Humiliation Stories

Paulina Flores, 1988-

Book - 2019

The nine mesmerizing stories in Humiliation, translated from the Spanish by Man Booker International Prize finalist Megan McDowell, present us with a Chile we seldom see in fiction: port cities marked by poverty and brimming with plans of rebellion; apartment buildings populated with dominant mothers and voyeuristic neighbors; library steps that lead students to literature, but also into encounters with other arts--those of seduction, self-delusion, sabotage. In these pages, a father walks through the scorching heat of Santiago's streets with his two daughters in tow. Jobless and ashamed, he takes them into a stranger's house, a place that will become the site of the greatest humiliation of his life. In an impoverished fishing tow...n, four teenage boys try to allay their boredom during an endless summer by translating lyrics from the Smiths into Spanish using a stolen dictionary. Their dreams of fame and glory twist into a plan to steal musical instruments from a church, an obsession that prevents one of them from anticipating a devastating ending. Meanwhile a young woman goes home with a charismatic man after finding his daughter wandering lost in a public place. She soon discovers, like so many characters in this book, that fortuitous encounters can be deceptions in disguise. Themes of pride, shame, and disgrace--small and large, personal and public--tie the stories in this collection together. Humiliation becomes revelation as we watch Paulina Flores's characters move from an age of innocence into a world of conflicting sensations."--Provided by publisher.

Saved in:

1st Floor Show me where

FICTION/Flores Paulina
1 / 1 copies available
Location Call Number   Status
1st Floor FICTION/Flores Paulina Checked In
Subjects
Genres
Short stories
Chilean fiction Translations into English
Published
New York : Catapult 2019.
Language
English
Spanish
Main Author
Paulina Flores, 1988- (author)
Other Authors
Megan McDowell (translator)
Physical Description
257 pages ; 21 cm
ISBN
9781948226240
Contents unavailable.
Review by Booklist Review

Chilean writer Flores' debut short story collection has garnered critical acclaim in its Spanish-language edition, winning several awards, including the Roberto Bolaño Prize. Now McDowell presents an agile translation. The nine stories feature broken, dysfunctional families in Santiago, Chile, during the 1990s when the Pinochet dictatorship continued to cast an oppressive shadow over the country. Flores depicts a lower-middle-class milieu of coastal cities, apartment buildings, and a library. The protagonists are mainly children confronting moments of lost innocence and the specter of change. A young girl accompanies her father on a hopeless job interview; a boy plots a heist with his childhood gang, and, in the final novella-length tale, Flores creates a clash between the narrator's point of view as a child versus her perspective as a grown woman who has discovered the true nature of adulthood and the barrier of social class. With conflicts personal and communal in a land in the grip of tyranny, Flores dramatizes difficult situations vividly specific and resonantly universal.--Sara Martinez Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Flores's strong debut collection provides an intimate look at characters in a Chile brimming with desperation and misfortune. The nine stories' settings range from ocean port cities to inner city projects. In each, readers see characters struggling with failures, job loss, divorce, missing parents, and poverty. In the title story, a father and his young daughters walk the streets as he desperately looks for work, only to end up humiliated when he arrives at what he thought was a job interview but is in fact a modeling agency interested in his daughters. In "Forgetting Freddy," a middle-aged woman wrestles with her failures as an adult: unable to manage a job due to depression and having been left by her long-term lover, she now lives with her mother and sees herself in the face of her mother, who was also abandoned by her partner. In even darker stories like "Talcahuano," a young boy runs wild with a gang, preparing to steal instruments from his local church. Instead, the night of the anticipated heist, he find a terrifying scene at home involving his father. With ever-changing narrative perspectives, Flores's intense stories are tied together with dark, palpable emotion, portraying characters trapped in circumstances beyond their control. This is a challenging, impressive collection. (Nov.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

Stories about lonely, disaffected people in contemporary Chile.The characters in Flores' debut collection are a lonely, motley bunch. They're isolated and poor; their families are dysfunctional; they yearn for something they can't always name. In "Lucky Me," Denise wants desperately to feel somethinganything. She'd lived an itinerant childhood, "and as she was living in shared rooms in other people's houses, the hope began gestating that when she finally found herself surrounded by her own things, she would feel something in her heart." But like many of the other characters, Denise is disappointed. Flores has won several prizes in her native Chile, and it's not hard to see why: Her prose (deftly translated by McDowell) is fluid and assured. But there's a sameness to these stories that can sometimes dip down into blandness. The narrators' voices are too similar; even as the characters differ in age, gender, and circumstance, each narrator sounds just like the last. Many of the tales feature children. In the title story, two young girls accompany their father to a job interview. In other stories, Flores seems to strive for a hard-edgedeven harshtone, but here, she borders on precious: "Simona was sure that her father loved her, but she could also tell that something was making him feel lonely, and that all the love she could give him didn't help." At other times, Flores runs into the opposite mistake. Trying to avoid sentimentality, she goes too far and misses out on real feeling.This collection marks the arrival of an interesting young writer, if not a fully developed one. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.