Love

Roddy Doyle, 1958-

Book - 2020

"Two old friends reconnect in Dublin for a dramatic, revealing evening of drinking and storytelling in this winning new novel from the author of the Booker Prize winning Paddy Clarke Ha Ha Ha Davy and Joe were drinking pals back in their Dublin youth. Davy rarely sees Joe for a pint anymore--maybe one or two when Davy comes over from England to check on his elderly father. But tonight Davy's father is dying in the hospice, and Joe has a secret that will lead the two on a bender back to the haunts of their youth. Joe had left his wife and family a year earlier for another woman, Jessica. Davy knows her too, or should--she was the girl of their dreams four decades earlier, the girl with the cello in George's pub. As Joe's ...story unfolds across Dublin--pint after pint, pub after pub--so too do the memories of what eventually drove Davy from Ireland: the upheaval that Faye, his feisty, profane wife, would bring into his life; his father's somber disapproval; the pained spaces left behind when a parent dies. As much a hymn to the Dublin of old as a delightfully comic yet moving portrait of what it means to try to put into words the many forms that love can take, Love marks a triumphant new turn for Roddy Doyle"--

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Subjects
Genres
Humorous fiction
Romance fiction
Published
[New York] : Viking [2020]
Language
English
Main Author
Roddy Doyle, 1958- (author)
Physical Description
327 pages ; 22 cm
ISBN
9781984880451
Contents unavailable.
Review by Booklist Review

Put two Irish guys behind a pint, get them talking, and let the backstory flow. Kevin Barry did it in Night Boat to Tangier (2019), and now Doyle does the same in this freewheeling tale of longtime mates Joe and Davy, who reconnect in Dublin--Davy having moved to England decades ago--for what starts out to be a quick drink but quickly evolves into an epic pub crawl in which grievances are aired and the deep-seated affection between the two gradually works its way to the surface, rising through the foam as pint follows pint. We learn that Davy is in Ireland to care for his dying father, and Joe has left his wife for another woman, "the girl with the cello," whom both men encountered and lusted after years before. As the two track back through the years of their marriages, a mixture of regret and melancholy permeates what's both spoken and left unspoken. And, yet, at the end of this long night's journey into day, we are buoyed against the sadness by what is finally a portrait of love in the face of life.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

This witty, satisfying novel about male friendship, aging, and guilt from Doyle (A Star Called Henry) dramatizes language's inadequacies when it comes to affairs of the heart. "The words are letting me down," says Dubliner Joe to Davy, his old friend visiting from England, while telling him that he has left his wife for another woman, Jessica, whom they both briefly adored as young men. Over pints at several pubs, the two 50-something Irishmen get back into their old rhythms and revive, or occasionally reinvent, the past. Joe grasps for the right metaphors or analogies with which to explain his life-altering decision to Davy as much as to himself, "testing the words" for how they sound. Davy, burdened by his own sense of guilt with regard to his rapidly declining father, is at times intrigued, bored, contemptuous, resentful, provoking, or supportive of his friend as Joe circles around his infidelity with an almost Jamesian vagueness. Some readers may chafe at Doyle's leisurely unfolding of the plot, though the two men are nothing if not good company. By closing time, Doyle has focused the novel's rambling energy into an elegiac and sobering climax. This one is a winner. (June)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

In this latest from Booker Prize winner Doyle, two longtime friends sit drinking in a Dublin pub. They rarely see each other anymore, but Davy has come over from England to tend to the dying father whose disapproval he fled, while Joe has recently left his wife and children for the golden girl the two men dreamed of in their youth. Carousing, heartbreak, and an indelible portrait of Dublin.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Two men walk into a pub, and they drink and talk until they can't do either for much longer. Much of Irish novelist Doyle's latest is made up of dialogue, unattributed, as recounted by a man in his late middle age named Davy. He's joined by Joe, a drinking buddy from his Dublin youth, though decades and geography have left some distance between them. Davy and his wife have long lived in England. He returns (alone) to visit his widowed father in Dublin, where Joe still lives. Neither of them drinks much anymore, but now that they're reunited, they decide to do it up like old times. As their talk gets more drunken, sloppier and circular, those old times are very much on Joe's mind, because he recently left his wife for Jessica, a woman he had first met in those long-ago pubs with Davy and hadn't seen for almost four decades. So they talk of who they were and who they are, their marriages and their families, since neither knows the other's much at all. In some ways, they no longer know each other well. Yet they know each other better than anyone else does, as the much younger men they once were. And perhaps still are? As Joe confesses and Davy badgers him, Davy also shares with the reader at least some of what's on his mind: his own marriage and something he doesn't want to share with Joe. He keeps checking his phone for a call that doesn't come. They keep ordering another round, pints that neither of them really wants. "The drink is funny, though, isn't it?" says Joe. "You see things clearly but then you can't get at the words to express them properly." Whatever clarity they are finding isn't all that clear to the reader, who is beginning to find their company as exhausting and interminable as they do. It seems that Davy is hiding something, burying something, doing his best to escape something from which there is perhaps no escape. Eventually, they have to leave. By the time the novel belatedly reaches the big reveal, the reader has passed the point of caring. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

He knew it was her, he told me.  He told me this a year after he saw her.  Exactly a year, he said.  -Exactly a year? -That's what I said, Davy.  A year ago - yesterday. -You remember the date? -I do, yeah. -Jesus, Joe. He saw her at the end of a corridor and he knew.  Immediately.  She was exactly the same.  Even from that far off.  Even though she was only a shape, a dark, slim shape - a silhouette - in the centre of the late afternoon light that filled the glass door behind her. -She was never slim, I said. He shrugged. -I don't even know what slim means, really, he said. He smiled. -Same here, I said.  -I just said it, he said. -The word.  She was a tall shape - instead. -Okay. -Not a roundy shape. -She's aged well, I said. -That what you're telling me. -I am, he said. -And she has. -Where was the corridor? I asked him. -The school, he said. -What school? -The school, he said again. -We didn't know her in school, I said. I knew he didn't mean the school we'd both gone to.  We'd known each other that long.  I'd said it - that we hadn't known her in school - to try to get him to be himself.  To give back an answer that would get us laughing.  He was the funny one. -My kids' school, he said. -Hang on, I said. -It was a parent-teacher meeting? -The woman of your dreams stepped out of the sun and into a parent-teacher meeting? -Yep. -Thirty years after the last time you saw her, I said. -More, actually.  Way more.  Thirty-six or seven years. -Yeah, he said. -That's it, more or less.  What did you say there?  That she stepped out of the sun.  -I think so, yeah. -Well, that's it, he said  -That's what happened.  She did.  I didn't live in Ireland.  I went over to Dublin three or four times a year, to see my father.  I used to bring my family but in more recent years I'd travelled alone.  The kids were grown up and gone and my wife, Faye, didn't like flying, and she wasn't keen on the drive to Holyhead and the ferry.  -Your dad never liked me, so he didn't.  -He did. -He did not, she said. -He thought I was a slut.  He said it, sure. -He didn't say that. -More or less, he did.  You told me that, yourself, remember.  I'm not making it up.  He never liked me, so I won't be going around pretending I like him.  I hate that house.  It's miserable.  -She kissed me, Joe said now. -In the school? The man I knew - I thought I knew; I used to know - would have answered, 'No, in the arse,' or something like that. -Yes, he said. -She remembered me.  I didn't know Joe well.  I used to.  We left school for good on the same day.  He got work; I went to college, to UCD.  He had money, wages - a salary.  I had none until after I'd graduated.  But we kept in touch.  We both lived at home, a ten-minute walk from each other.  We listened to records in my house about once a week, in the front room.  He bought most of the records; mine was the house where we could blast them out.  We played them so loud we could put our hands on the window glass and feel the song we were hearing.  My mother was dead and my father didn't seem to mind.  He told me years later he just wanted to see me happy.  He endured the noise - the Pistols, Ian Dury, the Clash, Elvis Costello - because he thought it made me happy.  I'd have been happy if he'd hammered at the wall with a shoe or his fist and told me to turn it fuckin' down.  I'd have been happy if I'd felt I had to fight him.  We went drinking, myself and Joe, when I had the money.  At Christmas and in October, when I came back from working in West Germany and London, before I had to spend the money I'd earned on books and bus fares.  We'd get quickly drunk and roar. I rushed straight into anger.  I thumped things, and myself.  I let myself go, glimpsed the man I could become.  I pulled back, and copied Joe.  He drank, I drank.  He laughed, I laughed.  I roared when he roared. -She remembered you? -Yeah, he said. -She did.  Immediately.  Like I said.  I looked at him again.  I could see why she'd have recognised him.  The boy - the young man - was still there.  His head was the same shape.  He'd worn glasses back then and he still did - or, he did again - the same kind of black-framed glasses.  He still had his hair.  It was grey now, most of it, but it had never been very dark.  He'd put on weight but not much, and none of it around his face and neck.  -Where were you? I asked him. -In the school, he said. -I told you. -Where, though? -Outside the maths room, he said. -Waiting. -For your turn with the teacher. -Yeah, he said. -There were four or five people - mostly mothers - ahead of me.  And I'd no one else to see - I'd seen all the others.  We divided the list. -Hang on, I said. -Trish was there as well? Trish was his wife. -Yeah, he said. -She was somewhere else.  Queueing up for another teacher.  -You kissed the love of your life while Trish was in the building? -Big building, he said. -It's a fuckin' school - in fairness. That was more like the man I thought I knew.  The man I'd  wanted to be. -You kissed her, I said. -She kissed me. -Where was Trish, exactly? -Exactly, Davy?  Exactly ?  Is this a murder investigation?  -Okay. -For fuck sake, Davy. -Okay - sorry.  Go on.  -The home economics room, he said. -Or wordwork.   Somewhere else.  We took four teachers each, to get it over with as quickly as possible.  Even at that, it took all afternoon.  It's the only chance the teachers get to talk to adults.  So, they fuckin' grab it.  I was lucky. -How come? -I got to meet the maths teacher, he said. -A gobshite, by the way.  But I was outside his door.  I just happened to be there.             -And she walked in while you were waiting.             -Right place, right time.  Yeah.  Like I said - I was lucky.              -One of your kids does home economics and woodwork?             -What?             -You said home economics or woodwork.  Trish was in one of those rooms.              -You're being Columbo again, Davy.             -Lay off.              -I just meant - like, for example.  The rooms.  Trish was somewhere else, in one of the other rooms, you know.  Way off somewhere in the building.             -Which kid was it?             I'd never met his children and I didn't know their names.  We told each other about the kids, brought each other up to date whenever we met, and then forgot about them.  I hadn't seen Trish in twenty years.              -Holly, he said.             -You sure?             -Yeah, he said. -Of course, I am.  Fuck off.             -Okay.             -You're being a bit of a prick, Davy.             -I'm not.             -You are.             -It's a bit of a shock.             -Why does it even matter?             -Okay.             -To you.             -I know.             I'd never seen him with his children but I knew he was a good father.  And I knew what that meant.  He was reliable.  He'd given them their routines.  He'd come home at much the same time every evening.  He'd picked them up from football or gymnastics and he'd always been there on time.  They'd seen him filling the dishwasher and the washing machine.  They'd seen him cooking at the weekends; they'd probably preferred his cooking to Trish's.  He'd served them Fanta in wine glasses on Saturday nights.  He'd told them he loved them, twice a day, start and end.  He'd read to them - the same book, again and again - gone swimming with them, slept on a chair beside them when they'd been kept overnight in Temple Street Children's Hospital.  He'd read about asthma, eczema, OCD, intersexuality.  He wasn't a man who didn't know what subjects his kids had done in school.  He would never have pretended that he was that man.              He was right.  It shouldn't have mattered.  I shouldn't have cared.  But it did.  And I did. Excerpted from Love: A Novel by Roddy Doyle All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.