Memory craft Improve your memory with the most powerful methods in history

Lynne Kelly, 1951-

Book - 2019

Groundbreaking anthropologist and memory champion Lynne Kelly reveals how we can use ancient and traditional mnemonic methods to enhance and expand our memory.

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Subjects
Published
New York, NY : Pegasus Books, Ltd 2019.
Language
English
Main Author
Lynne Kelly, 1951- (author)
Edition
First Pegasus Books hardcover edition
Physical Description
xiv, 306 pages, 16 unnumbered pages of plates : illustrations (some color) ; 24 cm
Bibliography
Includes bibliographical references (pages 295-296) and index.
ISBN
9781643133249
  • List of figures
  • Introduction
  • What you'll learn
  • Why memorise?
  • Chapter 1. A medieval starting place
  • Medieval memory arts
  • Visual alphabets
  • My visual alphabet
  • Memorising anything, from a shopping list to a speech
  • Medieval bestiaries
  • My bestiary for memorising names
  • Chapter 2. Creating a memory palace
  • The first written record of memory palaces
  • Australian Aboriginal songlines
  • Creating a memory palace for the countries of the world
  • Memory palaces in history
  • The modern tale of Solomon Shereshevsky and Alexander Luria
  • Virtual memory palaces
  • Continuous memory palaces-my History Journey
  • Why absolutely everywhere needs a name
  • My History Journey
  • Mnemonic verses
  • Dominic's Rule of Five
  • Chapter 3. Stories, imagination and the way your brain works
  • Indigenous knowledge systems
  • Memory and the human brain
  • Exceptional memorisers are made, not born
  • Putting it all together-learning foreign languages
  • Learning French
  • Songs reworded
  • Memory palaces everywhere
  • Memorising vocabulary isn't enough
  • Online courses
  • A very different language: Chinese
  • Chinese and me
  • I chose my hook, the radicals
  • A final realisation
  • Chapter 4. Characters, characters everywhere
  • Maori ancestors
  • Introducing rapscallions
  • My cultural ancestors
  • Ancestors in the History Journey
  • The Dominic System for numbers
  • Characters in the stars
  • Chapter 5. Weired and wonderful portable memory aids
  • The lukasa of the Luba people
  • Encoding the birds
  • Adapting for change
  • Memory boards galore
  • Ceremonial cycle balls
  • Genealogies in wood
  • My genealogy staves
  • Objects acting on a tiny stage
  • The memory device that never leaves: your body
  • Astronomy in the palm of my hands
  • Wearing your memory aids as jewellery
  • Knot your strings into a personal khipu
  • Chapter 6. When art becomes writing
  • When and what was the first writing?
  • The start of the art-to-writing story
  • Tibetan mandalas as a memory palace
  • My mandalas for science and law
  • Are they mnemonic symbols or are they writing?
  • From art to writing in China
  • My narrative scroll: the story of timekeeping
  • From Sumer to the world
  • Lessons from Greco-Roman times
  • Chapter 7. Lessons from the Middle Ages
  • The art changes purpose
  • Medieval lesson 1. Make every part of your page look different
  • Medieval lesson 2. Add emotion to everything
  • Medieval lesson 3. Lay your information out in grids
  • Medieval lesson 4. Give character to abstract concepts
  • Medieval lesson 5. Break it down into small portions
  • Medieval lesson 6. Separate those short portions on the page
  • Medieval lesson 7. As always, use memory palaces
  • Medieval lesson 8. Meditate upon your memory palaces
  • Medieval lesson 9. Decorate your walls, but do it systematically
  • Medieval lesson 10. Leave room on your notes for additions
  • Medieval lesson 11. Add playful little drawings
  • My medieval manuscript on musical instruments
  • Memory treatises of the Renaissance
  • Chapter 8. Learning in school and throughout life
  • Permanent memory palaces for all students
  • Using the same memory palace for science and fine arts
  • Using song, stories and the wonderful rapscallions
  • Let's sing, dance and make musical memories
  • Memorising word for word
  • Memorising in mathematics
  • Memorising equations
  • So much to memorise: medicine and law
  • Chapter 9. Does memory have to decline when you age?
  • Is memory loss normal?
  • What is dementia?
  • Memory palaces and dementia
  • The power of music and memories
  • Prevention is better than a cure (which doesn't yet exist anyway)
  • Dementia and identity
  • A winter count for your life
  • Chapter 10. Memory athletes battle it out
  • The disciplines
  • Memorising a shuffled deck of cards
  • Adding an action and object to your person
  • A haunting fear of ghosts
  • Memorising numbers
  • Sidetracking to memorising pi
  • Memorising strings of 1 and 0
  • Fictional Dates
  • Names and Faces
  • Random Images
  • Random Words
  • The glamour event: Speed Cards
  • Australian Memory Champion, Anastasia Woolmer
  • The impact of training on concentration
  • Appendix A. Table of memory methods
  • Appendix B. Bestiary
  • Appendix C. Prehistory Journey
  • Appendix D. My chosen ancestors
  • Acknowledgements
  • About the author
  • Notes
  • Index
Review by Kirkus Book Review

An Australian "memory champion" offers some tricks of the trade.The human brain processes huge amounts of sensory data every day, only some of which gets lodged in it for future access. This can be a problem when trying to remember, say, the name of a personfor which reason cultures from around the world have developed memory-training regimens. "A highly trained memory was greatly admired in the classical Greco-Roman era," writes Kelly (The Memory Code: The Secrets of Stonehenge, Easter Island and Other Ancient Monuments, 2017). "Not only was it useful in politics and speech making, it was also a terrific way to show off." So it was that the Roman philosopher Seneca lined up 100 students, had each recite a line of poetry, and then repeated the lines in orderand then backward. Kelly examines the techniques employed to perform such prodigious feats, among them the "memory palace," a mental construct made up of rooms, pieces of furniture, and such that are then populated with facts and figures. The author writes that she has more than 1,000 such locationsand other memory experts have many more. Among the other techniques that she discusses are "visual alphabets in the shapes of animals and humans," narrative scrolls that develop character-rich stories to aid memory, ingenious mnemonic devices, memorizing long sequences of numbers by means of attaching sounds to them, and perhaps the most useful brain-as-muscle exercise by which one should review a piece of information five times over three months in order to move it into long-term memory. Kelly's book takes a gee-whiz approach to a scholarly body of literature that includes Frances Yates' classic books on Renaissance memory studies and recent works of neuroscience such as Daniel Levitin's The Organized Mind, but the narrative covers the ground well and entertains as it travels.Of benefit to anyone seeking to remember a scrap of information for more than a couple of minutes. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.