Pretty bitches On being called crazy, angry, bossy, frumpy, feisty, and all the other words that are used to undermine women

Book - 2020

"Words matter. They wound, they inflate, they define, they demean. They have nuance and power. "Effortless," "Sassy," "Ambitious," "Aggressive": What subtle digs and sneaky implications are conveyed when women are described with words like these? Words are made into weapons, warnings, praise, and blame, bearing an outsized influence on women's lives--to say nothing of our moods.No one knows this better than Lizzie Skurnick, writer of the New York Times' column "That Should be A Word" and a veritable queen of cultural coinage. And in Pretty Bitches, Skurnick has rounded up a group of powerhouse women writers to take on the hidden meanings of these words, and how they can limit ...our worlds -- or liberate them. From Laura Lipmann and Meg Wolizer to Jennifer Weiner and Rebecca Traister, each writer uses her word as a vehicle for memoir, cultural commentary, critique, or all three. Spanning the street, the bedroom, the voting booth, and the workplace, these simple words have huge stories behind them -- stories it's time to examine, re-imagine, and change"--

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Subjects
Published
New York : Seal Press 2020.
Language
English
Other Authors
Rebecca Traister (writer of introduction)
Edition
First edition
Physical Description
xxiv, 284 pages : illustrations ; 22 cm
ISBN
9781580059190
  • Preface
  • Introduction
  • Too
  • Professional
  • Effortless
  • Princess
  • Ugly
  • Shrill
  • Lucky
  • Mom
  • Mature
  • Ambitious
  • Victim
  • Disciplined
  • Yellow-Bone
  • Zaftig
  • Crazy
  • Small
  • Funny
  • Sweet
  • Nurturing
  • Pretty
  • Intimidating
  • Good
  • Tomboy
  • Aloof
  • Exotic
  • Fat
  • Feisty
  • Appendix: Words You Shouldn't Call Women "A Definitive Glossary"
Review by Booklist Review

Readers ready to feel energized, and maybe even a little righteous anger, will find plenty of fuel to fire them up on the pages of this clever and potent anthology edited by the creator of the ""That Should Be a Word"" column in the New York Times Magazine. Skurnick invited 29 women writers to contribute short essays in response to the impact of 29 loaded words, ranging from ""Ambitious"" to ""Pretty"" to ""Sassy"" to ""Tomboy."" The spot-on contributors include Laura Lippman, Bich Minh Nguyen, Katha Pollitt, Rebecca Traister, Monique Truong, Jennifer Weiner, and Meg Wolitzer. Each writer analyzes how their chosen word is used to undercut women's confidence or subtly dismiss or disparage them and their accomplishments in contexts private and public: how, that is, ordinary words can be turned into insidious sexist weapons. An additional 17 words, with synonyms and explanations of how they're used against women, are also provided under the heading ""Words You Shouldn't Call Women."" The book's smart premise and the incisive essays themselves are immensely relatable and should provide a great catalyst for personal introspection and thoughtful and productive discussion for everyone seeking a better tomorrow.--Stacey Hayman Copyright 2020 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Journalist Skurnick (That Should Be a Word) curates a sharp-witted and intimate essay collection examining how language is used to disempower women. Each piece addresses a single word, as writers including Laura Lippman, Dahlia Lithwick, Rebecca Traister, and Meg Wolitzer take on ostensibly admiring adjectives (nurturing, sweet), outright slurs (shrill; crazy), and veiled insults (ambitious; feisty). Guardian columnist Afua Hirsch's "Professional" explores how women are viewed in the workplace, while essays by South African writer Lihle Z. Mtshali and Asian-American memoirist Beth Bich Minh Nguyen address the cultural stereotypes behind yellow-bone and small, respectively. The collection's confessional nature--feminist critic Kate Harding wrestles with identifying as a victim after a sexual assault, and novelist Jennifer Weiner admits that being called fat has the power to "shut me up and shut me down"--packs a punch but leaves little room for charting concrete solutions. The diverse contributor list offers new perspectives on mainstream, white-dominant culture, even though the essays largely share a similar and somewhat traditional notion of what femininity connotes. Nevertheless, this eloquent inquiry into how language enshrines gender stereotypes will resonate with feminists, wordsmiths, and fans of the personal essay. Agent: Victoria Skurnick, Levine Greenberg Rostan Literary Agency. (Mar.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Each essay in this new collection edited by New York Times Magazine columnist Skurnick and introduced by Rebecca Traister (Good and Mad) skewers a particular word historically used to denigrate women: princess, ambitious, disciplined, lucky, aloof, intimidating, nurturing, crazy. The essays take various forms; some trace back to the origins of words such as cunt and harpy, mourning how overuse has turned "intentional and weighty insults" into "common diminutions." Others, including Julianna Baggott's "Ambitious," take a personal angle. Reflecting on the push and pull between her aspirations as a writer and society's expectations of her as a wife and mother, Baggott reflects on what it means to call women ambitious, and how women try to disconnect themselves from the word. Multiple selections throw the chosen words into stark relief when they compare their usage in regards to men. VERDICT This collection features an array of voices and serves as a multiuse resource that can be a glossary, a takedown of toxic masculinity, or a radical reclaiming of words that are often used to undermine.--Sierra Dickey, Ctr. for New Americans, Northampton, MA

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

New York Times Magazine columnist Skurnick (That Should Be a Word, 2015, etc.) curates a feminist anthology that gathers essays on women's disheartening and empowering experiences.Ambitious. Exotic. Intimidating. Aggressive. Aloof. These and other descriptors build a fraught lexicon in which barbs and compliments alike convey barely concealed, or even blatant, misogyny. With an introduction by Rebecca Traister that elucidates how certain expressions silence women, this literary collection features voices emphasizing the need to keep speaking up. Novelists, women in media, activists, and others each tackle one commonplace word through pointed memories and deft examinations of word origins, often braiding private experiences with larger events. Though certain themes recurdouble standards in the workplace, physical appearance, and expectations about women's behaviorthe personal approach keeps the collection fresh and surprising. Stephanie Burt, for instance, weighs the implications of "pretty," which can be seen as shorthand for not being beautiful enough. Through a rigorous exploration of a spa visit, Amy S. Choi bemoans the lie that beauty is "effortless," while Dagmara Domiczyk's take on "ugly" is a painful reminder of adolescence. In Monique Truong's "Sweet," she exposes the word that Christine Blasey Ford's colleague used to describe her as the trivializing term it can be. Essays on achievementand how often it is attributed to reasons other than women's talent and effortrevisit frustrating ground, and essays on the compounding problems of being a minority woman underscore how little American culture has changed since the civil rights movement. Other salient passages depict how a single word can reverberate in a woman's life for decades. There's no easy solution for eradicating derogatory, deeply ingrained languageor reclaiming certain terms to be used positivelybut this uplifting collection serves as a good first step toward highlighting what's wrong with how women are talked about. Other contributors include Laura Lippman, Carina Chocano, Meg Wolitzer, and Katha Pollitt.A galvanizing, sharp compendium. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.