Transcendent kingdom

Yaa Gyasi

Book - 2020

"A novel about faith, science, religion, and family that tells the deeply moving portrait of a family of Ghanaian immigrants ravaged by depression and addiction and grief, narrated by a fifth year candidate in neuroscience at Stanford school of medicine studying the neural circuits of reward seeking behavior in mice"--

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FICTION/Gyasi, Yaa
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Subjects
Genres
Domestic fiction
Psychological fiction
Novels
Published
New York : Alfred A. Knopf 2020.
Language
English
Main Author
Yaa Gyasi (author)
Edition
First edition
Item Description
"This is a Borzoi book."
Physical Description
261 pages ; 24 cm
ISBN
9780525658184
Contents unavailable.
Review by Booklist Review

Following her spectacularly lauded, bestselling historical and ancestral debut, Homegoing (2016), Gyasi's turns to the contemporary, tracing the dissolution of a Ghanaian immigrant family. By the time Gifty leaves Alabama for Harvard, she's resolved to "build a new Gifty from scratch" by shedding the debilitating experiences of her young life: her father's abandonment and return to Ghana, her older brother Nana's heroin overdose, her mother's suicidal depression, her faltering faith. In Cambridge, she could be "confident, poised, smart . . . strong and unafraid." Four years later, she's untethered again, arriving at Stanford to work toward a neuroscience PhD. For all her groundbreaking research, she's really just trying to comprehend what happened to beloved Nana via cocaine-and-then-Ensure-addicted lab mice which became willing to risk physical damage for gratification. Six years into the program, Gifty's mother arrives, once more cripplingly withdrawn. Her silent presence will require some semblance of confrontation and reconciliation with their tragic past. Despite compounding challenges and tragedies, Gyasi never allows Gifty to devolve into paralyzing self-absorption and malaise. With deft agility and undeniable artistry, Gyasi's latest is an eloquent examination of resilient survival.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Gyasi's meticulous, psychologically complex second novel (after Homegoing) examines the consequences of a Ghanian family's immigration to Huntsville, Ala. Gifty, the only member of the family born in the United States, is six years into a doctorate in neuroscience at Stanford, where she is attempting to see if she can alter the neural pathways leading to addiction and depression. Her project is motivated by the fate of her beloved older brother who died from a heroin overdose when she was in high school, and by the condition of her depressed mother, who is staying at Gifty's apartment. Though she now determinedly puts her faith in science, Gifty still feels the pull of her evangelical upbringing, and she struggles to reconcile the two opposing belief systems while juggling her dissertation and care for her mother, plus a growing attraction to her awkward lab mate. The narrative moves smoothly between the present and Gifty's childhood, with episodes such as a summer spent in Ghana with her aunt during a previous phase of her mother's depression rising in the background while Gifty works her way up in her field. Gyasi's constraint renders the emotional impact of the novel all the more powerful: her descriptions of the casual racism endured by the family, particularly at the hands of their nearly all-white church in Alabama, is more chilling for being so matter-of-fact. At once a vivid evocation of the immigrant experience and a sharp delineation of an individual's inner struggle, the novel brilliantly succeeds on both counts. (Sept.)

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Review by Library Journal Review

Gyasi's (Homegoing) beautifully crafted story is a masterwork of intertwining time lines and narratives. Gifty, the daughter of Ghanaian immigrants, sees her family go from four to three to two when her father travels back to Ghana for a visit but never returns to the family home in Alabama and her brother, a star basketball player, injures his ankle, becomes hooked on pain pills, and dies of a heroin overdose. His death sends Gifty's mother into a deep depression. As an adult, Gifty is studying neuroscience at Stanford when her mother suffers from another bout of depression and is sent to stay with her in California. Gifty begins to examine the spiritual beliefs she grew up with in her evangelical church, the emotions surrounding her brother's addiction and her mother's depression, and how each of those has affected her relationships as an adult. Bahni Turpin weaves Ghanaian words and accents and scientific terminology effortlessly into the narration of the story. Though the story is told from Gifty's perspective, Turpin creates unique voices for the host of supporting characters and makes it feel like there is a cast of voice actors instead of just one. VERDICT A must read. This is one of the rare books that is so well crafted, the narrative(s) flow so effortlessly, that you only feel the power of the story and don't realize the complex structure underneath.--Courtney Pentland, Omaha, NE

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Review by Kirkus Book Review

A scientist weighs the big questions that her private trauma bequeaths her. After Homegoing (2016) swept through seven generations, Gyasi's wise second novel pivots toward intimacy. It unspools entirely in the voice of watchful, reticent, brilliant Gifty, 28, nearly finished with her doctorate in neuroscience at Stanford's School of Medicine. Her formidable mother, a home health care aide, has plummeted into a second severe depression, and their family pastor has dispatched the limp woman toward Gifty via airplane from Huntsville, Alabama, "folding her up the way you would a jumpsuit." The first episode, when Gifty was 11, arrived after an opiate overdose stole the life of 16-year-old Nana, the firstborn son and more cherished child. Both times the Ghanaian matriarch has crawled mutely into bed, but this time not before asking adult Gifty if she still prays. "No," says Gifty, who turns her ontological questions on lab mice. She gets them addicted to Ensure and then opens their brains surgically, probing the neural pathways of recklessness, looking for clues to creating restraint. Gifty hopes to apply her results to "the species Homo Sapiens, the most complex animal, the only animal who believed he had transcended his Kingdom, as one of my high school biology teachers used to say." This work, Gifty insists, has zero to do with her brother's death. In 54 microchapters and precise prose, Gyasi creates an ache of recognition, especially for readers knowledgeable about the wreckage of addiction. Still, she leavens this nonlinear novel with sly humor, much more than in Homegoing, as the daughter of a traditional woman weighs what it means to walk in the world not quite a nonbeliever. The author is astute about childhood grandiosity and a pious girl's deep desire to be good; she conveys in brief strokes the notched, nodding hook of heroin's oblivion. In its wake, adult Gifty sits with the limits of both bench science and evangelical Christianity. Nowhere does Gyasi take a cheap shot. Instead, she writes a final chapter that gives readers a taste of hard-won deliverance. In a quietly poignant story, a lonely woman finds a way to be less alone. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

1 Whenever I think of my mother, I picture a queen-sized bed with her lying in it, a practiced stillness filling the room. For months on end, she colonized that bed like a virus, the first time, when I was child and then again when I was a graduate student. The first time, I was sent to Ghana to wait her out. While there, I was walking through Kejetia market with my aunt when she grabbed my arm and pointed. "Look a crazy person," she said in Twi. "Do you see? A crazy person." I was mortified. My aunt was speaking so loudly, and the man, tall with dust caked into his dreadlocks, was within earshot. "I see. I see," I answered in a low hiss. The man continued past us, mumbling to himself as he waved his hands about in gestures that only he could understand. My aunt nodded, satisfied, and we kept walking past the hordes of people gathered in that agoraphobia-inducing market until we reached the stall where we would spend the rest of the morning attempting to sell knock-off handbags. In my three months there, we sold only four bags. Even now, I don't completely understand why my aunt singled the man out to me. Maybe she thought there were no crazy people in America, that I had never seen one before. Or maybe she was thinking about my mother, about the real reason I was stuck in Ghana that summer, sweating in a stall with an aunt I hardly knew while my mother healed at home in Alabama. I was eleven, and I could see that my mother wasn't sick, not in the ways that I was used to. I didn't understand what my mother needed healing from. I didn't understand, but I did. And my embarrassment at my aunt's loud gesture had as much to do with my understanding as it did with the man who had passed us by. My aunt was saying, "That. That is what crazy looks like." But instead what I heard was my mother's name. What I saw was my mother's face, still as lake water, the pastor's hand resting gently on her forehead, his prayer a light hum that made the room buzz. I'm not sure I know what crazy looks like, but even today when I hear the word I picture a split screen, the dreadlocked man in Kejetia on one side, my mother lying in bed on the other. I think about how no one at all reacted to that man in the market, not in fear or disgust, nothing, save my aunt who wanted me to look. He was, it seemed to me, at perfect peace, even as he gesticulated wildly, even as he mumbled. But my mother, in her bed, infinitely still, was wild inside. Excerpted from Transcendent Kingdom: A Novel by Yaa Gyasi All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.