How to be a pirate

Isaac Fitzgerald

Book - 2020

Told by the neighborhood boys that she cannot be a pirate, Cece seeks reassurance from her grandfather who knows about boats and has tattoos.

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jE/Fitzgera
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Location Call Number   Status
Children's Room jE/Fitzgera Due Dec 10, 2024
Subjects
Genres
Picture books
Published
New York : Bloomsbury Children's Books 2020.
Language
English
Main Author
Isaac Fitzgerald (author)
Other Authors
Brigette Barrager (illustrator)
Physical Description
1 volume (unpaged) : color illustrations ; 26 cm
ISBN
9781681197784
Contents unavailable.
Review by Publisher's Weekly Review

The boys won't let CeCe play pirate, so she runs to her seafaring grandfather to get the lowdown on what it takes to yo-ho-ho. Using his tattoos as visual aids, Grandpa describes all the qualities a great pirate must possess. On one muscular arm is inked a majestic ship; a pirate must be "BRAVE!" he says, and CeCe imagines the cozy kitchen, rendered in muted tones, as a prow barreling through spiral-scrolled, fish-festooned waves. A tattoo of a panther illustrates a pirate's need for speed; CeCe imagines swinging on a jungle vine, "ready to react to danger at any moment." But most important, Grandpa says, is having the confidence that comes from being loved--and he has the heart-shaped tattoo inscribed with "CeCe" to prove it. Fitzgerald (Pen & Ink for adults) and Barrager (Vlad the Rad) hit their closing self-esteem message a little bluntly at the end ("I'm brave! I'm quick! I'm independent, and I'm fun!" CeCe shouts), and the inclusion of a winking Spanish dancer tattoo as emblematic of "fun" strikes an odd note, but the pages are filled with bright colors, soaring spirits, and a timely feminist message. Ages 3--6. (Mar.)

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Review by Kirkus Book Review

Feminism for the piratically inclined. Fitzgerald and Barrager give the old chestnut of a girl who's turned away from a boys' fort due to her gender alone a piratical twist. After CeCe's initial disappointment, she vows to get advice from the only true pirate she knows: her grandfather. Game to give his granddaughter a 101 in how to be the best possible scurvy dog, he uses each of his tattoos to extol a virtue such as bravery or speed. As in Alison McGhee and Eliza Wheeler's Tell Me a Tattoo Story (2016), body art becomes the inspiration for any number of adventures and aphorisms, ending with the most important lesson: love. Readers may note that few of these flights of fancy have much to do with pirates specifically. Nevertheless, an emboldened CeCe returns to the boys and successfully owns her piratude. The ending is more than a bit optimistic, as CeCe gains admission simply by redeclaring intentions with a smidgen more chutzpah. Would that misogyny always rolled over so easily. Happily, Fitzgerald's tale is accompanied by the rollicking vibrancy of Barrager's art. Reality pales (literally) in the face of the imagination, with a clever tonal shift to a brighter, more saturated palette indicating CeCe's determination. CeCe and Grandpa both present white; the boys who initially snub her display a range of skin colors and hair textures.While thar be precious little piracy visible in this, its feminist themes are strong. (Picture book. 3-6) Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.