It is wood, it is stone A novel

Gabriella Burnham

Book - 2020

"With sharp, gorgeous prose, It Is Wood, It Is Stone takes place over the course of a year in São Paulo, Brazil, in which two women's lives intersect. Linda, an anxious and restless American, has moved with her husband, Dennis, for a year professorship. As Dennis submerges himself into his work, Linda finds herself unmoored and adrift, feeling increasingly disassociated from her own body. Linda's unwavering and skilled maid, Marta, has more claim to Linda's home than she can fathom. Marta, who is struggling to make sense of her country's complicated history and its racial tensions, is exasperated by Linda's instability. One day, Linda leaves home with a charismatic and beguiling artist, whom she joins on a fer...vent adventure that causes reverberations felt by everyone, and ultimately binds Marta and Linda in a profoundly human, and tender, way. An exquisite debut novel by young Brazilian American author Gabriella Burnham, It is Wood, It is Stone is about women whose romantic and subversive entanglements reflect on class and colorism, sexuality, and complex, divisive histories"--Provided by publisher.

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Subjects
Genres
Domestic fiction
Novels
Published
New York : One World [2020]
Language
English
Main Author
Gabriella Burnham (author)
Edition
First edition
Physical Description
214 pages ; 22 cm
ISBN
9781984855831
9780593230220
Contents unavailable.
Review by Booklist Review

When Linda's professor husband, Dennis, is offered a prestigious fellowship at a university in São Paulo, Linda's life takes a drastically new shape. After spending her twenties in Boston as a freelance writer, Linda moved to Connecticut to care for her dying father. Dennis supported Linda, financially and emotionally, through it all. Now they've landed in high-end university housing in São Paulo, replete with a maid, Marta. Initially, Linda doesn't know if she can adjust to having a human being in her employ. Over time, befriending Marta and learning about her upbringing becomes one of Linda's most meaningful experiences in Brazil. Linda explores another profound relationship with her new friend, Carina, a magnetic theatre artist whom Linda can't stop painting portraits of in her spare time. Linda's relationship with Dennis is put on hold while she does some radically necessary self-reflection, and it is not guaranteed their union will survive. With her searing debut novel, dual Brazilian-American citizen Burnham tells a nuanced and thought-provoking story of privilege, desire, and female kinship.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Burnham's captivating debut is told in a surprisingly seamless second person. Linda, the narrator, tells her husband, Dennis, about the year the American couple spent in Brazil, after Dennis was awarded an academic appointment at the University of São Paulo. There, after weeks of hapless depression, Linda is invigorated when she meets an enticing woman named Celia (a person who uses "romance as gunpowder") in a bar. Later, she returns home, giddy with desire for Celia, and destroys Dennis's favorite suit, the anxious logic of this action meted out by Burnham with painstaking clarity. At her most gawky and strange, Linda is reminiscent of a character out of Clarice Lispector's oeuvre. Observant and obsessive, Linda feels the pulse of desire ("No matter how steady I trained my mind to be, my body reigned over all"). Throughout is the mysterious presence of Dennis and Linda's São Paulo housekeeper, Marta, whose competence intimidates Linda. Burnham dazzles by exploring the overlapping circles of need and care though tensions of race, privilege, sexuality, history, and memory. Thanks to Burnham's precise, vivid understanding of her characters, this stranger-comes-to-town novel has the feel of a thriller as it illuminates the obligations of emotional labor. Burnham pulls off an electrifying twist on domestic fiction. Agent: Marya Spence, Janklow & Nesbit Assoc. (June)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

As she deals with boredom and isolation after being uprooted to Brazil for her husband's career, the wife of an academic forges interesting, fraught connections with two other women. At the opening of Burnham's debut, lapsed writer Linda is on the brink of leaving her historian husband when he learns that he has earned a visiting professorship in São Paulo. Rather than end the marriage, she travels with him, embarking on her own journey of self-discovery. Their university-provided apartment in São Paulo comes with a maid, Marta, who cooks and cleans, exacerbating Linda's sense of purposelessness as she wanders the streets of São Paulo aimlessly or else sits at home feeling useless. Linda's situation begins to change as she first takes up painting, finally finding a means of personal expression, and then meets Celia, a beguiling theater artist who serves as a vehicle for Linda's self-discovery. Unfortunately, the novel falters slightly at the end; Burnham sets up Linda's dynamic with Marta as an emotionally, socially, and socio-economically complex one that will inevitably lead to some kind of emotional breakthrough, but when it does, it feels forced and clichéd--even a little white savior--ish--and does not ring entirely true. In addition, the novel's ambitious second-person narration becomes grating and strange at times. Nevertheless, the fact that the narrative is addressed to a man--Linda's husband--lends it additional power, transforming it into a sort of feminist rejoinder to patriarchical dismissiveness of domestic work, a document of the unseen complexity of women's lives, no matter how quiet. At its best, the novel is a subtle and adept character study that reveals the power of connections between women. The novel is buoyed as well by Burnham's dreamy prose, with which she conjures memorable images of Brazil. Though the plot is not entirely coherent, specifically when it comes to the development of Linda's relationship with Marta, the author's psychological insight and skill in portraying the multifaceted nature of female friendship make for a compelling read. A transporting debut that deftly probes the complex nature of relationships between women. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

I can still hear your words, the vibrant joy in your voice, as we sat in the back of a taxi stopped in traffic, the windows rolled down but no breeze blowing in, except for the occasional wind from a motorcyclist weaving past. "Is it what you expected?" You clutched my hand and shook it with excitement. "Maybe I should answer that once we've left the airport road. Don't you think?" "I can't believe we're here," you said, not to me, but to a child waving to us from an adjacent car window. The traffic sprawled for hours, barely moving, like a snake that had swallowed a calf. You had told me before that São Paulo was not the tropical paradise on postcards; it wasn't the pictures of women on the beach with fruit baskets on their heads. High-rise buildings traced the horizon and favelas extended for miles on both sides of the highway. We passed a road that broke into the dense favela tessellation, revealing clothing lines strung from brick wall to metal roof, and a young girl pushing a shopping cart filled with cans and palm leaves. A barefoot man standing on the partition walked in front of our stopped taxi and began to juggle oranges for money. "Look," you said and nudged my arm, but the cabdriver wasn't, so I didn't want to. When the traffic moved again, just three car lengths, the man wouldn't step away, so the driver whistled and waved his arm out the window. Not angry, but persistent. "Linda--give him some money," you said. "I only have U.S. dollars," I said, stirring the contents of my purse. You took out your wallet. "They gave me fifties at the money exchange." For a moment I saw you weigh whether you should part with a fifty-real note. Then the man moved to the side and the taxi lurched forward. This trip felt like a series of fever dreams from the start. Just four months earlier, on a cold afternoon in September, you came home and told me you had something to tell me. The University of São Paulo had offered you a yearlong teaching residency in their history department. What you didn't know was I had spent that morning cleaning our home, weighing the something that I had to tell you, too. I'd been thinking a lot about an escape from Hartford. What would it be like to spread both my arms into thin mountain air, to have my feet planted firmly on the ocean floor? I thought about how faucet water might taste in Italy while showering our neglected garden, which, despite my best attempts, had browned long ago. I thought about our seven years of marriage, gathered the paradoxical concerns that had been plaguing me for the past several months: I had lost my job. I didn't have my own money. All of our friends were your friends from the university. I had spent the last year caring for my dying father.  Now my days were replaced with memories of everything I no longer had. Because of these reasons, I thought that maybe it would be better for the both of us if I packed my bags and left for a while. I anticipated you might point out that these were all the reasons I should stay. Leaving you was less a solution and more like a heartbeat trying to break free from its rib cage. I couldn't go on like this, but knew I might not survive without you. And so I stood at our kitchen island, cutting a bundle of store-bought cilantro with a pair of scissors, waiting for you to come home. I remember the sounds of the door cracking and closing, your shoes bristling against the doormat. You rushed into the kitchen and dropped a stack of papers next to the cutting board, blowing the cilantro onto the floor. "Baby," you said, leaning over to help gather the fallen herbs. "I have got incredible news." "Okay," I said. "But can you get the broom as well?" "Forget about the cilantro. Linda--we're going to Brazil." I knew you meant to state this as a proposition, not a declaration (the fact that you hadn't turned into a back-and-forth that neither of us want to relive). I write about it now only to show how excited you were, convinced that a year in São Paulo would be a transformative change. You told me I could take as much time as I needed to respond, but really, we didn't have that long. We would be leaving in early January, before the start of the Brazilian academic year. An hour into our taxi ride from Guarulhos Airport, we arrived in our new neighborhood, Moema. There we discovered a district of mansions and luxe buildings. The trees grew unbridled from the sidewalks, cracking the cement, carpeting the ground with purple petals. I tried to imagine what São Paulo looked like before the concrete arrived. Swampy and mountainous, chirring with insects, the lush, viscous leaves bending like boat hulls. The São Paulo we saw stacked unrestrained in all directions, east to west, south to north. Outside our apartment building was a dusty inroad of gas stations and construction. When I stood from the taxi and stretched my legs, taking in our new environment, I could see, just beyond the urban moat surrounding our home, a mass of green. It was the entrance to Ibirapuera Park. The park was a manicured jungle, with palm trees that dangled strings of green coconuts and a pond where couples reclined to watch fountains spray and dance on the surface.  We dragged our suitcases into the lobby and stumbled into all of our boxes, the ones we'd shipped from Hartford the week before, organized in stacks against the wall. "We forgot to list the apartment number," you said, and then looked at the elevator, which fit three people and a large bag of groceries if one person leaned against the door. After ten or eleven trips, up and down, down and up to the fourteenth floor, we had all of our belongings inside. I barely noticed what the apartment looked like, just that our bedroom had a mattress and a ceiling fan. We peeled off our clothes, wet from the summer's humidity, and you rested your hand lovingly against my back, until even that was too hot and we spread to the opposite sides of the mattress. We fell asleep as soon as we shut our eyes. I took a week to contemplate our move to Brazil, to give you a final answer. I didn't know much about São Paulo, other than the stories you had told me from when you studied there as a teenager. It sounded thrilling, lively, a place where you had grown into a young adult. I considered that maybe I could evolve there, just as you had. I was surrounded by old wooden furniture we inherited from my father, heavy and chipped at the edges. His dresser, a grandfather clock, an army chest emblazoned with reagan/bush '84 and bush/cheney 2000 bumper stickers. He left us a bookshelf that housed only two books: a twelve-step program guide and a biography of Dwight D. Eisenhower. Most of this furniture he acquired from VFW garage sales and police auctions; it had no sentimental value to him, and yet, as much as it tormented me to be confined by it all, I couldn't bring myself to let it go. Leaving it behind felt like the only option. We could leave it behind and go to Brazil, and I wouldn't have to leave you too. I wouldn't even have to tell you that I had planned on leaving you. I woke you up the following Monday before your alarm went off. "All right," I said, gripping your bare shoulder. "Let's go." "Really?" You rubbed your eyes. "Are you sure?" And then the alarm began to sound. I pulled the covers over my head until your sleepy hand found the snooze button.   I woke up from our post-flight nap around three, in our new apartment in Moema, panicked. It took a few blinks of my eyes to register where I was--all I saw were the bare walls, whirling fan, and the damp sheets where you no longer lay. Even after my mind compiled the pieces and located my body in space--here, São Paulo, Brazil, and you, probably in the kitchen--the dread remained. It expanded inside my chest cavity. Mornings in our bedroom back home floated in front of my eyes. Dust particles hovering in the rays of sunlight. Each morning I would inspect my terrarium on the windowsill, the only plants I managed to keep alive, pink and green succulents and a leafy fern. I fussed over them adoringly, misting their leaves, picking off the dead bits, and reorganizing the stems so that they didn't block one another's light. My face began to tense and prickle, a sure indication that tears would follow, and they did--two streams in the corners of my eyes that crossed over my ears and fell to the pillow.  But then I thought of you, somewhere nearby, and how thrilled you were in the taxi, scratching your newly grown beard, endlessly observing the billboards and graffiti we passed. "Dennis?" I called. "I'm in the kitchen!" I heard you say, and for a moment I calmed, feeling like we could have been anywhere. When I found you in the kitchen, you hadn't opened any of the boxes, but you had discovered a bag of white rice and canned beans in the cabinet. I stood close to you as you stirred beans on the stove. "Sustenance," you said, and revealed the bottle of cachaça we'd bought at duty free. "Already?"  "Come on," you said, and tore open a box labeled dishes, cups. You unwrapped two coffee mugs. "It's a celebration!" Excerpted from It Is Wood, It Is Stone: A Novel by Gabriella Burnham All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.