This is all I got A new mother's search for home

Lauren Sandler

Book - 2020

"More than forty-five million Americans attempt to survive under the poverty line, day by day. Nearly 60,000 people sleep in New York City-run shelters every night--forty percent of them children. This Is All I Got makes this issue deeply personal, vividly depicting one woman's hope and despair and her steadfast determination to improve her situation, despite the myriad setbacks she encounters. Camila is a twenty-two-year-old new mother. She has no family to rely on, no partner, and no home. Despite her intelligence and determination, the odds are firmly stacked against her. Award-winning journalist Lauren Sandler tells the story of a year in Camila's life--from the birth of her son to his first birthday--as she navigates the... labyrinth of poverty and homelessness in America. As Camila attempts to secure a college education and a safe place to raise her son, she copes with dashed dreams, failed relationships, and miles of red tape with grit, grace, and resilience. This Is All I Got is a dramatic story of survival and powerful indictment of a broken system, but it is also a revealing and candid depiction of the relationship between an embedded reporter and her subject and the tricky boundaries to navigate when it's impossible to remain a dispassionate observer"--

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Subjects
Published
New York : Random House [2020]
Language
English
Main Author
Lauren Sandler (author)
Edition
First edition
Physical Description
xix, 324 pages ; 25 cm
ISBN
9780399589959
  • Introduction
  • Summer
  • 1. Nativity
  • 2. Fourth Avenue
  • 3. Homecoming
  • 4. Geraldine
  • 5. How to Become a Homeless Single Mother
  • 6. The Decider
  • 7. Mauricio
  • 8. Legitimacy
  • 9. Schedule B
  • 10. Welfare
  • 11. Ambition
  • 12. Renunciations
  • 13. Social Work
  • 14. Who by Fire, Who by Water
  • 15. Letters and Numbers
  • Fall
  • 1. Admissions
  • 2. College Life
  • 3. Twenty-Two
  • 4. Parenthood
  • 5. Pedro
  • 6. White Carnations
  • 7. The Bottle
  • 8. Salome
  • 9. Other People's Couches
  • 10. What to Expect
  • 11. For Now
  • 12. The Magic
  • 13. Sherman Avenue
  • 14. Time
  • 15. Child Support
  • 16. Cold
  • 17. Back on Fourth
  • 18. Finding of Fact
  • 19. Thanksgiving Dinner
  • Winter
  • 1. Camila and Me
  • 2. Bronx Baby
  • 3. Self-Care
  • 4. Christmastime
  • 5. The Lottery
  • 6. Dario
  • 7. The Letter
  • 8. Closed Doors
  • 9. Men
  • 10. Windfall
  • Spring
  • 1. Standards
  • 2. Those Good Old Days
  • 3. Either That or the Street
  • 4. The Labyrinth
  • 5. Trust
  • 6. Soy Dominicana
  • 7. The Driver
  • 8. Family
  • 9. To All the Ladies
  • 10. Terminated
  • 11. Commencement
  • 12. The Birthday Party
  • Epilogue
  • Acknowledgments
Review by Booklist Review

Journalist Sandler (One and Only, 2013) closely followed the life of a 22-year-old woman she calls Camila, whom she met in a Brooklyn shelter for homeless pregnant women, for the year leading up to Camila's son's first birthday. Sandler accompanies tenacious, resourceful, and attentive Camila as she balances her studies toward a career in law enforcement with raising her son and finding permanent housing. Sandler is frank from the start that it became difficult to maintain journalistic distance from a woman who became her friend. But even with this tangle, their collaboration leads to a rich, sociologically valuable work that's more gripping, and more devastating, than fiction. Readers will be struck by both the sheer impossibility of what Camila faces while navigating inadequate social services--hairpin switchbacks of requirements, paperwork, and appointments that would send most people careening into an abyss--and her ability to maintain hope as she does so. Sandler frequently juxtaposes Camila's struggles with tableaux of New York's encroaching wealth, with stunning statistics, giving readers an unusually personal view of an inarguably failing system. Women in Focus: The 19th in 2020

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Journalist Sandler (Righteous: Dispatches from the Evangelical Youth Movement) delivers a vivid, heartbreaking account of a homeless woman's efforts to secure housing and a future for herself and her infant son in New York City. Tracking 22-year-old Camila (not her real name) over the course of 2015, as she gives birth, struggles to complete her college degree, and searches for affordable housing while living in shelters, Sandler contends that "among developed countries, no nation fails its single mothers as gravely as does the United States." She details how Camila, raised by a single mother who relied on Section 8 housing vouchers to pay rent, became a ward of the state and entered a group foster home at age 15, yet made the college honor roll before her pregnancy temporarily derailed her education. Sandler scrupulously documents Camila's efforts to navigate underresourced, byzantine, and dehumanizing public assistance programs, and examines her own conflicted feelings about bearing witness to a less-privileged woman's pain. (Sandler's eight-year-old daughter is "furious" that her mother refuses to offer Camila a place to stay.) Through Camila's story, Sandler reveals the devastating consequences of America's weakening social safety net and widening wealth gap. Readers will be moved by this harrowing and impassioned call for change. (Apr.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Journalist Sandler, in fluid prose, sheds insight into the lives of those living below the poverty line by profiling one year in the life of Camila, a 22-year-old new mother who is experiencing homelessness and struggling to get by without family or a support system. Sandler shows the efforts Camila must take, and the obstacles she must endure, in order to obtain public assistance for herself and her infant son. Sandler chronicles it all, using Camila and others as case studies as they maintain steady employment, make mandatory visits to various agencies, chase lost paperwork, look for checks and vouchers that don't appear, endure abusive or neglectful parents and partners, and live with mental and physical illnesses. The lives these mothers lead are frustrating and exhausting; the demands relentless. Camila succeeds in earning a two-year college degree, but she still struggles to provide a safe, semipermanent home for herself and her son. Interwoven with this story are facts about homelessness, especially women and children living below the poverty line. VERDICT While Sandler focuses primarily on New York City, her study will resonate widely and is worthwhile reading for all, especially fans of Matthew Desmond's Evicted. --Cynthia Harrison, George Washington Univ., Washington, DC

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A closely observed chronicle of a year in the life of a homeless single mother as she negotiates the system of public assistance. Brooklyn-based journalist Sandler shadows Camila, a 22-year-old Dominican mother of a newborn living in New York City without a supportive family or a stable place to call home. As the author writes, she "wanted to witness and understand how deepening inequality is lived in America, and particularly in New York, a city that gets richer as the poor get poorer." Throughout the narrative is an overarching indictment of the catastrophe of financial inequality in America, where "most people in poverty are women, specifically women of color. Furthermore, they are single mothers." Sandler displays her journalistic talent by unerringly presenting this dire situation: the vanishing safety net, the stubbornness of entrenched racism, and the snowballing burdens of poor women. As galling as the statistics are--e.g., 2.5 million homeless children in America--it is following in Camila's footsteps that drives the story home. She possesses an agile mind and a flabbergasting degree of patience, but her circumstances are dictated by the sum of her paperwork. Camila is a force, but force only goes so far as she experiences progressive brutality. Showing how public assistance programs have continually been cut back--in 1970, the average check was $1,125 a month; in 2015, it was "barely more than two hundred bucks"--the author also pays close attention to Camila's particular circumstances amid a bizarre bureaucracy. These included the loss of child care payments, Medicaid, eligibility for emergency shelter, child support payments, and numerous temporary homes. "Respect had always been the most important thing to her," writes Sandler, "but taking a stand for it had become a luxury she couldn't afford." Remarkably, Camila manages to juggle caring for her young son, attending school (a two-hour commute) and work-study, and desperately trying to establish ties with her exploded biological family. An impressive blend of dispassionate reporting, pungent condemnation of public welfare, and gritty humanity. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

1 Nativity At six o'clock in the morning, alone in her twin bed, Camila began active labor. Breathing the way she'd learned on YouTube, she made a path to the bathroom. At least she had a private one here. Camila pushed aside the polyester shower curtain, a riot of ruffles and butterflies mismatched with the industrial green tiles. She turned on the tap. As the water rushed into the low tub, she found a playlist of spa music to soothe her through her contractions and pulled up the app she'd downloaded to time them. She tapped out a text message to Kevin. Good morning. I think today is the day. It was June 5. Camila called the doula who had volunteered to coach her through labor. She didn't answer. Another contraction came, quicker than the last. She climbed into the tub, her long body lean but for the protrusion of her midsection. She closed her eyes and brushed her tight curls from her forehead. She lay there, listening to the new-age plucking of a harp, focusing on her breathing, tracking her contractions, calling the doula again and again. Then the phone rang. She was jubilant to see Kevin's name on her screen. It was unusual for him to call; he usually texted. He said he needed to get some money and then he'd fly down from Buffalo tomorrow. The bus was much cheaper, but it was a ten-hour trip. Maybe he had some more money coming his way--he was getting signed to the Canadian Football League, or at least that's what he'd told her. He was graduating the following week. Camila was supposed to graduate the following week, too, but that's not how it had worked out. She hung up and sank deeper into the bath, breathing as she'd practiced. The next contraction rocked her with its intensity. She splashed water on her neck and over her chest to try to calm herself down. Her breasts, usually so small, were engorged, ready. She tried to meditate the pain away. Camila had become interested in organic foods, homeopathy, natural childbirth--all hallmarks of Park Slope, the Brooklyn neighborhood she'd moved to a month before, when she was admitted to the shelter. She'd studied up on the data supporting breastfeeding, watched spiritual midwifery videos online, and toured a birthing center--alone--only to learn her pregnancy was too far advanced by then for her to deliver there. It was eight o'clock already. She realized she'd been in the tub for two hours, the water long cooled. The other women would be up now--maybe not the pregnant ones, but the ones with babies. Rose, who ran the shelter, would soon be unlocking her office downstairs. On the sidewalk outside, the bums--as Camila called them--were lined up for breakfast at the soup kitchen. She thought about how no one in the building knew she was in labor. Camila wasn't bothered that nobody would be accompanying her to the hospital, aside from her doula. Kevin would be there to meet the baby the next day; that was enough. Her mother, Geraldine, never had one of her four babies' fathers beside her. Camila's father certainly wasn't there when she was born. Motherhood was something that most women got into alone, at least most of the mothers she knew. Suddenly she was ravenous. She pulled on her ratty terry-cloth bathrobe, wrapped her hair in a towel, and waddled to the kitchenette. Even at full term, her posture was rigidly erect, as though she was braced for oncoming conflict. While she waited for water to boil for oatmeal, she double-checked to make sure everything was ready. Her bag was packed for the hospital. The donated car seat stood beside it. Between her next two contractions, she sent Kevin airport information and the address of the hospital. Another contraction. The pain was escalating quickly. She called her doctor, who told her to go straight to the hospital. It was in Forest Hills, a good forty-five minutes away, considering the usual morning gridlock. Her doula was supposed to drive her out there, to Queens, when the time came. She'd have to wait. Camila reached for the box of rolled oats in the otherwise-empty cabinet, measured out a cup, and shook it into the boiling water. After stirring for a couple of minutes, she sat at the desk in the room and ate, sipping water from her Audrey Hepburn mug. The crib opposite her twin bed was lined with baby blankets and stuffed animals. One white teddy bear had his paws stitched together in prayer. When she pressed his belly, a scratchy recording of the Lord's Prayer buzzed from a speaker box inside his stuffing. Most everything for the baby had been donated by a mission of nuns in a brownstone uptown, where a shelf of anti-abortion pamphlets greeted you at the door. She had to remember to bring the blue-and-white shawl one of the sisters had knit. The open shelving beside the crib was stacked with what she'd carried back to her room from the mission: a humidifier, diapers, a little plastic toy truck. Behind the shelves, the wall was painted a spring green, perhaps intended to calm, but there was a sharpness to the color. The opposite wall was painted a powder blue that she preferred. The twin bed was pushed against that wall. A wooden dorm dresser stood by the foot of the bed. On top of it lay a dozen nail polishes, a lint brush, and a Bible open to the page blessing the house of the servant of God. The dresser was filled with secondhand onesies and tiny pairs of pants. There would soon be a person to dress in all that neatly folded cotton. Her son. She wouldn't be alone in this room anymore. The phone rang; her doula, finally. They were excited to hear each other's voices, to know that the moment had arrived. Over the weekend, they had walked for hours in Prospect Park, laughing about men, talking about new motherhood. They had the kind of intimate connection Camila made easily. Holding fast to those connections was another thing, partly because her life was so itinerant, untethered to family, moving along to the next temporary place to stay, but also because she could coax a grudge from something minor, even imagined, into something that pushed her from fight straight to flight. Her dark eyes would lose their luminescence, suddenly murky and shadowed, like a heavy curtain had tumbled over a bright window. From earliest childhood, Camila had been an emotional pugilist. She'd been hurt too many times not to be. Few things agonized her more than feeling like the fool, thinking she should have known better. She had little control over her housing, her finances, her days spent in the infinite waiting rooms of aid bureaucracy, and even less control over the family she was born into. But she could control relationships, if she stayed on high alert for signs of disrespect, for the smallest implication of mistreatment. Getting played was the most unbearable of her life's myriad humiliations, the one that she avoided at all costs. And yet, despite her own guardedness, she was a romantic. She couldn't help herself. That spirit led to how she imagined having a son: She'd have the most everlasting relationship there was. Not that her mother had approached parenthood that way. But it was yet another way Camila could demonstrate that she was nothing like her mother. As Camila dressed, she heard Irina's baby crying across the hall. She dressed in shorts and a maternity blouse and banged on her door. Irina opened it. She'd given birth to her son just a few weeks earlier. "This is it!" Camila announced, grinning cheerfully through the pain. "I knew it! I saw it on your face last night! Don't be scared," Irina said, her Ukrainian accent still thick despite her decade in New York. "I'm going to pray for you." Through the doorway, Camila could see Irina's room. It looked like a warehouse from a baby-goods catalog: a crib filled with stuffed animals and blankets, a floor crowded with play mats and infant swings, her son's name in individual plush letters hanging on a wall. Irina's churchgoing may not have yielded her a home or a job, but it did offer a bounty of baby presents. In the framed photos covering the dresser, Irina's family was as present as Camila's was absent. The iPad Irina used to FaceTime her husband and her mother sat propped on the table, yet she was here alone. Purple smudges under Irina's eyes made them appear bruised by exhaustion; the long mousy-brown roots of her dyed-blond hair suggested it had been many months since she cared much about her appearance. The picture on the dresser of a woman in a wedding dress, flaxen hair in curling-iron twists, barely resembled her. Yet under Irina's haggard mask, her cheekbones remained broad, her pale-green eyes remained wide, her chin remained proud. As they hugged, Camila's doula called to say she was searching for parking. Camila went back into her room to look out the window for the car. Across Fourth Avenue, the fancy kids' play space was opening for the day. The grates were already up next door at the pharmacy selling organic beauty products. Then she felt a release. Her water had broken. She called her doula to tell her not to worry about parking. Camila suddenly realized that without Wi-Fi she wouldn't be able to communicate with anyone; her calling plan had been cut off weeks ago. Hopefully the hospital would have Internet. Camila texted her sisters, hoping they would come. She knew better than to expect her mother to show up. Excerpted from This Is All I Got: A New Mother's Search for Home by Lauren Sandler All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.