For Joshua An Ojibwe father teaches his son

Richard Wagamese

Book - 2020

"Richard Wagamese's For Joshua is at once a deeply personal memoir, a search for peace amidst the chaos of human life, and an extended love letter to Wagamese's estranged son"--

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BIOGRAPHY/Wagamese, Richard
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Subjects
Genres
Autobiographies
Published
Minneapolis, Minnesota : Milkweed Editions 2020.
Language
English
Main Author
Richard Wagamese (author)
Edition
First US edition
Item Description
"First published by Doubleday Canada, 2002."
Physical Description
205 pages ; 23 cm
ISBN
9781571313898
  • Author's Note
  • For Joshua
  • For Joshua
  • Initiation
  • Innocence
  • Humility
  • Introspection
  • Wisdom
  • For Joshua
  • Acknowledgments
Review by Kirkus Book Review

An Ojibwa author fulfills his obligation by passing down his life's wisdom to his son.Before his death in 2017, Wagamese (Starlight, 2018, etc.) had earned renown in his native Canada for his memoirs and novels. He had also completed this book for his son, then 6 years old. As he explains to the son who barely knew him, "drinking is why we are separated. That's the plain and simple truth of it. I was a drunk and never faced the truth about myselfthat I was a drunk. Booze owned me." The author then proceeds to revisit a childhood of foster homes and adoption, of feeling like he never fit in or belonged, and of running away to find comfort in transient street life and a community of sorts among others who lived a life of petty crime to subsidize their various addictions. He writes about his search for identity in Ojibwa traditions and what he later considered the misguided "influence of militant Native groups like the American Indian Movement." "I became racist in my thinking," he writes, "and it was easy to blame the white man and society for my ordeals. In fact, it made more sense than anything I'd thought of or heard before." Much of the narrative follows Wagamese's three days in the wilderness, with only a blanket, at the behest of a recovering alcoholic who thought Ojibwa teachings could help his friend in recovery. Only after he finished was the author told that this had been his "Vision Quest." The author mixes reflections on the course of his life with dreams he had during those three nights along with Native legends and traditions, illuminating the significance of the pipe and the drum. "As Ojibway men, we are taught that it is the father's responsibility to introduce our children to the world," he writes to his son, and this posthumous publication is part of the legacy he passes along.A sturdy book of traditional wisdom and prescriptions for recovery. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

FOR JOSHUA Once there was a lonely little boy. He had no idea where he belonged in the world. The boy had no knowledge about where his family was or where he'd come from. So he began to dream. He imagined a glorious life with a mother and father, sisters and brothers, grandfathers and grandmothers. He put his dreams down on paper and filled the pages with drawings, stories, poems, and songs of the people he missed so much but could not remember. But he always awoke, the stories and poems always ended, and the songs faded off into the night. As he grew, the boy carried this emptiness around inside him. Everywhere he went, it was his constant companion. Many people took turns caring for the boy, and many people tried to fill that hole, but no one ever could. Through all the homes he drifted the boy began to realize that all that ever really changed about him were his clothes. One day, the people around him said that he was old enough to go and find there. It was a magical place, this place called there, because everyone got to choose where there would be for them. But finding there was difficult. The boy took many roads, many turns, many long lonely journeys trying to find it. He  grew older. He lived in many places and with many different people. But inside himself he was still a lonely little boy who could only ever dream dreams, create stories and poems and songs about the kingdom of there. Then one day he met a kind, gentle old man on one of the twisted, narrow roads he was travelling. This old man had been everywhere and seen many things. He was wise and liked the young man very much. As they sat together by the side of that long, narrow road, the old man began to tell him stories about all of his travels, and especially about how good it felt to return from those journeys. "What is return ?" the young man asked. "Why, it's to get back to where you started, where you belong," the old man said. "What does it mean to belong ?" The old man smiled kindly and said, "To belong is to feel right. It's a place where everything fits." "How do you get there?" the young man asked. "Well, getting anywhere means you have to make a jour- ney. But on this journey, to find where you belong, you really only have to travel one direction," the old man said. "What direction is that?" "The toughest direction of all," the old man said. "You have to travel inside yourself, not down long, narrow roads like this one." "Does it hurt?" the young man asked. "Sometimes. But anyone who makes that journey finds out that no matter how hard the journey is, getting there is the biggest comfort of all." The young man thought about the old man's words. They were mysterious and strange. In fact, they weren't answers to his questions at all, just more and more questions lined up one behind the other as far as he allowed his mind to wan- der. But there was something in the gentle way the old man had of talking that made him feel safe--a trust that every- thing he said was true. Even if he couldn't understand it all. "Can I get there from here?" he asked finally. The old man smiled at him and patted him on the shoul- der. "Here is the only place you can start from." I was that lonely little boy, Joshua, and I was the lonely young man who tried so hard to belong. Like him, I have travelled a lot of hard roads searching for the one thing that would allow me to feel safe, secure, and welcome. Some of them led to prison, poverty, drunkenness, drugs, depression, isolation, and thoughts of suicide. But many were glorious roads to travel--the ones that led to sobriety, friendship, music, writing, and the empowering traditional ways of the Ojibwe people to whom you and I belong. There were many teachers on those roads. Always there  was someone somewhere who offered things meant to teach me how to see the world and my place in it. But like most of us, I only ever trusted my mind--and my mind always needed proof. The sad thing is that when you spend all your time in a search for proof, you miss the magic of the journey, and I was on those roads a long, long time before I learned the most important lesson of all: that the journey is the teaching, and the proof of the truthfulness of all things comes secretly, mys- teriously, when you find yourself smiling when you used to cry, and staying staunchly in place when you used to run away. I spent many years afraid of the questions. I was afraid of the questions because I was afraid of the answers, and that fear kept me on narrow, twisted roads deep into my life. My greatest fear was that after the search, after the most ardu- ous of journeys, I would discover, at the end, a me I didn't like, the me that I was always convinced I was: an unlov- able, inadequate, weak, unworthy human being. And at that point of discovery I would be alone. Alone with myself. Alone with my fears. Alone with the one person I had spent so much time and energy trying to run away from. When I was scared I ran, from darkness to darkness. But flight is futile when the bitterest pain is the memory of the people that get left behind. The innocent ones bearing the hurts and disappointments of our leaving, standing by the wayside watching as we disappear down another sullen highway. They never really understand departure. They can't. Because we are incapable of explanation. We only know that we need to move on, desperate gypsies seeking the solace of flight, the vague, lingering hope that geography, in some way, might save us. You are one of the innocent ones. You are six years old at this writing and because of the choices I made during the part of my journey since your birth, we are not together. I chose drink and isolation to deal with my pain, my fear, and the resultant overwhelming sense of inadequacy, and the effect of those choices is a life where son and father cannot live together--perhaps not ever. Today the ache of your absence is hard. Because I was there at the very moment you entered the world. I stood beside your mother when she delivered you. I received you from the nurse and held you, afraid that I might press too hard and hurt you, or not press firmly enough and let you tumble from my grasp. I held you like the treasure that you are. When I looked at you that April morning I found myself grateful for a Creator that could fashion such a magnificent being, such a beautiful boy, such a gift to me. Your arrival filled my heart with joy, and it was so great it spilled over into the empty side of my chest and made me more--bigger, stronger, more alive. I didn't want to give you back to them when they asked to weigh and measure you. I didn't want to give you back because I didn't want to surren- der that feeling your arrival had created in me. For a time I felt like a father. I'd never been one before and learning to change your diapers, rock you to sleep, feed you, and get you to giggle were private joys that I still carry in my heart. They are my pocket treasures and even though they've been worn smooth from handling over the years, it's comforting to know that they are there when I need them. You and I would wander along Danforth Avenue in Toronto. I carried you on my chest in your carrier and talked to you about where we were going and what we were seeing. We got a lot of strange looks from the people we passed because I was not ashamed to talk to you out loud, laugh, and coax you to make some happy noise. There was a book- store we'd go into almost every day and I'd read to you from my favourite volumes. We'd go to a small park and I'd sing to you as we swung slowly back and forth on the swing set in the playground. You used to love that. And as we moved together through the great, grand noise that is Toronto I heard nothing but you and felt nothing but the warmth of your body nestled against mine. I can't enter that city now without a feeling of incredible loss or joy for you. Drinking is why we are separated. That's the plain and simple truth of it. I was a drunk and never faced the truth about myself--that I was a drunk. Booze owned me. I offered myself to it when I was a young man and it was only too glad to accept me into the ranks of its worshippers, the ones who are willing to pay with  everything for one more round. I drank because it made things disappear. Things like shyness, inadequacy, low self- worth--and fear. I drank out of the fears I'd carried all my life, the fears I could never tell anyone about, the fears that ate away at me constantly, even in the happiest moments of my life, and your mother did the only thing that she knew to do and that was to take you away where you could be safe. I don't blame her for that. I'm thankful in fact. I drank on and off, like I'd done all my life, and your mother grew tired of my constantly returning to the bottle. She refused to let me see you. When I finally got sober I knew I had responsibili- ties, but by then we'd been apart more than two years. This book is my way of living up to some of that responsibility. As Ojibwe men, we are taught that it is the father's responsibility to introduce our children to the world. In the old traditional way, an Ojibwe man would take his child with him on his journeys along the trap lines, on hunting trips, fishing, or just on long rambles across the land. The father would point out the things he saw on those outings and tell his child the name of everything he saw, explain its function, its place in Creation. Even though the child was an infant and incapable of understanding, the traditional man would do this thing. He would explain that the child was a brother or a sister to everything and that there was no need to fear anything because they were all relations. The father would perform this ritual so the child would  feel that it belonged. He would do this so that the child would never feel separated from the heartbeat of Mother Earth. So that children would always feel that heartbeat in the soles of their feet. He would do it so that kinship was one of the first teachings the child received. The father would do this to honour the ancient ways that taught us that we are all, animate and inanimate alike, living on the one pure breath with which the Creator gave life to the Universe. And he did it for himself. He performed this task so he could learn that devotion is a duty driven by love, one which has its beginnings in the earliest stage of life, and that teaching, preparing a child for the world, begins then as well. This book is my way of performing that traditional duty. I do not know if or when we will be together. Because of the way I chose to live my life, the price we've paid is separation. I am neither a hunter nor a trapper. I am not a teacher, healer, drummer, singer, or dancer. Nor am I a wise man. But I offer this book as a means of fulfilling that traditional responsi- bility. I want to introduce you to the world, to Creation, to the landscape I have walked, to some of the people who have shaped my life. All I have to offer is all that I have seen, all the varied people I became, and maybe you will glean from all of it an idea of the father that my life and my choices have denied you. Excerpted from For Joshua: An Ojibwe Father Teaches His Son by Richard Wagamese All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.