Sea wife

Amity Gaige, 1972-

Book - 2020

"Juliet is failing to juggle motherhood and her stalled-out dissertation on confessional poetry when her husband, Michael, informs her that he wants to leave his job and buy a sailboat. With their two kids - Sybil, age seven, and George, age two - Juliet and Michael set off for Panama, where their forty-four foot sailboat awaits them. The initial result is transformative; the marriage is given a gust of energy, Juliet emerges from her depression, and the children quickly embrace the joys of being feral children at sea. Despite the stresses of being novice sailors, the family learns to crew the boat together on the ever-changing sea. The vast horizons and isolated islands offer Juliet and Michael reprieve - until they are tested by the ...unforeseen.Sea Wife is told in gripping dual perspectives: Juliet's first person narration, after the journey, as she struggles to come to terms with the life-changing events that unfolded at sea, and Michael's captain's log, which provides a riveting, slow-motion account of these same inexorable events, a dialogue that reveals the fault lines created by personal history and political divisions."--Publisher description.

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Subjects
Genres
Sea fiction
Domestic fiction
Published
New York : Alfred A. Knopf 2020.
Language
English
Main Author
Amity Gaige, 1972- (author)
Edition
First Edition
Physical Description
267 pages : color illustration ; 25 cm
ISBN
9780525656494
Contents unavailable.
Review by Booklist Review

Juliet resisted her husband Michael's idea that they could leave their life in Connecticut to set out on a sea voyage with their two children. Just about everyone he told about it had some sort of criticism. Their marriage was rocky as it was, and, with a seven-year-old daughter and a two-year-old son, people found plenty of reasons why it was a bad idea. But, eventually, Juliet relents; Michael finds a boat; and they set off in pursuit of his dream. Told from Juliet's perspective after the voyage, shattered and spending most days in a closet while her mother handles the children and household, and interwoven with Michael's often-rhapsodic, at times confessional captain's log entries, Sea Wife gives a multilayered perspective on the ill-fated voyage. From the challenges of two people finding themselves on opposite ends of the political spectrum to Juliet's depression, which leads her to give up on her dissertation, and the challenges of life at sea, this surprising novel is stunning and deep.--Bridget Thoreson Copyright 2020 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

A marriage implodes and a husband dies due to the strain of a year sailing around the Caribbean, in Gaige's splendid, wrenching novel (after Schroder). Michael Partlow, an unfulfilled businessman lured by visions of heroic self-sufficiency and idealized memories of his late father, proposes that he and his wife, Juliet--a stalled-out poetry PhD candidate and stay-at home mother--buy a boat, leave Connecticut, and spend a year sailing with their two young children. Despite Juliet's misgivings and worries, she agrees and the family enters a new wandering lifestyle with moments of joy amid frightening storms, privations, and mounting financial costs. Eventually, the cramped life onboard drives Juliet and Michael into arguments fueled by Juliet's depression and Michael's support of President Trump, and Michael ends up dead from dengue fever. Five months after the end of the voyage, Juliet is mired in a deep depression and gains insight into her marriage by reading Michael's journal, and the story takes a frantic turn when police arrive with questions about a missing person Michael owed money to. Gaige balances the piecemeal explanations of Michael's involvement with a profound depiction of the weight of depression and the pains of a complicated relationship. Every element of this impressive novel clicks into a dazzling, heartbreaking whole. Agent: Kim Witherspoon, InkWell Management. (May)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Their marriage teetering on the edge, Michael and Juliet buy a sailboat (which Michael renames Juliet) and embark on an open-ended adventure sailing around the Caribbean with their two small children, Sybil and George. Michael sees sailing as a way to reclaim independence and freedom and to connect on a spiritual level with his long-dead father. He also hopes the change will shake Juliet out of her depression, rooted in a childhood trauma and exacerbated by her abandonment of her poetry dissertation owing to the stress of child rearing. Instead, a series of setbacks and near-catastrophes exacerbate the friction. It's revealed fairly early on that a tragedy occurred, and the narration alternates (sometimes by the paragraph or sentence) between Juliet's reflections and Michael's captain's logbook (which becomes something of a journal), as well as occasional interludes consisting of Sybil's sessions with her therapist. Verdict This book's unusual structure is effective once you figure out what Gaige is up to. There are multiple layers to explore for contemporary literary scholars or a committed book club, as Gaige (Schroder) has much to say about the struggles and complexities of marriage, particularly in our current political and cultural climate. [See Prepub Alert, 11/4/19.]--Christine DeZelar-Tiedman, Univ. of Minnesota Libs., Minneapolis

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A family sailing excursion goes badly awry in a perfect storm of weather, naiveté, and marital tension. Michael Partlow feels trapped in a dull job and wants an adventure; his wife, Juliet, is a stay-at-home mother of two who's prone to depression. (Her malaise is exacerbated by her having to abandon her dissertation on the poet Anne Sexton, another depressive mom.) In an impulsive moment, Michael decides to purchase a small yacht (which he renames Juliet) and brings the family down to Panama to sail it to Cartagena, Colombia. We know early that something went wrong on the trip: Juliet notes that their house is "a point of interest," Michael is absent, and she's taken to retreating to a closet. As Gaige parcels out details of the calamity, she frames Michael and Juliet's story as he said, -she said dueling narratives: Juliet's present-day narration of the trip's aftermath alternates with entries from Michael's logbook. The parrying reveals how sometimes even the closest couples fail to understand each other: Michael is prone to mocking Juliet's sensitivity ("Tears, a husband's kryptonite") while Juliet only had the slightest sense of his internal seething, which intertwines grumpy political grievances with escalating contempt for his marriage. Gaige is well-suited for this sort of psychological exploration: Her previous novel, Schroder (2013), smartly chronicled the irrationality that can consume a marital split. And the seafaring sections are gripping, as the family's lives are literally tempest-tossed. Yet the novel is also a ship carrying a lot of ballast, as Gaige sometimes strains to keep the couple's parrying going: spats, riffs on parenting, literary analysis, and a late-breaking murder mystery that feels tacked-on. None of which sinks the story, but it does dampen its power. A powerful if sometimes wayward take on a marriage on the rocks. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Chapter 1   Where does a mistake begin? Lately I've found this simple question difficult. Impossible, actually. A mistake has roots in both time and space--a person's reasoning and her whereabouts. Somewhere in the intersection of those two dimensions is the precisely bounded mistake--in nautical terms, its coordinates.   Did my mistake begin with the boat? Or my marriage itself? I don't think so. I now suspect that my mistake took root in an innocent experience I forgot to decipher, the mystery of which has quietly ruled me. For example, I remember standing beside a blindingly blue Howard Johnson's motel pool at twelve years old, watching a couple undress one another through a half-drawn curtain, while my estranged father disputed the bill in the lobby. Should I have looked away? Did the miscalculation occur even earlier, as I sat on a rope rug in clean kindergarten sunlight, and I leaned toward the boy beside me and accepted his insistent whisper? I still feel his dew in my ear.   And now I am sitting in a closet.   Michael's closet.   I should explain.   I moved in a couple of days ago. I came in here looking for something of his, and discovered that the carpet is very plush. The slatted bifold doors filter the sunlight beautifully. I feel calm in here.   Hiding in closets is the habit of children, I know. I used to hide in my mother's closet when I was a kid. Her closet contained some dressy silks and wools she never wore. I loved holding these fabrics against my body, or stepping into her high heels, as if onto a dais, rehearsing my future. I never felt ashamed.   Surely there is some connection between seeking refuge in my mother's closet long ago and hiding in Michael's now, but that insight does not help me.   Sometimes life just writes you tiny, awful poems.   I am uncertain whether or not I can survive this day.   I mean, if I want to.   To go out, to go outside , requires preparation and composure. If I were to go out, to start walking around and seeing people again and going to the grocery store and getting on with it, invariably what someone would ask me is, Do you wish you'd never gone? They will expect me to say, Yes, our journey was a mistake. Maybe that's what they hope I will say.   But saying yes to the boat was my clearest act of loyalty toward my husband.   I can't afford to regret it.   If I did, I would only be left with my many disloyalties.   January 17. 10:15 a.m. LOG OF YACHT 'JULIET.' From Porvenir. Toward Cayos Limones. 09° 33.5ʹN 078° 56.98ʹW. NW wind 10 knots. Seas 2-4 feet. NOTES AND REMARKS: We are 102 nautical miles ENE of Panama City, catching prevailing winds into the sovereign territory of San Blas. The shape of the coast is still visible behind us, but ahead is just water. Nothing but water. That's when I realize there's only one ocean. One big mother ocean. Yes, there are bays & seas & straits. But those are just words. Artificial divisions. Once you're out here, you see there's just one unbroken country of water. You would never feel this way on land. (Not in our country.) What a feeling. Generations of sailors have failed to describe it, so what are my chances? Me, Michael Partlow. Michael Partlow, who can't tell you the title of a single poem. Just ask my wife, her head is full of them.   When I first met him, I thought, I'd never marry a guy like that . Too persnickety. Too conventional. No sense of humor! But I was wrong. Marriage and kids and the grind made Michael morbidly funny. He got funnier and funnier, while I, who had been funny, got less funny.   There was this muscle shirt to which he was superstitiously attached when we were living aboard the boat. The memory of this shirt makes me laugh out loud. While sailing in hot climates, you start wearing as little as possible. And cruising kids, they dress like mental patients--grass skirts and flamenco dresses with muck boots and welding visors and shell necklaces--mementos of places they've been. I have no idea where Michael got the muscle shirt. Panama City? It was white, with huge armholes. Standing ashore, beaming, with his boyish face and unwashed hair, he looked like a prep-school kid who'd gotten lost on a hike about twenty years ago.   The crew of our vessel is fit and in good spirits. Bosun Sybil Partlow (age 7) is sitting in First Mate Juliet Partlow's lap in the cockpit. Deckhand George "Doodle" Partlow (age 21⁄2) is doing his best to stand upright in the small swell. He's pantless, waiting for First Mate to let him whiz off of the side of the boat. His slightly delayed vocabulary is strictly maritime. Boat go, fish go. We were just visited by a very large sea turtle! Surfacing portside with a head like a periscope. Sybil says it's a spy. Whenever Sybil says anything cute, she tells me to write it down. That turtle's a spy, write that down in your book, Daddy.   Pardon me? I say. Are you speaking to me? What do you call me underway, Bosun?   She laughs. Fine, write that down in your book, Captain.   The muscle shirt was so funny because he's normally such a neatnik, a dandy, and a rearranger. He needs almost no sleep. His mother said he'd always been that way. Here at the house, he used to work late into the night, sending emails and finishing reports, but mostly, man-tinkering. Learning about electrical wiring by gutting another appliance or making little toys for the kids. Sometimes he'd even go across the brook, where he'd built a fire pit, and we'd sleep to the rustic scent of wood smoke.   In the morning, he'd leave for work as shiny as an apple. He wouldn't let the children eat in his commuting car. Goldfish, Triscuits--verboten. But the family car, my car? Lawless. A layer of organic material composted under the seats. Mysterious objects thumped against the wheel wells whenever I made a sharp turn.   I understand it now, sitting here. I understand how nice it must have been for him to have a little fiefdom--a closet, where shoes are paired, and the world is shut out, and you get to make all your own choices.   My closet, just there on the other side of our bedroom, is haphazard. I gave up trying to neaten it when Sybil was a toddler. After months of hanging them up, I just left all the blouses on the floor, where they'd fallen after she'd pulled them off the hangers. She'd shuffle out of the closet in my shoes, unsteady as a drunk, and leave them where I'd never find them.   But I am a mother. Gradually, I just gave them all away, all my spaces, one by one, down to the very last closet.   January 17. 6 p.m. LOG OF YACHT 'JULIET.' Cayos Limones. 09° 32.7ʹN 078° 54.0ʹW. NOTES AND REMARKS: Made it here to Cayos Limones no problem & are anchored off small island with a good holding. Sybil is jumping off the transom while her mom is wrestling Doodle out of his swimmy shirt.   Smile! they used to say to sad-sack little girls like me. Then feminism came along and said fuck smiling--you'd never force a boy to smile. But as it turns out--recent studies show--that the physical act of smiling does increase one's feeling of well-being. So sometimes I practice. I sit here in my closet and grimace. January 18. 2 a.m. LOG OF YACHT 'JULIET.' Cayos Limones. NOTES AND REMARKS: We are inching toward middle of nowhere. Limones is an untouched archipelago of many sheltered islands w/ fringing reefs & clear waters. Not one single man-made structure. Only the sound of the surf crashing against the windward reef. It's the middle of the night & I can't sleep. Just cleaned all the corroded connections on the battery. More company here than I would like, due to proximity to the mainland. Folks from all over the world. At least our kids have other kids to play w/ & Juliet has other women to commiserate w/ over warm white wine. I know it appears that what we are doing is radical. But the truth is, there are so many people out here. Sprinkled all around the hydrosphere. Sailboats, sloops, catamarans, re-creations of famous schooners, wealthy paranoids, retirees, people traveling with cats, people traveling w/ lizards, people sick of giving one quarter of their income to the government, free spirits, charlatans, and yes, children. There are thousands of children sailing this world as we speak, some who've never lived on land. We say we want kids to be joyful/unmaterialistic/resilient. That's what sailing kids are like. They climb masts & can correctly identify obscure plant life. They don't care what somebody looks like when they meet them, they some- times don't even speak the same language, but they work it out. They don't sit around ranking one kind of life against another. 71% of the earth is ocean. These kids literally can- not believe they are the center of the world. Because where would that be, exactly? They measure their days against a candid & endless horizon. Let me begin by saying that buying a boat was the most absurd idea I'd ever heard. I'd never boarded anything but a ferry in my life, and Michael hadn't sailed since he was in college. You've got to be kidding me, I said to him. You want me, and our two little kids, to live on a boat with you in the middle of the sea? Just for a year, he said. I don't even know how to sail, Michael! You don't need to know how to sail, he said. All you need to know is which way to point the boat. I can teach you the rest as we go. You're insane, I said. But even Juliet was hard to convince. How do you sell your wife on the benefits of assuming risk? After all, if your wife is like mine, she probably married you for your stability.   In order to convince Juliet to buy the boat, I had to channel that great salesman--Artist of Spit and Staples, Prankster, Tightwad--my dad, Glenn Partlow. Nothing made Dad happier than sailing on Lake Erie in his old Westsail 32. He'd bought her on a lark from some guy at work who was trying to get rid of her quick. Those days, apparently even a super- vising technician at the GM plant could afford a boat. He kept her at a marina on Lake Erie about a half hour's drive from our house. My sister Therese joined us for the first several outings, but she got seasick. After that, it was just me & Dad on a boat neither of us deserved to sail. The boat was named 'Odille.' Probably somebody's old flame. My mom didn't want anything to do w/ the boat. She was completely absorbed by raising us, which is not to say this was good for her or for us. It was just what moms like her in Ashtabula, Ohio, did at the time. She'd drive us around, handing us our trumpet case or our paper-bag lunch. When Dad & I went sailing on 'Odille,' she didn't complain. At least not to me.   We couldn't have taken more than 2 dozen voyages on that boat, but they clog my memory. I remember the sea- glass green surface of that windy lake, the short fetch of the waves. If I wanted to see my 13th year of life, I had to learn fast. Which sheet to pull, which one to tie off, how to ready the lines for Dad, when to ask questions, when to shut up. I didn't want to bother him. He looked so important at the helm.   When I was in 10th grade, GM offered dad a transfer from Parma, Ohio, to Pittsburgh. For reasons I never inquired about, he took the deal & sold the Westsail.   He set us up in a modest brick house on a hillside in the City of Bridges, the steep streets of which had no traction in the ice.   This last detail, of course, rearranged my life.   Of course I said no. My first reaction was shock. I thought he'd lost his mind. Me and the kids living on a boat? Michael might as well have said, Let's live upside down and walk on the ceiling.   More than once, Juliet pointed out that my father died when he was just a little older than I am now. So maybe I was feeling something breathing down my neck--i.e. eternal quietus? And she could understand how spooky that might feel but maybe could this particular psychodrama be solved w/ something less extreme, like a triathalon?   I don't disagree! She was right. Every marriage needs one skeptic to keep it safe. But a marriage of two skeptics will fail to thrive.   Michael and I both recognized we had problems, we just couldn't agree on the solution. I think what was happening was, I wasn't just talking about the implausible plan to walk away from our house and the kids' schools and Michael's job, no matter how assured we would be of getting these things back. I was wondering, whether we were to go or to stay, what would we do-- about us?   You think this will solve all our problems. It's magical thinking, Michael. It's the way a child thinks. Excerpted from Sea Wife: A Novel by Amity Gaige All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.