Here

Sydney Lea, 1942-

Book - 2019

"Sydney Lea has always been a poet equally eloquent and wide-eyed before reality. This self-aware book of experience, stock-taking, and memory finds him just now, just here, a person still hopeful in the face of it all, a poet at the height of his powers." --Jane Hirshfield "Because Sydney Lea is a poet who doesn't stand outside his subject, his work is committed, above all, to everything that constitutes connection--nature, community, and family. His latest book is a testament to what can be said, what can be felt at the transition between life and death, the marginal line between what he knows and what he will lose. Although he admits, 'I had a dress rehearsal for death,' his attention to 'the bright who...le' governs these poems. Seeing a ruffled grouse dead in the snow, he wonders why 'Death looks so brilliant. Its dead eyes rimmed and white...' It is not so much the recognition of change and loss that Lea appraises, but the consciousness of being itself. Looking closely and surely, as Lea has shown us throughout his long, remarkable career, is how this poet embraces the world around him with gratitude and joy." --Cleopatra Mathis --

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Subjects
Genres
Poetry
Published
Tribeca [New York] : Four Way Books [2019]
Language
English
Main Author
Sydney Lea, 1942- (author)
Physical Description
138 pages ; 23 cm
ISBN
9781945588402
  • Here at Summer's End
  • I. Old Lessons
  • Papillons en liberté
  • Older Age
  • Search Me
  • Spilled Milk
  • Ukrainian Eggs
  • Interior
  • Gravitas
  • Children's Fall
  • Old Lessons
  • The Owl and I
  • II. Poetic License
  • No Consequence
  • News Comes Third
  • Chimera
  • Machu Picchu
  • Little Squalls
  • I Keep Going at 20 Below
  • I Impugn a Victorian
  • Stoicism
  • What's to Be Expected?
  • Gooka-mol
  • Poetic License
  • III. A Tide Like Grace
  • Irresolutions
  • Fire and Jewel
  • Cavaliers
  • Gratitude
  • The 21st Century
  • Annie's Duck Sauce
  • Auction
  • All Hallows' Eve
  • Aesthetics
  • A Tide Like Grace
  • Memo for 2027: A Love Poem
  • IV. The View in Late Winter
  • A Grandson Sleeps on My Chest
  • The Long and Short
  • Stick Season
  • Solace, Stone
  • The Seafarer
  • Dark Chord
  • Easy Wonder
  • The View in Late Winter
  • Some Postures toward the Rock
  • My Wife's Back
  • V. Gift
  • Who Knows? That Lifelong Question
  • October Moon on Lake
  • Snapper
  • Earth and Heaven
  • Zero Fahrenheit
  • On My Love of Country Life
  • To a Granddaughter in My Arms
  • Mindfulness
  • Gift
  • Here Itself
Review by Booklist Review

Author of twelve collections of poetry, a Pulitzer Prize finalist, founder of the New England Review and a former Vermont Poet Laureate, Lea, in the here and now, chronicles both vast and minute aspects of human experiences. Life isn't easy, and we're all scarred, traumatized to some degree. What is to be done? Lea responds in illuminating verse that expresses a reckoning with emotions that linger like ghost in the bardo, hesitant to move on, having one more thing to say. In Spilled Milk, a father remembers the pain inflicted on his daughter over an insignificant accident, her child's face distraught: By worry, which it should have been my fatherly duty / To soothe. In a little gem titled Memo for 2027: A Love Poem, the poet tells his future self to count that blessing, maybe count it more, referring to a wife still loving, children and grandchildren, and The way late winter's sun make wondrous shadows on / The snow out there. This radiant collection will leave readers counting their blessings past, to come, and most certainly right here.--Raúl Niño Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Lea (No Doubt the Nameless) weaves a graceful tapestry of personal history while expressing his trademark wonder at the natural world in his quietly powerful 13th collection. His memories are not grand in scale; he recalls watching his daughter spill a glass of milk on a train, teaching his son to ride a bike, and schoolboy shenanigans such as a "slew of idiot tricks" pulled on a Latin instructor--yet these scenes become significant through Lea's telling. In "Cavaliers," the poet recalls spending a night in the hospital after suffering chest pains, and sharing a room with a man who had been there for a month: "How long, I mused, can a person be patient?" This poem gives way to "Gratitude," in which Lea musters tolerance for petty inconveniences, like taking the dog to the vet or shoveling snow, viewing these acts as gifts. Interspersed with Lea's musings on his life are his luminous descriptions of the world around him, including the "elegance and composure" of a flock of circling vultures, and a first blush of spring "with snowdrops glinting, the freshets making their evanescent cascades through the woods." The refrain of aging and death echoes throughout and is tempered by Lea's gentle optimism and appreciation for every facet of life. These poems provide readers with a potent antidote to hopelessness. (Sept.)

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