The Mutual Admiration Society How Dorothy L. Sayers and her Oxford circle remade the world for women

Historian Moulton examines the web of interconnection, support, and critique among mystery author Dorothy Sayers and her Oxford classmates. Though Sayers remains the best-known of the group dubbed the Mutual Admiration Society, its other members included Dorothy Rowe, a pioneer of amateur theater; Charis Frankenburg, a philanthropist, birth control advocate, and child-rearing expert; and Muriel St. Clare Byrne, a playwright and historian of everyday life in Elizabethan England. Each receives her due in this engrossing group biography, as Moulton mines letters, diaries, interviews, and published works to reveal the collaborations that aided Sayers and her friends in their professional growth throughout their lives. Without glossing over moral failures like racism or anti-Semitism, Moulton celebrates the efforts of her subjects to shape their changing world in ways that would offer women themselves included a wider range of creative, intellectual, and social possibilities. Whether sending condolences for lost loved ones, money for medical bills, or stringent critiques of the newest creative endeavor, Sayers and her friends were staunch and lifelong friends to each other. Moulton, with a keen eye for humorous detail and moments of humanity, deftly captures not only the lives of these women, but the enduring power of female friendship.--Jenny Hamilton Copyright 2019 Booklist

A group portrait of a celebrated crime writer and her Oxford friends.When Dorothy L. Sayers (1893-1957) arrived at Somerville College in 1912, women were second-class citizens, able to take classes but not earn degrees. Undaunted, the future novelist and other female students read their works in progress aloudwith "no false modesty or feminine shame"at meetings of a group that Sayers dubbed the Mutual Admiration Society. In this well-researched group biography, Moulton (History/Univ. of Birmingham; Ireland and the Irish in Interwar England, 2014) follows four pillars of the "society" as they challenged stereotypes of women throughout their lives: Muriel St. Clare Byrne, a distinguished historian and playwright; Charis Barnett Frankenburg, a birth control pioneer who wrote popular child-rearing manuals; Dorothea Hanbury Rowe, the co-founder of an influential amateur theater company; and Sayers, the author of the Lord Peter Wimsey detective stories. Dividing its focus among the women, the book shows how they helped one another as friends, intellectual sounding boards, and, in the case of Sayers and Byrne, collaborators on the play Busman's Honeymoon. The drawback to this approach is that Sayers was the star from the start, and a surfeit of prosaic details about her friends and their outliers makes for a slow-paced story, further encumbered with redundancies (most Wimsey novels are "enduring classics"), retrofitted jargon (the women risked "marginality within the gender politics of their era"), and unedifying exposition (Frankenburg found it "enormously stressful" to have three sons in uniform in World War II). Still, Moulton offers telling glimpses of Sayers, whether she's making a daring plan to hide her son born out of wedlock or exulting when her agent sells Whose Body? to Boni Liveright: "I am rich! I am famous!" Moulton also has a firm answer to the question of who inspired Lord Peter: "The early Wimsey is, above all, an idealized version of DLS herself, with bits and pieces of her experiences and her fantasies woven in to make a genuinely fictional character."Lord Peter Wimsey's creator upstages her companions as they blaze trails for women. Copyright Kirkus Reviews, used with permission.