Review by Publisher's Weekly Review
Now in its second season, HarperCollins's reissue of 22 Sendak classics continues. This time, his collaborations with Ruth Krauss take center stage. In Charlotte and the White Horse, first published in 1955, creamy pages frame Sendak's softly lit illustrations of a girl who convinces her father to keep a wobbly legged horse and cares for him until he can stand on his own. Sendak's delicate watercolors suit the dream-like mood of a boy who accomplishes all that he sets out to do in his imaginary world, in I Want to Paint My Bathroom Blue (1956), also by Krauss. A boy's imagination also comes to the fore in A Very Special House (1953) by Krauss, as the artist depicts the hero creating a home filled with a turtle, a giant, a very old lion and "some monkeys and some skunkeys." Oversize pages brim with the creatures as well as his house's "very special" furnishings. Open House for Butterflies (1960) takes a similar format to these collaborators' classic A Hole Is to Dig, and lastly, Hector Protector and As I Went Over the Water: Two Nursery Rhymes (1965) by Sendak conveys as much plot through the artist's wordless spreads as with the minimal text. For collectors and budding readers alike. Nov. (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
Review by Horn Book Review
A little boy knows just what a Very Special House should be. It would have a bed to bounce on, a table (very special where to put your feet feet feet), and it would be a place to bring any friends--a lion, a giant, some monkeys. Best of all, it would always suggest MORE MORE MORE; NOBODY ever says stop stop stop. The exuberant drawings running over each page are made for lingering looks and chuckles. From HORN BOOK Fall 2002, (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
