Nights when nothing happened

Simon Han

Book - 2020

"From the outside, the Chengs seem like poster children for the enduring promise of the American Dream. Once Patty landed a tech job near Dallas, she and Liang grew secure enough to have a second child, and to send for their first from his grandparents back in China. Isn't this what they sacrificed so much for, to be a family? But then little Annabel begins to sleepwalk at night, putting in motion a string of misunderstandings that strips away their façade of suburban normalcy, threatening to set the community against them and turn their dream into tragedy. As the Chengs come undone, they are forced to confront the hidden pain and secret yearnings that have made them fear not only the world outside but one another. How can a man ...make peace with the terrors of his past? How can a child regain trust in unconditional love? How can a family stop burying its history and forge a way through it, to a more honest intimacy? Set during the early aughts, Nights When Nothing Happened is gripping storytelling immersed in the cross-currents that have reshaped the American landscape, from a prodigious new literary talent."--Provided by publisher.

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Subjects
Genres
Domestic fiction
Published
New York : Riverhead Books 2020.
Language
English
Main Author
Simon Han (author)
Physical Description
262 pages ; 22 cm
ISBN
9780593086056
Contents unavailable.
Review by Booklist Review

The Chengs live in Plano, Texas, where nothing much seems to happen. At 11, Jack sees himself as his sister Annabel's protector, and wakes up every time she sleepwalks to follow her and bring her back to bed without alerting his parents. Annabel, an affectionate five-year-old, doesn't seem disturbed by anything until she goes to sleep. Their mother, Patty, works long hours at her tech job near Dallas, while father Liang watches over the kids. From the outside, they seem like the model immigrant family. But when Child Protective Services shows up, all four of them are suddenly forced to unveil the secret fears they have of one another, and forge a new understanding of familial intimacy and trust. In this exemplary debut, Han explores childhood trauma and the impact words and silence can have on both building and harming relationships. He writes with sensitivity and tenderness, allowing his fully fleshed-out characters to take on lives of their own and tell their heartbreaking perspectives directly to readers. Readers will be gripped by this beautiful debut.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Han's ambitious if mixed debut follows the travails of a Chinese immigrant family living in the wealthy Dallas suburb of Plano. Patty Cheng is the breadwinner, whose long hours designing microchips pulls her away from her photographer husband, Liang, and their two children, Jack and Annabel, 11 and five. On Thanksgiving Day in 2003, a misunderstanding leads to an accusation by Annabel's best friend of a "bad touch" by Liang, which snowballs into more trouble for Liang involving the police after Liang and Jack neglect to set the record straight. The family's survival is dependent on a slippery sense of identity and difficulty in belonging in the Texas suburb, which permeate the narrative amid other unfortunately underdeveloped themes (duty vs. love, genteel racism). Most of the characterizations are convincing, though Annabel, even in close third-person narration, comes across as overly precocious ("If Annabel could understand what an overreaction was, she could understand what an overreaction wasn't"). Still, as Liang struggles through the consequences of the accusation, Han succeeds in drawing the portrait of a new American family while demonstrating a talent for creating a sense of place through the eyes of immigrants. The premise is intriguing, but Han doesn't quite stick the landing. Agent: Samantha Shea, Georges Borchardt. (Nov.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

In an anticipated debut from Chinese-born, Texas-raised Han--he's won numerous fellowships and been published in venues from Guernica to Electric Literature--the Dallas-based Chengs are finally established enough to send for their son, still in China with his grandparents. But then little daughter Annabel starts sleepwalking, and the habit escalates dangerously to reveal family secrets and raise the question of trust.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

In Han's remarkable debut, a misunderstanding gathers enough velocity to almost shatter the nucleus of a Chinese immigrant family in 2003 Texas. With its motion sensors and automatic sprinklers, the Dallas suburb of Plano seems like a high-resolution version of the all-American town. Scratch the veneer, though, and you'll see turmoil beneath the gloss. The newly arrived Chengs are a barely functional family unit. They're not just strangers in a new land--they're practically strangers to each other. Eleven-year-old Jack is just coming to know his family after having spent his formative years with his grandparents in Tianjin, China. Looking to pursue a doctorate in physics, Patty, Jack's mother, had emigrated first, and Liang, her photographer husband, followed shortly after. Patty's dreams of higher education were aborted when research funding ran out and she was forced to take up work for Texas Semiconductor. After a few years, the couple saved enough money to bring Jack over. In the meantime, Annabel was born. Jack's 6-year-old sister is a firecracker who exerts her will to ruinous effect at Plano Star Care. Lacking his wife's pluck, Liang too has challenges to overcome: his insecurities about hailing from peasant stock and an anemic photography business. Han expertly shifts the ground under the narrative, constantly shaking the snow globe to nudge the reader's perspective away from the familiar. The restrained prose is all the more effective as it releases a Molotov cocktail during a singular moment when Jack's desire to establish a place in his family clashes with his father's shaky societal standing. Han's characters are authentic, vulnerable, and utterly convincing, delivering one dynamite novel. An astutely realized portrait of the collateral damage wrought by the pursuit of the American dream. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Nights When Nothing Happened Late August and early September were the long days of learning. The locker-lined walls of Fillmore Middle School penned Jack in, while his sister's school, Plano Star Care, shuttled its students on field trips ambitious even for the gifted. During her third week of kindergarten, after a visit to the JFK assassination museum, Annabel used a word she'd never used before: fascinating. "They got video," she told their mother as the two of them sat at the kitchen table, tearing the ends off green beans. "Fascinating." In the adjoining living room, the TV in front of Jack announced the latest scandal in the Catholic Church. Numbers were thrown out. Twelve. Eighty-four. Five hundred and fifty-two. These were scary numbers, the steely eyed commentator stated. Before the commercial break, she promised that they would return to the war coverage. "He was in the car," Annabel said. "And the car had no roof. And his head went blam ! Like when Daddy dropped the watermelon. Me and Elsie watched fourteen times." "Háizi!" his mother said. "Where were your teachers?" "Around," Annabel said. "And then we went to the Grassy Knoll. That's where the video happened. Elsie told me she saw blood on the road." Elsie was Annabel's new best friend. A day earlier, his sister had boasted about Elsie's dream to hurl herself from the monkey bars so she could break her arm and get a cast littered with drawings and signatures. His mother shushed her now as she'd shushed her then, but Annabel pressed on. "The head," she said, "the head went blam-blam-blam . All the way to China! Blam!" She snapped the green beans in half-- blam!-- then in fourths-- blam! "Stop!" his mother said, but Jack didn't know if she was talking about the JFK story or the green beans. " Stop--wǒde mā ya--stop! " Jack turned around from the couch: his father was draping a giant forearm around Annabel's neck. He had Jack's sister pinned against the chair, his forearm pressing down on her throat as Annabel's hands flailed in the air. His father grinned and Annabel laughed and his mother laughed and the TV commercial behind Jack laughed, too. He should have laughed, laughed at the silly game his father and sister liked to play. His father brought his arm back to his side. He scratched his ass with his oven mitt. At his photography studio he slung around long-nosed cameras heavier than babies, while at home he sported an apron of Monet's water lilies, nearly small enough to serve as a bib. When he smiled he shut his eyes, lost in some distant pleasant thought. His mother laughed when she was happy and frowned when she was upset, but in the five years Jack had known his father, mannequin's faces had proven easier to read. "You got to be scarier!" Annabel said. "It's in the eyes, Daddy!" She stood up on her chair and, without warning, socked his father's belly. For every action , Jack had learned, there is an equal and opposite reaction . What would it feel like to punch his father in the stomach? When Annabel tired of punching, she plopped back down with the flair of a wounded TV wrestler and plucked the end off a green bean. His mother told her not to put it in her mouth. His father returned to the kitchen, cracking his back on the way. His game was a success. For the time being, Annabel had forgotten about John F. Kennedy's head. At Jack's school the next day, his safety was not a game. Preparing for a potential intruder was no laughing matter. Lock the classroom door. Close the blinds. Turn off the lights. Coach Becker, his health teacher and a demonstrative door locker, twisted the switch as if in slow motion, which led to a resounding, foreboding click . "Push the desks against the door," Coach Becker said. "Sit in the corner. Now." When Marco Martinez tittered, Coach Becker ordered him out into the open center of the classroom, to do thirty-five push-ups. Jack looked on with the rest of the class without saying a word. Marco lived across the street and had beaten Jack in sixteen straight games of Clue, but when it came to push-ups there was no need to count. The boy weighed nearly two Jacks and couldn't get his hips off the ground. He heaved. His eyes, pooled with sweat, implored Coach Becker for mercy. Kill me , he must have been thinking. I want to die! It was better that Marco wasn't allowed to say it. When he got home, Jack told Annabel about the drill. "Guess what? We practiced hiding from school shooters. Marco Martinez barfed." She ate his stories up, with the serious fascination children reserve for adults crying in public, or animals mating. "Oh, I never saw a real shooter," she said. "That's enough," their father said, herding them to the refrigerator for ice cream. Annabel refused to sleep by herself again that night. To release herself to sleep was to allow Māma and Daddy to abandon her to a dark and dangerous world. One parent tucking her in was no longer enough. Her wailing reminded Jack of his first months in America, when his father's nightmares had kept him awake. They lived in a one-bedroom in East Plano then, an apartment half the size of his grandparents'. Think of it like another plane ride, his mother told him. A means to an end, not a place to call home. But from the mattress in the living room, Jack could spy, past the bent plastic of a window blind, switchgrass taller than him. Beyond that, the illuminated sign of a dry cleaner that had been in business for more years than he'd been alive. There was a story in the loose spring by his foot, the stain under one corner of the mattress. A chapter he was living, even as his parents prepared for the next one. When his father sometimes yelled out from his parents' bedroom in the middle of the night, he did not utter a word, in any language, that Jack could understand. He could only hear his mother on the other side of the door, pleading for him to stop. Now Jack left the door to his room open and listened as his mother assured Annabel, the way she'd assured Jack in those first months, that there was nothing to see. Nothing under Annabel's bed, nothing in the closet, nothing in the mirror, nothing in Daddy's hands, nothing in Daddy's head. Annabel pecked a cheek that was nothing more than a surface for her lips to touch. She took a gulp of nothing air. When she finally stopped crying, there was no sound of footsteps shuffling back downstairs. No reason for his parents to take their leave. The only way Jack could imagine their bodies fitting on his sister's bed was with his mother's elbows prodding Annabel and half of his father's body splayed over the side. Excerpted from Nights When Nothing Happened: A Novel by Simon Han All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.