Not your all-American girl

Madelyn Rosenberg, 1966-

Book - 2020

Sixth-graders Lauren and Tara have always done everything together so it is only natural that they both try out for their middle school musical play, about an "all-American" girl in 1958; Tara gets the lead role, as usual, because in the teacher's mind Lauren, half-Jewish and half-Chinese, does not fit the image of all-American girl--Lauren is hurt but resolved to support her friend, but her two grandmothers are furious and they intend to do something about it.

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Subjects
Genres
Humorous fiction
Novels
Published
New York : Scholastic Press 2020.
Language
English
Main Author
Madelyn Rosenberg, 1966- (author)
Other Authors
Wendy Wan Long Shang (author)
Edition
First edition
Physical Description
243 pages : illustrations ; 22 cm
Audience
Ages 9-11.
Grades 4-6.
630L
ISBN
9781338037760
Contents unavailable.
Review by Booklist Review

The friendship of sixth-graders Lauren and Tara ("The Royal We") hits a snag when Tara is cast as the lead in the school play, leaving Lauren relegated to the ensemble because the director tells Lauren (half-Chinese, half-Jewish) that she doesn't look "All American." Tara relishes the spotlight and seems oblivious to her white privilege, while Lauren chafes at the many microaggressions aimed at her, at one point literally silencing her voice in the chorus. Set in 1984--85, this companion to This Is Just a Test (2017) is told from Lauren's perspective, with older brother David and their two grandmothers taking prominent roles in the narrative. While focusing on serious themes (racism and prejudice), the overall tone remains light, and several scenes (including Lauren's disastrous attempt to lighten her black hair, resulting in orange stripes) will elicit laughter. By the end Tara realizes her mistakes, Lauren learns to stand up for herself, and the friendship survives, stronger than before. References to Walkmans and vintage TV shows remind readers that this is a period piece.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by School Library Journal Review

Gr 3--7--When Lauren Horowitz tries out for her middle school's musical, she thinks she might have a shot at the lead. She loves to sing, and even her classmates tell her that her audition is great. But when the drama teacher tells her she doesn't look "all-American" because she's Chinese and Jewish, Lauren begins to doubt whether her dream of being a singer is possible. While balancing her place in the ensemble, her growing button-making business, and her family's hopes and expectations, Lauren starts to question her place in her suburban community in 1980s Tennessee. The text is interspersed with illustrations of the buttons Lauren wears and ends with selected pages of the play's program. While many subtle cultural and historical references may be lost on a young reader, Lauren's story is a sensitive and realistic portrayal of a girl who struggles to find her place in a community where very few people look like her. The 1982 murder of Vincent Chin plays a role in the story, and the authors address it in a way that is accessible to an elementary school audience without shying away from the racist motivations of the attack. Though this book is a sequel to 2017's This Is Just a Test, it is a self-contained story, and readers do not need to read the titles in order. VERDICT For fans of Jenn Bigelow's Drum Roll, Please and Ann Hood's She Loves You, this is a funny, tender, quick-moving story of family, friendship, identity, and music.--Madison Bishop, Forbes Lib., Northampton, MA

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review

This follow-up to This Is Just a Test stars Lauren Le Yuan Horowitz, sister of the previous book's protagonist. In 1984 suburban Virginia, Lauren is starting sixth grade secure in the "Royal We" of herself and her best friend, Tara. Auditioning for the school musical, Lauren -- a talented singer who nails her "Girls Just Want to Have Fun" rendition -- is disappointed to be cast in the ensemble while Tara snags the lead. The show is about a 1950s "All-American Town," and according to the drama teacher, Chinese and Jewish Lauren doesn't fit the part. Casual racism and microaggressions abound through Lauren's day-to-day interactions with friends, community members, and even '80s pop culture (i.e., squirming her way through Sixteen Candles). Her growing love for country music (with an extended vignette about mistaking Patsy Cline for Jewish) helps boost her confidence, as do new friendships with her ensemble-mates. A side story about Lauren's paralegal mom contemplating law school -- and our protagonist's bratty reaction -- leads to support and understanding. Lauren's two peppy grandmothers, in continual competition for matriarchal domination, are back, providing generational wisdom and snappy comic relief. A button-making business, a Sun In hair mishap, a Hula-Hooping janitor -- all add levity and scene-setting detail to this entertaining and thoughtful coming-of-age story. Elissa Gershowitz March/April 2021 p.98(c) Copyright 2021. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Music, friendship, and the definition of "American" are humorously and realistically explored in this companion to Rosenberg and Shang's This Is Just a Test (2017). Sixth grader Lauren and her best friend, Tara, audition for the school musical. A natural-born singer, Lauren has a stunning audition, but the director casts Lauren in the ensemble and blue-eyed, freckle-faced, milky-skinned Tara as the "all-American" lead, implying that Jewish, biracial (Chinese/white) Lauren and her straight, black hair, brown eyes, and tan skin are the opposite. Lauren tries to be supportive of her best friend, but her jealousy and discontent grow as she struggles to process overt and subtle racism at school, in the community, and in media. Lauren's mostly white friends don't understand why she's upset, and even Tara makes off-handedly racist comments. Luckily, Lauren has just discovered a lifeline: the country music of Patsy Cline (even as a case of mistaken spelling leads her to believe "Patsy Klein" is a Jewish country singer). Whether familiar with or new to the Horowitz family, readers will be drawn into Lauren's first-person narration, filled with witty observations and droll character development. Set in Virginia in 1984, the book weaves accessible and engaging historical markers into the plot. Illustrations of buttons with funny sayings, Lauren's trademark, punctuate the text, adding a humorous counterpoint. An unnecessary subplot about a theatrical ghost feels tacked on but is easily overlooked. With so many references to singers, musical groups, and songs, readers may wish for a playlist! A nearly pitch-perfect middle school exploration of race and friendship. (Fiction. 10-13) Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

"Look at Tara," said Mrs. Tyndall. "When people see her, they won't have a hard time imagining she's an all-American girl from Pleasant Valley. It's our job in the theatre to make it easy for the audience to imagine they are right there with her."She made it sound so reasonable.She said: Tara looks like she's from Pleasant Valley. She meant: You look like you're from someplace else. Someplace that isn't Pleasant Valley. Someplace that isn't even in the United States. Why hadn't I sung the Star-Spangled Banner for my tryout instead?"You'll do a great job in the group numbers. You'll help everyone stay on pitch," said Mrs. Tyndall. "Don't forget, every role is important or it wouldn't be there. Most girls would feel extremely lucky to make the ensemble."I would have felt extremely lucky to be in the ensemble, too. If Mrs. Tyndall hadn't said what she'd said. And if Tara wasn't poised to be the peanut butter. Again."Won't the audience wonder why there's one Chinese-Jewish girl in Pleasant Valley?" I asked, just to show her that I got her point about sticking out. Though there was only one Chinese-Jewish girl at Dwight D. Eisenhower, too."You're Jewish?" said Mrs. Tyndall. "Are you sure?"I wanted to say I wouldn't have spent so much time being bored out of my mind in Hebrew School if I wasn't Jewish, but I decided against it. The Chinese part of me was the part she could see, but the Jewish part of me was always there, too.Mrs. Tyndall made a little sweeping motion with her hand. "Anyway, that's the ensemble. They'll barely notice."Because I was an apple. A French fry. A green bean and macaroni and cheese and corn. I was the side dish. I didn't have reddish brown hair or blue eyes. I had black hair and brown eyes like my mom and a dimply smile like my dad's. Some girls in my grade liked to put their arms against mine and say how tan I was, even at the end of winter. I had thought that was a good thing. Until now. Excerpted from Not Your All-American Girl by Wendy Wan-Long Shang, Madelyn Rosenberg All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.