Superman smashes the Klan The graphic novel

Gene Luen Yang

Book - 2020

When Dr. Lee moves his family to Metropolis, his son Tommy adjusts to the new neighborhood while daugher Roberta feels out of place, so when the evil Klan of the Fiery Cross begins a string of terrorist attacks on the city, Superman fights them, and Roberta and Superman soon learn to embrace their own unique features that set them apart.

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COMIC/Superman
0 / 1 copies available
Location Call Number   Status
2nd Floor Comics COMIC/Superman Due Dec 26, 2024
Subjects
Genres
Superhero comics
Comics (Graphic works)
Graphic novels
Published
Burbank : DC Comics [2020]
Language
English
Corporate Author
Gurihiru
Main Author
Gene Luen Yang (author)
Corporate Author
Gurihiru (artist)
Other Authors
Janice Chiang (letterer)
Item Description
"Superman created by Jerry Siegel and Joe Shuster, by special arrangement with the Jerry Siegel family."
Physical Description
239 pages : chiefly color illustrations ; 22 cm
Audience
Ages 13+
Grades 10-12
HL400L
Bibliography
Includes bibliographical references.
ISBN
9781779504210
Contents unavailable.
Review by Booklist Review

Though inspired by a 74-year-old radio serial, this old-fashioned tale of derring-do still packs a hefty punch of contemporary social commentary. It's 1946, and when the Lee family moves from Chinatown into central Metropolis, they soon run afoul of the cross-burning Klan of the Fiery Kross. Luckily, the ever-intrepid siblings Roberta and Tommy Lee cross paths with none other than Jimmy Olsen and Lois Lane, which means Superman isn't far behind. This, however, is a Superman at the beginning of his career, still learning about his powers and, crucially, discovering that he himself is the quintessential American immigrant. Moving at the breakneck pace of a movie serial and filled with spunky kid protagonists and blistering punch-'em-ups, Yang's story feels like a slice of rollicking, old-time adventure. The layered handling of characters--particularly the quick-witted but uncertain Roberta Lee and the righteous-but-searching Superman--is as sophisticated as any of Yang's award-winning work. Likewise, his handling of racism is sharp with nuance, showing how it works on many levels, in many forms, and how it gets into the head of everyone, regardless of where they come from or what they look like. Gurihiru envisions the work in bold lines and striking angles that capture the energy and look of manga as much as classic Fleischer Superman cartoons.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

When the Chinese Lee family moves from Chinatown to the Metropolis suburbs in 1946, siblings Roberta and Tommy face overt and subtle racism as they settle into their new community. While Tommy joins a local baseball team and uses self-deprecating remarks to make friends (referring to his family as "wontons" to his white peers), Roberta struggles to fit in. Yang (Dragon Hoops) manifests racism variably and authentically--one of their father's colleagues implies that the family eats dog, and things escalate: the Klan of the Fiery Kross (a KKK analog "motivated by love--love of our nation") sets a cross ablaze in the Lees' front yard and threatens to drive the family away. Adapted from a 1940s radio drama, the story draws clear parallels between the Lee's Chinese family and Superman's interstellar one; as Superman discovers his heritage, he gives Roberta the confidence to embrace her identity. Japanese artist duo Gurihiru's style blends manga-esque features with a western approach, creating a hybrid aesthetic that captures Superman's larger-than-life presence and renders baseball as exciting as high-octane fare. Engaging back matter reveals helpful context about immigrant families in America (including Yang's own) and the history of white supremacy. Final art not seen by PW. Ages 12--up. (May)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

This adaptation of a story line from the 1940s The Adventures of Superman radio show opens in 1946, as Chinese American siblings Roberta Lee and brother Tommy move to Metropolis. They quickly befriend their next-door neighbor Jimmy Olsen, but not every resident of Metropolis is as welcoming, and Roberta's family soon find themselves targeted by the Klan of the Fiery Cross. After meeting Roberta and Tommy while investigating the Klan in his capacity as a reporter for the Daily Planet, Clark Kent realizes that an intervention by his alter ego Superman is in order, especially after a Klan leader undergoes a procedure to gain enhanced powers. Flashbacks to Superman's personal battle to overcome a sense of alienation as a teenager and discomfort at coming to terms with his alien heritage highlight the character's enduring appeal. VERDICT Yang and Gurihuru (Avatar: The Last Airbender--The Promise Omnibus) spin a thrilling and timely, all-ages adventure that explores the immigrant experience, bigotry, and internalized racism through a range of perspectives that includes an African American police inspector and a young Klan member forced to confront his family's legacy of hatred.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by School Library Journal Review

Gr 7 Up--In 1946, Superman and Metropolis face bigotry and self-doubt. As this Golden Age--era Superman questions his identity, the Chinese American Lee family encounters both microaggressions ("I've never met a Chinese before!") and outright hostility when they move to the Metropolis suburbs from nearby Chinatown. When the Ku Klux Klan burns a cross on the Lees' lawn, Superman (and alter ego Clark Kent) befriends the Lee children, Tommy and Roberta, and goes up against the KKK. This story explores cruelty, how children often inherit prejudiced beliefs from those they trust, and the profit motives behind organized hate groups. Yang draws startlingly perceptive parallels between the racism the Lees confront and Superman's fears that others will see him as an outsider if they learn he is really an extraterrestrial. Whether the Lee children and their friends are bickering and playing or standing up for one another and foiling KKK schemes, Gurihiru's bold cartoons are utterly expressive. Although the buff Superman fills the page testing his powers and knocking out a high-tech Nazi, his best moments are found in quieter interactions, such as when he (as Clark) gives his jacket to Roberta, or seeks his biological and adopted parents for support. Appended are historical photos and informative essays about the KKK; "The Clan of the Fiery Cross," a series of episodes from the 1940s Adventures of Superman radio show that inspired this tale; attitudes toward Chinese and Japanese immigrants; and African American enlistment. VERDICT Rarely does a rollicking superhero tale honor small-scale acts of heroism as much as this Superman story of community, conscience, and consequence. A must-have for all collections.--Thomas Maluck, Richland Library, SC

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Superman confronts racism and learns to accept himself with the help of new friends. In this graphic-novel adaptation of the 1940s storyline entitled "The Clan of the Fiery Cross" from The Adventures of Superman radio show, readers are reintroduced to the hero who regularly saves the day but is unsure of himself and his origins. The story also focuses on Roberta Lee, a young Chinese girl. She and her family have just moved from Chinatown to Metropolis proper, and mixed feelings abound. Jimmy Olsen, Lois Lane's colleague from the Daily Planet, takes a larger role here, befriending his new neighbors, the Lees. An altercation following racial slurs directed at Roberta's brother after he joins the local baseball team escalates into an act of terrorism by the Klan of the Fiery Kross. What starts off as a run-of-the-mill superhero story then becomes a nuanced and personal exploration of the immigrant experience and blatant and internalized racism. Other main characters are white, but black police inspector William Henderson fights his own battles against prejudice. Clean lines, less-saturated coloring, and character designs reminiscent of vintage comics help set the tone of this period piece while the varied panel cuts and action scenes give it a more modern sensibility. Cantonese dialogue is indicated through red speech bubbles; alien speech is in green. A clever and timely conversation on reclaiming identity and acknowledging one's full worth. (author's note, bibliography) (Graphic fiction. 13-adult) Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.