Review by Publisher's Weekly Review
Following up The History of Rock & Roll: 1920 to 1963, Ward smartly and succinctly surveys just over a decade of rock's rapid evolution. He covers the gamut of musical styles, including the British Invasion, surf sound, guitar rock, R&B, soul, blues, reggae, country, and even some jazz. Not surprisingly, he begins with the Beatles and posits the decades-old question, "Beatles or Stones," explaining the bands' different backgrounds (Beatles, working-class Liverpool; Stones, middle-class London) and how each had its own devoted fan base. Ward includes some great tidbits, such as how the small labels that released some of the Beatles' early U.S. records filed injunctions against Capitol Records in 1964; how Jan Berry of Jan & Dean nearly died in a car accident at the spot he wrote about years earlier in their song "Dead Man's Curve"; and how the unintelligible lyrics of "Louie, Louie" came to be investigated by the FBI. Ward ends the decade with The Last Waltz, Martin Scorcese's documentary of The Band's 1976 concert, whose guests (Bob Dylan, Joni Mitchell, Ringo Starr, Ronnie Wood, and Neil Young) "had been enshrined by Rolling Stone... as rock royalty." Ward's deep dive into this influential era will send even the most knowledgable rock aficionados back to their vinyl collections. (Nov.)
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Review by Kirkus Book Review
A sprawling yet strangely compact history of the years of rock's golden age.Austin-based music journalist Ward, co-host of the Let It Roll podcast, sets a daunting task: to say something new about the likes of the Beatles and the Rolling Stones, each of which fills libraries of criticism and biography. He answers by going deep here and there while painting a big picture view of the effect those groups had on the world, especially the United States. The Beatles appeared on the Ed Sullivan Show in February 1964. By 1965, writes the author, "guitar bands were erupting everywhere," a pack headed by the Byrds but made up of groups as various as the Lovin' Spoonful, the McCoys, the Bobby Fuller Four, and the bizarre Nightcrawlers, of "Little Black Egg" fame. The Brits captured the most attention during that time, but things were happening on plenty of peripheries: Memphis, for instance, where Otis Redding was working hard to develop an audience and write a hit, and American towns everywhere, where one-hit wonders were doing their thing. "Who were Pidgeon? Rhinoceros? Kak? The Serpent Power? The Wildflower? Zakary Thaks? The Harbinger Complex? Crow?" Ward asks, answering, no one and everyone, sometimes capable of producing songs and artists that would go on to make history, such as guitar wizard David Lindley and Captain Beefheart. Of course, the Stones and the Beatles figure prominently in the narrative, but so do whirlwinds of bands who sometimes turn up a dozen to the page in Ward's overstuffed narrative. As for the age-old question, Beatles or Stones? Ward delivers a nicely oblique answer: It depends on whether you like live or studio music. By the end of the book, which is full of interesting surprisese.g., it was Frank Sinatra's label that took a chance on Jimi Hendrixreaders will have encountered scores of bands they've never heard of and plenty of grist for the playlist.Essential for deep-dyed rock fans, collectors, and fans of literate music writing. Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
