Under the rainbow A novel

Celia Laskey

Book - 2020

"In the small town of Big Burr, Kansas, ministers warn that "Satan was the first to demand equal rights," a lesbian-owned bed and breakfast mysteriously burns to the ground, and casually bigoted social media posts are the norm. But when a national nonprofit labels Big Burr "the most homophobic town in America" and sends in a task force in a Real World-style experiment - as residents for two years, they'll attempt to broaden hearts and minds - no one is truly prepared for the other. Avery desperately wants to fit in with her new high school classmates, but with her "lesbian crusader" mom running the task force, she's terrified that it's only a matter of time until she's outed. Across tow...n, Linda tries to escape her grief over her son's death by befriending the arrivals, who know mercifully little about her past. But to Christine, profoundly attached to the carefully orchestrated rhythms of Big Burr life, they are not only a threat but a call to action. As tensions roil the town, cratering relationships and forcing closely guarded secrets into the light, local and interloper alike are forced to consider what it really means to belong. Told with warmth and wit, in a chorus of unexpected voices, Under the Rainbow is a poignant articulation of our complicated humanity that reminds us we are more alike than we'd like to admit"--

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Subjects
Genres
Domestic fiction
Lesbian fiction
Published
New York : Riverhead Books [2020]
Language
English
Main Author
Celia Laskey (author)
Physical Description
278 pages ; 22 cm
ISBN
9780525536161
Contents unavailable.
Review by Booklist Review

Big Burr, Kansas (population 10,000), has been named the most homophobic town in America by a national gay organization called Acceptance Across America. To make things interesting, AAA has sent a ""queer task force"" to live in Big Burr for two years as an experiment in consciousness-raising. How the town reacts is the substance of this novel, made up of linked short stories. Each of the 12 stories is a first-person account by a local resident or member of the task force. Thus, the first story is told by Avery, the daughter of the lesbian task-force director, who is afraid to come out to her mom as straight. Another story introduces us to Christine, a conservative Christian who attempts to set an AAA billboard on fire. Then there is thirtysomething Gabe, a married hunter and local sports-store owner who is struggling with being secretly gay. At turns melancholy, bittersweet, and even buoyant, the stories constitute a kind of queer, twenty-first-century Our Town that, in this revisionist exercise, is deeply satisfying. A fine first novel.--Michael Cart Copyright 2019 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Laskey's pointed if didactic debut explores what happens when a small Kansas town is disrupted by outsiders. Fifteen-year-old Avery moves to Big Burr, Kans., after LBGTQ nonprofit Acceptance Across America called it the "Most Homophobic Town" in the U.S. and recruited one of her lesbian moms to lead a team of volunteers to spread tolerance. The narrative is strung together by short segments from the points of view of long-term residents and newcomers such as Avery, who fears that her mothers will be disappointed by her heterosexuality, while classmates egg her locker at school when they discover she has gay parents. Avery bonds with her sensitive classmate Zach, who stands out for not spewing hateful epithets at the volunteers sent by the nonprofit. Laskey turns the lens unsympathetically on the secretly gay Big Burr resident Gabe, who uses hunting trips as an excuse to check Grindr, and an uptight, straight housewife named Christine, who condemns a billboard showing two women holding hands. While some of the characterizations are subtle, Laskey too often relies on stereotypes of unenlightened hicks, and what begins as a nuanced novel segues into a predictable morality tale, with the outsiders imparting life lessons to those willing to listen, leaving the others mired in despair. Kansas deserves better than this. Agent: Alexa Stark, Trident Media Group. (Mar.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

An LGBTQ nonprofit takes its services to rural Middle America in this ambitious debut about the slow wheels of social change.Big Burr, Kansas, is the most homophobic town in America, which is why Acceptance Across America sends a task force to take up residence there for two long years. Laskey's debut novel chronicles the ups and downs of the social experiment, alternating between the queer volunteers who uprooted their lives in big cities and the residents who have, for the most part, minds as small as their Main Street. There's Avery, the straight daughter of AAA's proud lesbian director, caught between wanting to fit in at the local high school and protecting her out-and-proud family; Linda, the grieving mother who finds solace in volunteering for AAA; Gabe, the closeted father and husband who hides his sexuality behind Carhartts and mounted deer heads; and Harley, the nonbinary social media copywriter for AAA whose neighbors retaliate against them with unflinching cruelty. Laskey inhabits each of these characters with skill and grace in a tour de force of first-person narration that illustrates how dangerous isolated, rural places can be for queer people. However, the conceit of Laskey's novel is troubled, and it requires a certain dependence on stereotypes, queer and straight, urban and rural, open-minded and closed, that hampers its success. Laskey is most convincing when she turns stereotypes on their heads, like the blistering rage and sadness rippling beneath teenage Avery's encounters with the homophobic group of teens who egg her mother's houseforcing her to choose sides. Other characters, like the bigoted Christine Peterson, flounder under the weight of bad marriages and righteous mommy blogs and are driven to unexamined acts of hatred and violence. There are unarticulated class and geographical tensions here, too, between the "liberated" coasts and the "backwards" red states. Laskey seems to suggest that Middle America can only change, reluctantly, with a push from the educated coastal elites who escaped its confines. As AAA's pragmatic director tells one beleaguered task force member, "[Liking] these people isn't a necessary part of it. You have to understand them, but that's different." Energetic and compelling, a promising first book from a writer to watch. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Avery   I'm sitting in second-period biology, where I should be diagramming a chain of DNA but instead I'm diagramming something way more fascinating: the back of Jake Strommer's neck. The spot where his light brown hair meets his suntanned skin looks like a bird in flight, with two arches connecting in a V in the center. I imagine what it would be like to reach out and touch it, trailing my fingertips down to where his skin gradually pales at the rim of his gray, frayed T-shirt. I'd pull the shirt off with my teeth-I'd rip it right in half-then I'd kiss my way down his spine, stopping at each bony knob. When I get to the two dimples at the base of his back, my hetero shame hits.   Hetero shame: noun \he-t-r\ \shm\ : fear of coming out as heterosexual to your lesbian mom who you know wishes you were a lesbian, too   That's right-I'm a straight fifteen-year-old girl with moms who basically raised me like a dog-show poodle to be the most perfect lesbian ever, with just the right amount of feminist theory and fall flannels and whale watching. Not that there's any whale watching here, and not that my moms are even together anymore. A few weeks ago I moved from Los Angeles with my mom Karen and my brother Cory to Big Burr, Kansas, a charming little hamlet of ten thousand people that has definitively been labeled the Most Homophobic Town in the U.S. Try not to be too jealous. The "most homophobic" thing is for real-this huge LGBTQ nonprofit called Acceptance Across America had a whole process for how they narrowed it down. They started by looking at which states had the most hate crimes and conversion therapy and all that fun stuff, then they combed through people's social media and saw who was dumb enough to publicly say things like, "I hate faggots" or "Choke on a dick, you dyke," then once they had a few front-runners they visited the towns, incognito, to see what was up. Big Burr was the clear winner. Finally, in an exciting experiment to see if bigots can be transformed into reasonable people, Acceptance Across America sent a task force to actually live in Big Burr. A task force that my mom promptly volunteered to be the head of, which brings me to how I found myself in this classroom. I'm pretty sure they're hoping the task force will work like that old MTV show The Real World: This is the true story of fifteen queers and lefties, picked to live in the most homophobic town in America, to work with its residents and find out what happens when people stop being polite and start getting real. We're supposed to stay in Big Burr for two fucking years. My other mom, Steph, was not down for the ride. She's the head of programming at Netflix and wasn't about to move to what she calls "the grundle of the United States." My moms fought nonstop for the six months before we left about whose work was more Important with a capital I and whether my brother Cory and I would stay or go. Since Steph travels all the time for work, they decided we had to go with Karen. I threw a shit fit, which obviously didn't change the outcome, but Cory said he didn't mind going. He said he thought it was "important to his development" to "experience how queer people are treated in other parts of the country." Did I mention Cory is essentially a seventeen-year-old Dan Savage? At our high school in L.A. he had a column called "The Fag Rag" and he starred in the theater group's renditions of The Birdcage and A Chorus Line. He and Karen are two peas. All of this is why I'm a little hesitant to be, like, "Hey, Karen, while I totally realize all the ways the patriarchy has held us down and while I completely appreciate the female form on an objective level, when I fantasize in class it's about guys, specifically Jake Strommer, and how I'd like to lick his body up and down." Mrs. Stark tells us to pair up with someone and compare our DNA diagrams. Jake turns around and smiles at me, the little gap between his front teeth making my stomach dip. "Let me see your genes, girl," he says in a deep, jokey voice. I stand up and do Vanna White hands around my Levi's. Jake laughs, and I want to yell at no one, "SEE HOW WE GET EACH OTHER?!?!" "Now let me see your other genes." He flips a page of his notebook to his diagram. I sit down and look at my blank page. "I didn't do it," I whisper. "Tsk tsk, Avery." He puts his notebook on my desk. "We can look at mine." His drawing looks like two magnified strands of hair with twisted ladder rungs between them. The perspective and the shading make me think he draws outside of class. "This is really good. But you missed a thymine." I point to the spot on his drawing where it should be. Jake scoffs good-naturedly. "You didn't even do it, and you're correcting mine?" He draws in the thymine and asks, still looking down at his paper, "So are you going to Billy's party tonight?" "I don't know," I say, trying to make it seem like I'm debating between Billy's party and other plans, even though I haven't heard of any party and I don't know who Billy is. "I haven't seen you at any of the parties since school started. What are you always doing?" I lean in and lower my voice. "You can't tell anyone, but I'm actually in the CIA. I'm undercover as a high school student for a top-secret case." "So what happens when you fall for the smooth sophomore?" He pulls his front teeth across his bottom lip and looks right at me. My cheeks heat up like the coils of an electric stove and I look away, scanning the class. "Oh, you mean Franklin?" I say, tipping my head toward the other side of the room. Franklin sits at his desk, a spit-filled pen cap dripping from the side of his mouth, his pleated khakis bunching around his midsection. "Dang, it's like that, huh?" Jake laughs and shakes his head. "Well, I heard Franklin is coming to Billy's tonight, so . . ." "So I'm there."   At home, I drop my backpack next to the couch with a thud. Karen and Cory stand at the kitchen counter chopping vegetables. "If there's a hunting club, then I don't see why there can't be a GSA," says Cory, perfectly symmetrical slices of red pepper falling off his knife in rapid succession. "I'll come talk to Chuck next week," says Karen. Chuck being our principal. "He'll listen to me." "Seriously, Karen?" I say, stealing a slice of red pepper from Cory's cutting board. "What?" She places the flat side of her knife over a bulb of garlic and whacks it with the heel of her hand, then winces and rubs her arthritic knuckles. Her hair, cut in a classic mom pixie, is just starting to gray at the temples, and the other night when I walked by the bathroom I noticed her patting baby oil under her eyes. "Can't you leave some things alone?" I say. The school year just started a few weeks ago, which means no one knows who my mother is yet, and I'd like to keep it that way for as long as possible. Thankfully I have Steph's last name, and I told anyone who asked that we moved here to take care of my ill grandmother, who lives one town over in Dry Creek. "You do know no one's going to join a GSA, right?" I say to Cory. He narrows his eyes at me. "You would, wouldn't you?" "Well, yeah," I lie. "But you and me would be the only members." I grab a handful of pepper slices and chew them with my mouth open. "Did you have a bad day at school, Avery?" asks Karen, reaching over to pet my hair. "I had a fine day." I duck away from her hand. "I'm going to a party tonight." Karen and Cory make eye contact. "Billy Cunningham's?" Cory says. "How do you know about it?" "Because Billy told me during history class that if I go, I'll be . . . How did he put it? Beat till I'm a dead horse." He laughs exaggeratedly. "Such a nice guy, that Billy. He's gone out of his way to introduce me to Kansas customs like drawing dicks on my locker and reminding everyone my name is Faggot." Karen puts down her knife. "Honey, are you serious?" Cory shrugs. "Now I'm definitely coming to talk to Chuck," says Karen. "And I don't want you going to a party at some homophobe's house," she says to me. "Fine, I won't go," I say, and quickly change the subject. "Are we having stir-fry again?" "There's nowhere decent in this town to get Chinese," says Karen, removing a paper-towel-wrapped block of tofu from underneath a dictionary. "So yes, we're having stir-fry again. Did you know I had to order fish sauce online? None of the grocery stores in a sixty-mile radius had it." Cory winces. "I'm so desperate I would even eat P. F. Chang's. Compared to Pu Pu Hot Pot it's, like, gourmet." "You guys are the ones who wanted to come here," I remind them. Karen looks at me from the corner of her eye while she slices the tofu block in half horizontally, then cuts vertical strips from the top. "So who were you planning to see at that party tonight?" "Jana," I say, who is my one friend so far in Big Burr, "and some other people from school." I shrug. "No one in particular." "No one in particular, huh?" Karen makes a self-satisfied face like when she solves the Sunday crossword. "Does Avery like someone?" she asks Cory in a teasing, singsongy voice. What is it with mothers? Sometimes they don't know anything, and other times they know the one thing you wish they didn't. She's always so careful to use the right words: someone, anyone, she or he or they. But her bias shows anyway, like a bra strap underneath a spaghetti-strap tank top. I can see it in how she holds her face when she asks questions like these, expression deliberately neutral. I can hear it in her tone, overly disinterested and nonchalant. Most of all, I can feel it in the pressure underneath her words, her hope for an answer that will mean I'm just like her. It's not like she's ever outright said, "I wish you were gay." But on any given day Karen's sound bites would include the word "hetero" said like a slur, "Divorce your husband!" (yelled at the TV during House Hunters; said under her breath to women at Target), and, "Every day something makes me sad for straight women." The takeaway being: heterosexuality is inferior, and all straight people must be miserable idiots.   After dinner, Karen and Cory nestle on the couch and cue up Queer as Folk, which they must be re-watching for at least the tenth time. I hover near the window, waiting for Jana to pick me up. I told Karen we were going to a movie even though we have no plans of abandoning the party. When I see JanaÕs white Toyota Corolla with the dented door pull into the driveway, I sprint outside before Karen has a chance to invite her in. As soon as I open the car door, I'm smacked in the face by the sickly sweet smell of Jana's vanilla-scented perfume, magnified by the Yankee Candle vanilla air freshener hanging from her rearview mirror. "Jesus, Jana, it smells like you fucked the Cookie Monster in here," I say, rolling down the passenger-side window. Jana pauses to roll her eyes, then continues applying mascara using the tiny mirror on the back of the sun visor. She's wearing her standard black V-neck and black jeans, her long black hair parted down the center. She's not a goth or anything; she says she just likes her clothes to match her soul. I don't think my floral-print sweatshirt matches my soul, but I have no idea what would. Probably that gross purply brown color you get when you mix all the colors in the paint palette together. "Hey, can I put some on?" I ask, gesturing to the mascara. I rarely wear makeup but we are going to a party. Maybe it will entice Jake to make a move. Jana hands me the mascara and the second I bring the wand near my lashes, I poke myself in the eyeball. "Oh my god, have you never done this before?" Jana licks her thumb and wipes the mascara from my eyelid, then takes the wand back. "Blink," she directs me as she makes small upward strokes. My lashes catch in the brush, sticking together and getting heavy. When she's finished, I flip down my sun visor and behold myself. "Wow. I never knew my eyelashes were so long." I wonder how I would look with a full face of makeup: my acne foundationed into oblivion, my barely visible cheekbones contoured into sharp lines, my normal-sized lips plumped to Angelina Jolie proportions. Jana laughs at me batting my eyelashes at myself, then backs the car out of the driveway. "So where are we going?" "I thought you knew where Billy lives." "Nope," she says. "Why don't you just text Jake and ask him for the address?" "And reveal what a loser I am? No thank you." Jana presses her lips together, thinking. "It's cool. We can just wait at 7-Eleven until someone from school shows up to buy Slurpees. Then we follow them." The rumor is that to be allowed into one of Billy's parties, you have to be holding a Slurpee, like some kind of offering. Apparently he dumps all the Slurpees into a huge bucket and then adds a few handles of vodka. The resulting slop is called pussy punch, supposedly because it gets girls so wasted that they'll have sex with anyone. Sometimes I can understand why my mom hopes I'm a lesbian. After we've waited twenty long minutes in the 7-Eleven parking lot, a black hatchback pulls in and two people from school get out: Zach Roland and his best friend Ramona. Jana tells me they're kind of loners, not really friends with anyone except each other, and she wouldn't expect them to be invited to a party of Billy's, but when we follow them into the store they buy two Slurpees, so we do the same. Armed with a Mountain Dew Kickstart and a Fanta kiwi-strawberry, we follow them back out to the edge of town, past the gravel pit where yards become car graveyards and it's harder to tell which houses are lived in or abandoned. Finally we turn into a long, potholed, tree-lined driveway, thick branches scraping against the side of the car as we creep toward the house. Excerpted from Under the Rainbow: A Novel by Celia Laskey All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.