does not receive the imaginative treatment of the other characters' stories makes her inclusion confusing, if not cruel. Still, book groups will find much to discuss, such as the uses of education, both formal and informal, in this moving work of historical women's fiction.
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
In the gripping latest from Kline (Orphan Train), three women try to carve out lives in mid-19th-century colonial Australia. Aborigine Matthina is eight years old when she's seen by the wife of the governor of an English settlement on a visit to her home island, Wybalenna. After learning Matthina can speak English, the woman decides to take her back to Flinders in southern Australia as a curiosity and an experiment in forced civilization. Meanwhile, in London, Evangeline is the orphaned daughter of a vicar working as a governess to the children of a wealthy family. But after Evangeline is seduced by the family's eldest son and her secret pregnancy is discovered, she is arrested, held in Newgate prison, and sentenced to transport to the penal colonies of Australia. She shares the voyage to her new life with Hazel, the hardscrabble daughter of a midwife who turns her knowledge of medicine into an asset aboard the ship. The narratives converge when their ship docks in Van Diemen's Land (modern-day Tasmania), where Matthina, who has been adopted by the island's governor, now lives. The women, all brought to their new lives against their wills, become a lens through which to see the development of colonial Australia. Filled with surprising twists, empathetic prose, and revealing historical details, Kline's resonant, powerful story will please any historical fiction fan. (Sept.)
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Review by Library Journal Review
Kline's novel presents a shameful episode in Australia's history through the lives of three women. Naive governess Evangeline, impregnated by the wayward stepson of her employer and accused of stealing a ruby ring, is sent to Newgate Prison, where she meets young Glaswegian midwife Hazel, imprisoned for stealing a silver spoon. They are transported with other female convicts under harrowing conditions across the world to Van Diemen's Land, the Australian penal colony. In Australia, Mathinna, the orphaned daughter of the chief of the Lowreenne tribe, is taken up by the wife of a high colonial official in order to "civilize" her, with mixed results. Caroline Lee paints a rich audioscape enlivening the tale, though listeners may wish that different narrators were cast for each of the three protagonists, especially an Indigenous voice for Mathinna. VERDICT Recommended for those who enjoy Australian history, historic fiction in general, women's fiction, and adventure fiction.--David Faucheux, Lafayette, LA
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Review by Kirkus Book Review
A London governess and a Scottish midwife's neglected daughter are sent to a penal colony in Australia, where an Aboriginal girl is in another sort of captivity. Kline's monumental eighth novel opens in 1840 on Flinders Island, Australia, where an 8-year-old orphan named Mathinna is whisked away from her tribe at the whimsy of visiting dignitary Lady Franklin, who fancies training one of the "savages." A necklace of shells made by her mother and a pet possum named Waluka are all Mathinna can take from the life she knew. Across the ocean, 21-year-old Evangeline, also recently orphaned, is fired from her job in London and sent to Newgate Prison when a family treasure is found in her room--and this is not the only problematic gift she has received from the family's eldest son, now conveniently traveling in Venice. Meanwhile, in Glasgow, half-starved 16-year-old urchin Hazel Ferguson is caught stealing a silver spoon. Evangeline and Hazel become acquainted on the Medea, a former slaving ship bound for the prison colony where the now obviously pregnant Evangeline is to serve a sentence of 14 years. Kline takes her time with this epic story, creating each of her nightmarish and uniquely malodorous settings in detail, from the harrowing months at sea with the randy and violent sailors to the strange new world that awaits Evangeline and Hazel in the convict colony. Once back on land, the narrative loops in poor lonely Mathinna, whose life now consists mainly of being dragged out at tea parties to be pawed and humiliated, then clicks into high gear when Hazel gets a work-release assignment as a maid in Lady Franklin's household. This episode in history gets a top-notch treatment by Kline, one of our foremost historical novelists. This fascinating 19th-century take on Orange Is the New Black is subtle, intelligent, and thrillingly melodramatic. Copyright (c) Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
