See no stranger A memoir and manifesto of revolutionary love

Valarie Kaur

Book - 2020

"We have entered a new era in America--dangerous, divided, and uncertain. In a moment when people are hungry for meaningful ways to respond to the ascent of nationalism, polarization and hate in the U.S. and around the globe, this book answers the central question of our time: How do we love in a time of anger? How do we love those who hurt us? How do we love those who are different from us, whose race or religion or politics we do not understand? How do we love people who are targeted by laws, policies, and violence? And how do we love ourselves? Valarie Kaur is a renowned Sikh activist and in this book, she argues that Revolutionary Love is the call of our times. When we practice love in the face of fear or rage, it has the ability t...o transform an encounter, a relationship, a community, a culture, even a country. Drawing from her personal experiences, Sikh wisdom, and the work of civil rights leaders of all kinds, Kaur has reenvisioned love as a public ethic: a commitment to loving others, opponents, and ourselves. She argues that this type of love is not a passing feeling; it is an act of will. It is an active, political, and moral response to violence, hate, and otherness. It is the choice to extend our will for the flourishing of others and ourselves. Grounded in Kaur's dramatic personal journey of practicing love in the face of political oppression, sexual assault, wrongful arrest, detention, racism, and murder, this important and timely book shows us a way to build movements that do not leave anyone behind. In an era defined by rage, Revolutionary Love is perhaps our greatest form of civil disobedience"--

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Subjects
Published
New York : One World [2020]
Language
English
Main Author
Valarie Kaur (author)
Edition
First edition
Physical Description
xvii, 389 pages ; 24 cm
Bibliography
Includes bibliographical references.
ISBN
9780525509097
  • Introduction
  • Part I. See no stranger: loving others
  • 1. Wonder
  • 2. Grieve
  • 3. Fight
  • Part II. Tend the wound: loving opponents
  • 4. Rage
  • 5. Listen
  • 6. Reimagine
  • Part III. Breathe and push: loving ourselves
  • 7. Breathe
  • 8. Push
  • 9. Transition
  • Epilogue: Joy
  • Revolutionary love compass
  • Sikh shabads
  • Acknowledgments
  • Selected reading list
  • Notes
Review by Booklist Review

This amalgam of activist handbook, self-help guide, memoir, and philosophical thesis is hard to define but unquestionably pertinent for tackling the pressing questions born of these times of deep political divide and global crises. Activist and civil-rights lawyer Kaur's straightforward writing style is the perfect match for her strikingly clear thinking, which together keep the reader focused on her call for revolutionary love. Kaur acknowledges that offering love and reconciliation as resolutions to social injustice can sound simplistic, then proves otherwise when she offers a nuanced approach to making them relevant in complicated contexts. Kaur's experiences growing up in a Sikh farming family in central California and her grounding in religious philosophy inform the way she defines her activism. Her efforts to give voice to the victims of post-9/11 hate crimes, pin down questions of identity in America, and illuminate the ways national policies can be defined by fear are all integrated into three sections about loving people you agree with, loving opponents, and loving ourselves. Kaur's expansive world view, unflinching approach to social justice, and abiding faith in wonder will make this a compelling read for all who perceive the inevitable intertwining of the personal and the political.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Library Journal Review

Kaur's debut is part memoir, part cultural commentary arguing that one way to combat hatred and ignorance is to take the Sikh approach of empathy and forgiveness toward those who harm or fear others. A Sikh activist, filmmaker, and political commentator, Kaur was born and raised in a large and loving Sikh family, one of few in an insulated California farming community. She became an activist partly because of her Sikh beliefs which involve equality, empathy, and love in response to escalating violence toward Sikhs in the United States following the September 11 attacks. The book is strongest when the author focuses on her personal experiences, her family life, and her activism during and after her time in law and divinity school. However, there are stretches where her rhetoric of "revolutionary love" slows down the narrative and becomes derivative. This flaw does not take away the central purpose of the book, which is the act of loving others--even ones that do grievous harm--is revolutionary in a time of confusion, heartache, and racial violence. VERDICT A beautifully written exposé of activism, rebirth and "revolutionary love" that is much needed for all readers in our current times.--Leah Huey, Dekalb P.L., IL

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A Los Angeles--based Sikh American activist, lawyer, and filmmaker tries to reinvent the wheel of love in her coming-of-age memoir. As the child of Sikh farmers in Clovis, California, Kaur grew up with the Punjabi phrase "chardi kala," often translated as "relentless optimism," a state prized by her faith. She has perhaps taken those words too much to heart in her first book, an overambitious blend of memoir, self-help, and left-leaning polemic. As a Stanford undergraduate, Kaur learned that a Sikh family friend had become "the first person killed in a hate crime after 9/11," and the tragedy led her to travel across the country to interview other victims, whose stories she told in the documentary Divided We Fall. At Yale Law School, Kaur served as a legal observer at a prisoner's hearing at Guantánamo, where the U.S. naval base just over the hill from the detention center was "a fantastical cross between small-town America and a Caribbean seaside resort," with fast food restaurants, tennis courts, and a bowling alley. Unwisely, the author folds vivid sections on those and other trips into a meandering, New Age--y brief on the "revolutionary" effort "to reclaim love as a force for justice in our time" and "to love even our opponents." Toward that end, Kaur suggests "meditating, expressing gratitude, retreating, bodywork, and being in nature" as well as other overfamiliar warhorses of the self-help genre. Throughout the book, her call for acts like "forgiveness" clashes with her view that rage is "a rightful response to the social traumas of patriarchy, white supremacy, misogyny, homophobia, transphobia, and poverty." Depending on the situation, that view is debatable, and while the author offers plenty of good material on the plight of Sikh Americans after 9/11, those elements account for less than half the book; the rest is the author's heavily ideological "manifesto." A unique portrait of post--9/11 Sikhs hampered by its rebranding of old ideas as "revolutionary." Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

1. wonder. In the beginning, there was wonder. Out in the country, far from city lights, the night air was clear enough to gaze into the long shimmering galaxy that stretched across the sky. I would stand in the field behind our house and talk to the stars like they were my friends, just like I talked to the cows over the fence or the horses across the road. Once, while playing in a stream, I saw a butterfly dancing over the water and put out my finger and asked it to come to me--­and the butterfly came. It perched on my finger for a long time, long enough for me to peer closer at its wings and praise it before it flew away. Back then, there was no question: The earth under me, the stars above me, the animals around me, were all part of me. And wonder was my first orientation to them all, the thing that connected me to them: You are a part of me I do not yet know. I grew up on forty acres in Clovis, California, where the land stretched on all sides of us like an open palm. We were surrounded by peach orchards, orange trees, eucalyptus groves, strawberry fields, and olive trees that my father's father had planted along our dirt road. My family had farmed this land for nearly a century. My little brother and I would run through the fields, play in muddy ditches, and drink at the water pump in front of the two-­room wooden cabin my father was born in. In the summers, my mother and I would walk the orchards collecting fruit in our shirts, stepping over apricots that had fallen to the ground and spoiled because the fruit was that plentiful. In the winters, when the tule fog rolled into the valley, my father would pull me up onto our tractor and I would sit at his side like a princess as we disked the fields until the sky darkened over the Sierra Nevada mountains. We belonged to the land. At night, my grandfather, my mother's father, would tuck me into bed. With his hand on my forehead, stroking my hair, he recited his favorite prayer, the shabad called Tati Vao Na Lagi. The hot winds cannot touch you. There was a tremor in Papa Ji's voice, just as there was a tremor in his hands, and the tremor rose and fell in an arc that rocked me to sleep as he hummed the shabad. Papa Ji was always humming--­while surveying the tomatoes in his garden, arms clasped behind his back like the army captain he had once been; while sitting at the kitchen table, cutting ice cream into slices like a cake; while tying his turban in the mornings, slowly and carefully, as if each layer contained secret histories; he was always humming. The sacred music resounded within him, spilling out when he parted his lips. "Do you dream?" I asked Papa Ji one night. "Oh yes, my dear." "What did you dream last night?" "I was a young man on the beaches of Gaza, and I was running fast like I used to run. My superior officer, British, challenged me to a race, and I was winning," he said and laughed. Papa Ji was wondrous to me, as infinite and inexhaustible as the night sky. He had worlds of stories in him, ancient stories he would bequeath to me in slivers--­stories of gurus and saints, warriors and poets, soldiers and farmers--­and these stories formed a long shimmering history that spanned centuries from India to America and ended with me. My favorite was our origin story: the story of Guru Nanak, the first teacher of the Sikh faith. Five centuries ago, the story goes, halfway around the world in a village in Punjab on the Indian subcontinent, there lived a young man named Nanak. He was deeply troubled by the violence around him, Hindus and Muslims in turmoil. One day, he disappeared on the bank of a river for three days. People thought he was dead, drowned. But Nanak emerged on the third day with a vision of Oneness: Ik Onkar, the Oneness of humanity and of the world. This vision threw him into a state of ecstatic wonder--­vismaad--­and he began singing songs of devotion called shabads, praising the divine within him and around him. In other words, he was in love. Love made him see with new eyes: Everyone around him was a part of him that he did not yet know. "I see no stranger," said Guru Nanak, "I see no enemy." Guru Nanak taught that all of us could see the world in this way. There is a voice inside each of us called haumai, the I that names itself as separate from You. It resides in the bowl that holds our individual consciousness. But separateness is an illusion. When we quiet the chatter in our heads through music or meditation or recitation or song, the boundaries begin to disappear. The bowl breaks. For a moment, we taste the truth, sweet as nectar--­we are part of one another. Joy rushes in. Long after the moment passes, we can choose to remember the truth of our interconnectedness, that we belong to one another. We can choose to "see no stranger." When Papa Ji was humming the shabads day and night, he was not praying as much as practicing a constant communion with all things. It was his way of remembering the truth--rehearsing his wonder. Wondrous are the forms, wondrous are the colors. Wondrous are the beings who wander around unclothed. Wondrous is the wind, wondrous is the water. Wondrous is the fire, which works wonders. . . . Beholding these wonders, I am wonderstruck. O Nanak, those who understand this are blessed. (Asa di Var, Sri Guru Granth Sahib, Guru Nanak, 463-­464) "Waheguru, Waheguru!" Papa Ji would say. It was our word for God, but he would say it throughout the day like it was a deep breath. "Wahe" is an expression of awe, and "guru" is the light that dispels darkness. So even God's name was an expression of wonder at the divine around us and within us. "Look at the hose!" Papa Ji would exclaim, spraying water into the sunlight, making rainbows. "Kamal hai!" Isn't that amazing? My brother, Sanjeev, and I would rush through the rainbows, but Papa Ji was teaching us a lesson, to cultivate our orientation to wonder. When our father came home from irrigating the fields, we would sit close to him as he drew pictures of the solar system on a chalkboard and talked about the universe, his voice rising with excitement: "The sun's light takes exactly eight minutes and twenty seconds to reach us! The light of faraway stars reaches us long after they have died!" When it thundered, our mother would cry out in joy and pull us outside with her to dance in the rain, mouths open to catch raindrops, just like during the monsoons of her childhood. When I wrote little poems about the rain or stars or land, Papa Ji kept them all in a special red binder. On weekends, our cousins and aunties and uncles and grandparents, who all lived on the land with us, would come over to eat and dance together in the night, bhangra beats pounding through our bodies, fingers sticky from pakoras, sparks flying from the fire. On the farmland of California, under the stars, inside the music of my enormous family, the stories of my ancestors, and the sounds of my grandfather's prayers, I was at home in my body and at home in the world. Wonder is our birthright. It comes easily in childhood--­the feeling of watching dust motes dancing in sunlight, or climbing a tree to touch the sky, or falling asleep thinking about where the universe ends. If we are safe and nurtured enough to develop our capacity to wonder, we start to wonder about the people in our lives, too--­their thoughts and experiences, their pain and joy, their wants and needs. We begin to sense that they are to themselves as vast and complex as we are to ourselves, their inner world as infinite as our own. In other words, we are seeing them as our equal. We are gaining information about how to love them. Wonder is the wellspring for love. It is easy to wonder about the internal life of the people closest to us. It is harder to wonder about people who seem like strangers or outsiders. But when we choose to wonder about people we don't know, when we imagine their lives and listen for their stories, we begin to expand the circle of who we see as part of us. We prepare ourselves to love beyond what evolution requires. The call to love beyond our own flesh and blood is ancient. It echoes down to us on the lips of indigenous leaders, spiritual teachers, and social reformers through the centuries. Guru Nanak called us to see no stranger, Buddha to practice unending compassion, Abraham to open our tent to all, Jesus to love our neighbors, Muhammad to take in the orphan, Mirabai to love without limit. They all expanded the circle of who counts as one of us, and therefore who is worthy of our care and concern. These teachings were rooted in the linguistic, cultural, and spiritual contexts of their time, but they spoke of a common vision of our interconnectedness and interdependence. It is the ancient Sanskrit truth that we can look upon anyone or anything and say: Tat tvam asi, "I am that." It is the African philosophy: Ubuntu, "I am because you are." It is the Mayan precept: In La'Kech, "You are my other me." Excerpted from See No Stranger: A Memoir and Manifesto of Revolutionary Love by Valarie Kaur All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.