Review by Booklist Review
Chamberlain (The Dream Daughter, 2018) again weaves together the frayed threads of a story that reaches across time. In prison for a crime she didn't commit, Morgan Christopher is shocked to learn that she will be released if she agrees to restore a painting for a museum opening. Though her love of art never extended to restoration, she accepts the offer and is soon on her way to Edenton, North Carolina, to put life back into a mural created in the 1940s by Anna Dale. Morgan's narrative is interspersed with Anna's, the young artist who came to Edenton 60 years earlier to paint a mural for the post office and then disappeared with the mural in which she'd poured literal blood, sweat, and tears. When Morgan begins uncovering clues to Anna's secrets in the recovered mural, she discovers that a lot more than the painting links Edenton's past with its present. Chamberlain's writing is reminiscent of a quilt made up of pieces from different people, places, and times, stitched together into a single, emotional story.--Tracy Babiasz Copyright 2019 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
This rich novel from Chamberlain (The Silent Sister) tracks artists whose lives intertwine after a mural is commissioned for a small town. In 1939, 22-year-old New Jersey artist Anna Dale is in Edenton, N.C., having won a federal art contest and being chosen to paint a mural for Edenton's post office. The completed piece, however, is mysteriously never installed. In 2018, another 22-year-old artist, Morgan Christopher, is connected to the mural. Morgan has served a year in a North Carolina prison for a felony DUI, but she's released by a powerful private lawyer in order to restore Anna's damaged mural, which has been in storage. An artist and philanthropist, Jesse Jameson Williams, has died, and in his will, his adult daughter, Lisa, is instructed to ensure that Morgan restore the painting. Morgan doesn't understand how Williams knew of her, though she had admired his work for years. Single father Oliver Jones, another recipient of Williams's generosity and curator of Williams's gallery, uses his training in restoration to help Morgan. She's grateful for his help, and an attraction develops between them. Anna and Morgan's passion for their craft serves as an enticing connection as they work on the same project decades apart. Chamberlain's depictions of creative beauty and perseverance across time and in the face of inevitable obstacles will keep readers turning the pages. Agent: Susan Ginsberg, Writers House. (Jan.)
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
Chapters alternate in time and viewpoint, exploring the lives of two 22-year-old women. In 1940, New Jersey native Anna Dale wins a WPA contest to paint a mural for the Edenton, NC, post office and moves there temporarily. Dale endures unspeakable retribution because she invites young, Black, artistic Jesse Jameson Williams to help her in exchange for giving him art lessons. She disappears along with her creation. In 2018, Morgan Christopher is jailed for injuring a young woman while driving drunk. Lisa Williams visits Christopher and offers a deal--if she'll repair a badly damaged mural to honor Williams's deceased father, she'll be released on parole and get $50,000. Christopher uncovers oddities as she works and becomes curious about the missing artist. As she listens and observes, she pieces together a tragic story. Susan Bennett's narration enhances the well-drawn characters. Her delivery is superb: accent and class differences are flawlessly portrayed, and listeners will be impatient to learn what happens next. The conclusion is satisfying--and hopeful. VERDICT Recommend this movingly beautiful, uncommon, yet entirely believable story to patrons who enjoy historical and contemporary fiction set in the South.--Susan G. Baird, formerly with Oak Lawn P.L., IL
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
A tale of two artists, living 78 years apart in a small Southern town, and the third artist who links them.The fates of two white painters in Edenton, North Carolina, intertwine with the legacy of a third, that of Jesse Jameson Williams, a prominent African American artist with Edenton roots. In 2018, the recently deceased Jesse has left a very unusual will. In life, Jesse paid his success forward by helping underdog artists. Morgan Christopher, the last, posthumous recipient of Jesse's largesse, can't imagine why he chose her, a complete stranger who is doing time for an alcohol-related crash that left another driver paralyzed. Released on an early parole engineered by Jesse's daughter, Lisa, Morgan will receive $50,000 to restore a mural painted by one Anna Dale in 1940 in time for a gallery opening on Aug. 5, 2018. If Morgan misses this deadline, not only is her deal off, but Lisa will, due to a puzzling, thinly motivated condition of Jesse's will, lose her childhood home. In an alternating narrative, Anna, winner of a U.S. Treasury Department competition, has been sent from her native New Jersey to paint a mural for the Edenton post office. Anna has zero familiarity with the South, particularly with Jim Crow. She recognizes Jesse's exceptional talent and mentors him, to the ire of Edenton's white establishment. Martin Drapple, a local portraitist rejected in the competition, is at first a good sport, when he's sober, until, somewhat too suddenly, he's neither. Issues of addiction and mental illness are foremost in both past and present. Anna's late mother had manic episodes. Morgan's estranged parents are unrepentant boozers. And Anna's mural of civic pride is decidedly strange. One of the strengths here is the creditable depiction of the painter's process, in Anna's case, and the restorer's art, in Morgan's. Despite the fraught circumstances challenging all three painters, conflict is lacking. The 1940 racial tensions are unrealistically mild, and Jesse's testamentary testiness is not mined for its full stakes-raising potential.An engaging, well-researched, and sometimes thought-provoking art mystery. Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
