Axiom's end A novel

Lindsay Ellis, 1984-

Book - 2020

"By the fall of 2007, one well-timed leak revealing that the U.S. government might have engaged in first contact has sent the country into turmoil, and it is all Cora Sabino can do to avoid the whole mess. The force driving this controversy is Cora's whistleblower father, and even though she hasn't spoken to him in years, his celebrity has caught the attention of the press, the Internet, the paparazzi, and the government-and redirected it to her. She neither knows nor cares whether her father's leaks are a hoax, and wants nothing to do with him-until she learns just how deeply entrenched her family is in the cover-up, and that an extraterrestrial presence has been on Earth for decades. To save her own life, she offers he...r services as an interpreter to a monster, and the monster accepts. Learning the extent to which both she and the public have been lied to, she sets out to gather as much information as she can, and finds that the best way for her to find the truth is not as a whistleblower, but as an intermediary. The alien presence has been completely uncommunicative until she convinces one of them that she can act as their interpreter, becoming the first and only human vessel of communication. But in becoming an interpreter, she begins to realize that she has become the voice for a being she cannot ever truly know or understand, and starts to question who she's speaking for-and what future she's setting up for all of humanity"--

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Subjects
Genres
Science fiction
Published
New York : St. Martin's Press 2020.
Language
English
Main Author
Lindsay Ellis, 1984- (author)
Edition
First edition
Physical Description
372 pages ; 25 cm
ISBN
9781250256737
Contents unavailable.
Review by Publisher's Weekly Review

Communication and trust are matters of life and death in Ellis's thoughtful, fast-paced debut. In 2007, two meteorites strike the Los Angeles area within the span of one month and a leak reveals that the U.S. government is aware of extraterrestrial life on earth. Cora Sabino, the whistleblower's daughter, is abducted by one of these life-forms shortly thereafter. Cora makes a deal to interpret for her abductor, Ampersand, the alien who arrived with the first meteorite whose language she's able to understand thanks to his advanced technology. She hopes to use her ability to communicate with Ampersand to bargain for her father's safety from the government. But soon, Cora's caught in the middle of an interspecies alien conflict as Obelus, who arrived in the second meteorite, hunts down the Fremda group, refugees who arrived on Earth 40 years earlier. Cora and Ampersand bond while working together, but can Cora really trust a being whose conception of morality is so different from her own? Though a too-quick ending is somewhat unsatisfying, the powerful connection that grows between Cora and Ampersand as they teach each other about their respective cultures is masterfully done. Lovers of character-focused sci-fi will find plenty to enjoy in this gripping alternate history. Agent: Christopher Hermelin, the Fischer-Harbage Agency. (July)

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Review by Kirkus Book Review

Ellis, a Hugo-nominated media critic and YouTube star, finds alien encounters in our not-too-distant past. It's 2007, but not the 2007 you remember. In this timeline, a meteor has struck Los Angeles--at least that's what the government wants people to believe. Rogue conspiracy theorist Nils Ortega has convinced his followers that the so-called "Ampersand Event" was actually the arrival of an alien spacecraft. College dropout Cora Sabino isn't convinced. She learned long ago not to trust anything her estranged father has to say. But then her mother and siblings disappear the same night she's attacked by something that clearly isn't human…."First contact" stories are almost as old as science fiction. These narratives are varied in their details--both H.G. Wells' The War of the Worlds and the 1970s sitcom Mork & Mindy qualify--but they all revolve around the initial encounter between humans and an alien intelligence. At its best, science fiction isn't really about extraterrestrials and advanced technology, though; instead, it deploys these devices to talk about us in the here and now. Like countless authors before her, Ellis uses first contact to interrogate our tendencies toward xenophobia and prejudice and challenge our conceptions of what humanity means. She also explores trauma and its aftereffects. Nils' crusade for government transparency and questions about privacy feel contemporary without adding much depth. The same goes for references to financial crisis. The heart of the novel is the relationship between Cora and the part-biological, part-synthetic entity she calls Ampersand. What begins with a physical attack and an abduction turns into a partnership and, ultimately, a deep friendship. As Cora helps Ampersand navigate life on Earth, she learns more about his world and his past. Ellis doesn't break new ground here, and her prose is uneven. The injections of quirky humor feel particularly strained. But this hits all the necessary notes for a first contact narrative, and this trope might be fresh for at least a portion of Ellis' fan base. This is a solid, if not especially imaginative or polished, science fiction debut. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.