The finisher A Peter Diamond investigation

Peter Lovesey

Book - 2020

"Through a particularly tragic series of events, couch potato Maeve Kelly, an elementary school teacher whose mother always assured her "curvy" girls shouldn't waste their time trying to be fit, has been forced to sign up for the Other Half, Bath's springtime half-marathon. The training is brutal, but she must disprove her mother and collect pledges for her aunt's beloved charity. What Maeve doesn't know is just how brutal some of the other runners are. As race day draws closer, an undocumented Albanian man named Spiro makes a run for freedom on the other side of town, escaping the chain gang that has held him hostage and its murderous foreman, who is known to his charges as The Finisher. The Finisher has ...killed for disobedience before, and Spiro knows there's a target on his back as he tries to lose himself in the genteel medieval city of Bath. Meanwhile Detective Peter Diamond is tasked with crowd control on the raucous day of the race-and catches sight of a violent criminal he put away a decade ago, and who very much seems to be up to his old tricks now that he is paroled. Diamond's hackles are already up when he learns that one of the runners never crossed the finish line-disappeared without a trace. Was Diamond a spectator to the prelude to a murder?"--Provided by publisher.

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Subjects
Genres
Mystery fiction
Detective and mystery fiction
Published
New York, NY : Soho Crime [2020]
Language
English
Main Author
Peter Lovesey (author)
Item Description
Map on endpapers.
Sequel to: Killing with confetti.
Physical Description
353 pages ; 22 cm
ISBN
9781641291811
Contents unavailable.
Review by Booklist Review

There are those among us who would read Lovesey if he took to writing on the backs of cereal boxes. Blessedly, that hasn't happened. Instead, we have the nineteenth novel featuring His Grumpiness, Detective Inspector Peter Diamond of the Bath Constabulary. All the signature elements of this acclaimed series are present: the gin-dry humor, the engaging characters, the ending that kills you before you know you're dead. It begins when Diamond, getting ready to work security at a charity marathon, glimpses a man he'd put away after looking in his eyes and seeing "something I never want to see again." The hook baited, Lovesey details preparations for the marathon, then examines the dismal lives of two victims of human trafficking. Slowly, but with relentless pacing and magical writing--a rusty hinge "groans like a soul in torment"--the plotlines converge. Surprises abound, like the corpse with a mind of its own. Lovesey likes to tease his detective, describing him "as out of a '40s film, a sleuth on the trail of Sidney Greenstreet." But the finale reminds us that Diamond is a relentless, hard-edged, strictly-business copper.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

MWA Grand Master Lovesey's masterly, atmospheric 19th investigation for Bath, England, Det. Supt. Peter Diamond (after 2019's Killing with Confetti) finds primary school teacher Maeve Kelly in training for a charity half-marathon that's months away. Her troubles begin when a school colleague gives her a Toby jug in return for a British Heart Foundation baseball cap she gave him. She doesn't like the jug, which she accidentally breaks on her way to donate it to a thrift shop. Wracked with guilt after discovering the jug's value, Maeve pledges sponsorship monies from the race to the BHF. In a later, more unsettling incident, she rescues runner Olga Ivanov from an apparent mugging. The day of the marathon, Diamond, who's in charge of crowd control, thinks he spots a killer known as the Finisher, a sexual predator he put away 12 years earlier. Diamond fears the worst after a runner goes missing. The tension rises as Diamond chases the Finisher into the underground labyrinthine quarries near the route of the marathon. Lovesey neatly ties together all the disparate threads as the plot twists and turns to its taut conclusion. On the 50th anniversary of the publication of his first novel, Lovesey is still going strong. Agent: Jane Gelfman, Gelfman Schneider/ICM Partners. (July)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

Detective Superintendent Peter Diamond finds an intricate web of mysteries swirling around, and beneath, the city of Bath's Other Half marathon. Just as Spiro, an enslaved worker from Albania, is escaping the gangmaster dubbed the Finisher--because no one ever finds the bodies he's responsible for--a complicated series of mischances makes schoolteacher Maeve Kelly resolve to enter the Other Half to raise sponsorship money she feels she owes the British Heart Foundation. Unlike Olga Ivanova, the burly Russian she recently rescued after a mugging, Maeve is no athlete, and her training regimen is tough. But not as tough as the challenge fellow runner Belinda Pye faces when, in the middle of the race, she's chatted up and groped by Olga's trainer, Tony Pinto, who's recently been released from prison after serving 12 years for slashing the face of Bryony Lancaster, a teenage ex-lover who warned another woman about him. Concerned because Belinda's disappeared after failing to finish the race, Diamond explores a nearby quarry--don't call it a mine shaft--that seems a likely place to have hidden a corpse and is seriously injured moments after glimpsing evidence that his hunch was correct. Nothing daunted, he summons the highhandedness that's made him a legend and assigns dozens of coppers to search the elaborate system of quarries beneath the city's surface in the hope of retracing his steps, setting himself up for an ugly confrontation with Assistant Chief Constable Georgina Dallymore when things don't go quite the way he expected. A witty, steadily absorbing procedural marked by Lovesey's customary inventiveness and an unguessable solution. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

1 The city of Bath isn't all about Roman plumbing and Georgian architecture. It offers unrivalled facilities for getting rid of unwanted corpses. Beneath the creamy, sun-kissed squares, crescents and terraces is a rat-infested underworld undreamed of by most visitors, a dark, dank warren of cellars, vaults, culverts, sewers and drains. And the surrounding hills are riddled with miles of mines, quarries and tunnels, all but a few disused and some no longer mapped or remembered. The Finisher got his reputation by completing the job. He had no wish to be investigated, so he left no clues. He preyed on the losers. "Defy me and you're finished," he would say. "I'll finish you myself and you won't be the first." He wasn't bluffing. He'd killed at least once before. His victim simply vanished from the scene. It was a deliberate act of terror and it worked. The select group he informed about the murder said nothing for fear they would be next. His method of killing was simple and left nothing to chance. After a short moment of violence, life ebbed away in a series of satisfying, calm exhalations, each softer than the last, until they stopped. The easy part. Murder is only the beginning. Killers throughout history have faced the problem of how to dispose of the body. Landru tried with a large stove, Haigh an acid bath and Christie home decorating; all three were caught. It's almost impossible to leave no trace. What is more, there isn't much time for clever stuff. Burial is a favoured method but is hard work. Just to conceal the volume of a body requires shifting large amounts of earth, which is why so many murdered corpses are found in shallow graves. The other drawback is that the disturbance of the ground is obvious. Immersion in deep water involves transport and navigation and the use of weights to keep the body from rising to the surface. Dismemberment is messy and multiplies the task. Dropping the victim into unset concrete is said to have worked, but can be difficult to arrange unless you're a construction worker. Even then, your mates may well ask questions. For the same reason, feeding body parts to pigs is risky because someone is sure to notice. Through the blessing of geography, the Finisher didn't need to use any of the flawed methods listed above. He'd given thought to the problem of disposal. He knew what to do. He lived in Bath. 2 In Concorde House, northeast of Bristol, where Bath's Criminal Investigation Department had been put out to grass for reasons of economy, Detective Superintendent Peter Diamond, the senior man, walked in with a large roll of laminated paper, unfurled it and pressed it against the wall. "Help me, will you? Drawing pins, anybody, at least six." "What's this, guv?" Keith Halliwell, his deputy, asked. "What does it look like?" "A wall chart?" "Top of the class." Diamond looked over his shoulder. "Someone must have pins." "Blu Tack would be better for the wall," Sergeant Ingeborg Smith said. "Sod the wall," Diamond said. "My arms are aching." Ingeborg took some Blu Tack from her drawer and went to help. The chart, as wide as Diamond's reach, was soon in place. Constable Paul Gilbert stepped up for a closer look and ran a finger down one of the columns. "It looks like a staff planner." "You'll go far," Diamond said. With undisguised pride, he told the team, "The entire year at a glance." No one else looked enthusiastic. "If you don't mind me saying, it's hardly cutting edge," Ingeborg said. "The software on Office is better than this." Diamond was unmoved. "You can't stick software on the wall where everyone is going to see it. We want the top brass to know how busy we are, don't we? I've started filling it in. Feel free to add significant dates using one of the wet-wipe pens. We'd better agree on a colour coding. I've bagged red." "This is to impress Georgina?" Halliwell said. "Or the Chief Constable, the Police and Crime Commissioner or any of the inspectorate passing through. We don't want them thinking we're overstaffed." "What does the H stand for?" Gilbert asked. "Holidays?" The letter H was all over the chart. "Optimist," Inspector John Leaman said. "It's not important," Diamond said. This satisfied nobody. "Is H one of us?" Halliwell asked, turning pink. "And who might that be?" Smiles all round. "Actually," Diamond said, "it's for home." "Days off?" He shook his head, chastened at how slow they were for a bunch of detectives. "Home matches. Rugby fixtures when Bath are playing at the rec. Significant dates, I said. Get it?" "We can put in stuff like that?" "Birthdays, anniversaries, dental appointments, just as long as it gets filled in. This is smoke and mirrors, understood?" Finally they got it. Wet-wipe pens were put to good use in the next hour. The planner changed from largely white to an abstract expressionist masterpiece. How disappointing that it wasn't noticed by the Assistant Chief Constable, Georgina Dallymore, when she looked in. Blinkered, it seemed, she marched straight past and into Diamond's office. He looked up from his coffee. Georgina was in uniform as always. She must have put on her jacket in a hurry because one of the silver buttons was in the wrong hole. She tightened her black tie. "Peter," she said in a tone of doom, "you will have seen the latest directive from the Home Office." Most directives came from Avon and Somerset headquarters. This had to be serious. "Where, ma'am?" "On your computer, forwarded from me two hours ago." His PC was in sleep mode. He touched the keyboard and play resumed of a clip of the gunfight from High Noon. He reached for the mouse and tried to access his emails. The music got louder. "For heaven's sake," Georgina said. She reached for the top of the monitor and pressed the off button. "I'll save you the trouble. The threat level from terrorism has been raised from substantial to critical." He sat back in the chair. "Why is that?" "It's not for you or me to ask," she said. "New intelligence, no doubt. To quote from memory, all police forces are instructed to put security measures in place to ensure that there is a heightened presence, overt and covert, at major public events." "Overt and covert. Typical Whitehall-speak." She ignored that. "Covert means plain clothes. That's you." He made a covert change of emphasis. "We don't do major public events. We're more dignified in Bath. Antiques fairs won't be a target for terrorists." "You've forgotten something." "The Jane Austen Festival?" "The Bath Half." A half was a measure of beer to Diamond. He frowned. "Don't be obtuse," Georgina said. "The long-distance race. You know perfectly well what I'm talking about." He did now. The Bath Half Marathon, known affectionately as the Barf Arf, was undeniably major, one of the most popular road races in the country, through the city streets over a flat, fast course favoured by runners wanting to achieve fast times. More than twelve thousand took part and three times as many cheered them on. If you hadn't signed up six months ahead, you could expect to go on a waiting list. "That counts as major, I guess," he conceded. "It's huge," she said. "But it's on a Sunday." "Immaterial. You must bring in everyone for this." "I'd love to," he said, "but don't count on it. I'll need to check the planner. When is it--March? Heavy month." "The planner ? Since when have you planned anything?" He ushered Georgina out of his office and into the CID room where the wet-wipe ink was barely dry on the new chart. Her face was a study in disbelief. "What on earth . . . ?" He ran a finger down one of the columns. "March, we said. Generally the third Sunday, is it not?" He touched the little square too heavily and smudged the letters into a blood-red fingerprint. "Oh fiddlesticks, can't read it now. Good thing we're colour-coded. Wouldn't you know it? Red is me. What was I down for on the third Sunday?" "Whatever it was, it's got to be cancelled." Georgina moved closer and peered at what remained. "It looks like the letter H ." "That'll be the Saturday." "It overlaps two squares." "My clumsy lettering--or the whole weekend is spoken for." "Not anymore," she said. "There are red H's all over the thing. What do they stand for?" "Headquarters," he answered without pause or guilt. Georgina's cheeks turned the colour of the smudged square. She had always treated police headquarters as if it were the holy of holies, but lately, knowing that the position of Deputy Chief Constable was vacant and needed to be filled soon, she scarcely dared speak its name. "Is there something you haven't told me?" He nodded. "This puts me in a delicate position." "I can't think why." "I'm not authorised to confide in anyone else." "Oh?" "Nothing personal, ma'am. One of those need-to-know situations." He let that sink in before adding cheerfully, "But don't worry. I can tell headquarters this date is out, cancelled on your orders." "Don't do that," she said in alarm. "Headquarters has priority here. We can manage without you, even if I have to wear plain clothes myself." He picked up one of the pens. "I'll write it in again, then." Simple as that. So simple that he felt a stab of conscience. Did he really want to excuse himself from duty on the day? He'd feel a right shit when everyone else gave up their Sunday. Why had he done this? Mainly out of mischief. His superior always sounded so superior that she brought out the rebel in him. Now he'd need to find a way of telling her. But Georgina hadn't finished. She was still studying the planner. Nothing was said for some time. She took a step back with arms folded before leaning forward and staring at an empty square. "I see that Sunday April nineteenth isn't marked." He checked. "Correct." "So you're available. That's the date of the Other Half." Caught. The Other Half had been thought up a few years ago by some people who applied too late for the Bath Half. They'd had the good idea of organising a little brother to the main race on a different Sunday over a more challenging route mainly along towpaths, footpaths and disused railway tunnels. The modest numbers of the first year had grown to over five thousand starters. A major public event, undeniably. "Give me your pen," Georgina said. "I'll put a large O , for Other." Excerpted from The Finisher by Peter Lovesey All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.