Review by Booklist Review
Best known for In a Lonely Place, the quintessential postwar noir, Hughes also tinkered with other forms of crime fiction; here, in this 1945 novel, she tackles one of the genre's most rigid conventions: murder on a train. Forget the Orient Express and an all-seeing Poirot figure solving the unsolvable; Hughes upsets our expectations by having the victim, a famous Hollywood actress, Kitten Agnew, announce in the first chapter that she is afraid she will be killed before the cross-country train reaches New York. Not only that, but Kitten also tells us early on that her killer will be sexual predator and egomaniacal producer Viv Spender. Scattered among the first-class cabins are also Spender's loyal assistant, the starlet whom Spender sees as the successor to Kitty, an alcoholic war correspondent, a dissolute band leader, and a failed screenwriter. Hughes digs deeply into the inner lives of the group, finding darkness in every corner; and, while she is guilty of some overwriting in the many interior monologues, she brings something new and often slightly perverse to the table. Another fine addition to Otto Penzler's American Mystery Classics series.--Bill Ott Copyright 2019 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Cornell Woolrich meets Agatha Christie in this taut, grim reissue in the American Mystery Classics series, first published in 1945. The passengers on a claustrophobic train trip from Los Angeles to New York City are first viewed from the perspective of railroad porter James Cobbett, who briefly describes the principals before they come onstage. They include Viv Spender, a filthy rich movie mogul ("The Zeus of America's greatest industry!"); his secretary, Mike Dana; a honeymooning couple, the Crandalls; famous film star Kitten Agnew; and Gratia Shawn, a would-be Hollywood actress. Hughes (1904--1993) movingly evokes the quiet desperation of the characters, whose backstories she gradually reveals. In particular, Kitten fears that Viv is preparing to replace her as the lead in a film version of Mann's The Magic Mountain, and she suspects that he poisoned his wife. Deferring the identity of the inevitable murder victim heightens the suspense. Sarah Weinman (The Real Lolita) provides an insightful introduction. Fans of gritty crime fiction will be gratified. (Dec.)
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Review by Kirkus Book Review
A year after reprinting Hughes' first novel, The So Blue Marble (1940), Otto Penzler follows it with her eighth, a 1945 tale of murder feared and then executed aboard a long-distance train.Vivien Spender is a powerful enough producer/director to do whatever he wants, and what he's wanted for years is to find the perfect actress to play the enigmatic Clavdia Chauchat in his film adaptation of The Magic Mountain. Viv's fancies have alighted on one candidate after another even as his devotion to Thomas Mann's novel has remained constant. Kitten Agnew, a bona fide movie star, has convinced herself that she's vanquished the opposition and landed the part, but Viv's spotted a new Clavdia: Newfoundland librarian Gratia Shawn, whom he discovered while she was visiting Hollywood: "She couldn't act but he'd teach her that." He's offered Kitten $1 million to buy out her contract, but she refuses to sell because she thinks the damning evidence she's collected that Viv murdered his first wife puts her in the driver's seat. Now, as Kitten and Gratia share a compartment aboard the Super Chief speeding from Los Angeles to New York and carrying Viv and Mike Dana, the female assistant who's long been sweet on him, Kitten is terrified that once Viv realizes how legally indefensible his position is, he'll have no choice but to kill her as well. As the shadows lengthen and the sense of claustrophobia thickens, Hughes examines this combustible mixture from the viewpoints of violinist-turned-bandleader Les Augustin, failed screenwriter Sidney Pringle, alcoholic reporter Hank Cavanaugh, Pullman porter James Cobbett, and the principals, each of whom scrutinizes the others as both predators and potential prey. Murder will indeed strike, but it will do little to alter the pervasive sense of dread and doom.The perfect in-flight read. The only thing that's dated is the long-distance train. Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
