Cursed

Thomas Wheeler

Book - 2019

"Nimue grew up an outcast. Her connection to dark magic made her something to be feared in her Druid village, and that made her desperate to leave. . . . That is, until Red Paladins slaughter her entire village, and Nimue's fate is forever altered. Charged by her dying mother to reunite an ancient sword with a legendary sorcerer, Nimue is now her people's only hope"--

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Subjects
Genres
Fantasy fiction
Published
New York, New York : Simon & Schuster Books for Young Readers [2019]
Language
English
Main Author
Thomas Wheeler (author)
Other Authors
Frank Miller, 1957- (illustrator)
Edition
First edition
Item Description
"Soon to be a Netflix original series" -- sticker on jacket.
Physical Description
403 pages : illustrations (some color) ; 24 cm
Audience
HL810L
ISBN
9781534425347
9781534425330
Contents unavailable.
Review by Booklist Review

As Nimue's druid mother lies dying, she charges her daughter with delivering something to the mage Merlin. The package contains the fey-created Sword of Power, aka the Devil's Tooth, whose possession marks the One True King or queen in Nimue's case. Nimue, Arthur, Morgan, and their allies seek peace and a home for her people, but the Pendragon King Uther, among others, is intent on claiming the sword for himself, and Nimue knows the sword is both weapon and curse for those who own it. Straightforward storytelling, dotted with seemingly unintentional twenty-first-century idioms, helps Wheeler update the Arthurian Lady of the Lake legend for both print and planned Netflix series audiences. Fabled characters like Arthur and Morgan are presented as regular people, with few hints as to their future talents or abilities. Miller's artwork, some in black and white and some in color, which is reminiscent of his Xerxes series, is edgy and dark and welcomes a more diverse audience by referencing many ethnicities and cultures. This is a natural if less complex fit for fans of Game of Thrones.HIGH-DEMAND BACKSTORY: This collaboration by beloved comics-creator Miller and Empire series creator/producer Wheeler will be getting an extra promotional push from Netflix on top of royal treatment from the publisher.--Cindy Welch Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In this loose reimagining of the Arthurian mythos (companion to a forthcoming Netflix series), a teenage member of the Fey Kind becomes the epicenter of momentous events after she receives the fabled Sword of Power from her dying mother. Charged with taking the sword to the wizard Merlin, Nimue, oft judged for "the scars on her back," uses it instead to avenge and protect her people, who are being persecuted by religious zealots known as the Red Paladins. Along the way, she allies herself with roguish sell- sword Arthur and establishes herself as the figurehead of resistance against the Red Paladins and King Uther Pendragon's court. Wheeler (The Arcanum) retains names from the Arthurian stories but little else: Merlin is a magicless fraud, Sir Bors is a thug, and Lancelot and Percival are nigh unrecognizable. The story takes place in an anachronistic England in which Fey Kind and humans dwell in an ill-defined time period after the fall of Rome, and no attempt has been made toward historical accuracy or verisimilitude. Flat dialogue, gory combat scenes, and a sprawling plot will likely better suit the small screen. Stylized illustrations by comic book artist Miller punctuate the narrative. Ages 14--up. (Oct.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review

Gr 9 Up--England was a land of warriors and kings, but it was also home to the fey--elusive, intelligent beings who had inhabited the green isles long before mankind settled there. Sadly, human beings tend not to assimilate well, and this novel opens with warfare as humans, egged on by the church, drive the fey from their homes and execute them in increasingly gruesome and merciless ways. When Nimue's village is destroyed and her people murdered, she wanders the land until she comes across the Sword in a pond of water. Nearly alone in the world, she avenges and protects her people as best she can. All the heroes of the Arthurian tales are represented in this novel as they were before they became the legends we are familiar with today. Arthur is a teenager, abused by his uncle. Merlin is a drunk, ridiculed by king and court. But together they just may become legendary. The flaws, fears, and failures of all-too-human characters will endear readers to those who will one day become heroes. VERDICT Illustrator Miller is best known for his work in graphic novels, comics, and film. This dramatic retelling of the Arthurian legend has been picked up to be a Netflix original series, heightening reader interest.--Jane Henriksen Baird, formerly at Anchorage Public Library, AK

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Cursed ONE FROM HER HIDING PLACE IN the straw pile and through eyes filled with tears, Nimue thought Father Carden looked like a spirit of light. It was how he stood, back to the bleached sun, and the way the clouds poured under his draping sleeves and upraised palms, like a man standing on the sky. His trembling voice rose above the din of bleating goats, crackling wood, screaming infants, and wailing mothers. "God is love. It is a love that purifies, a love that sanctifies, a love that unites us." Carden's pale blue eyes passed over the piteous, howling mob, prostrated in the mud, barricaded by monks in red robes. "And God sees," Carden continued, "and today he smiles. Because we have done His work today. We have washed ourselves clean with God's love. We have seared away the rotten flesh." The clouds of smoke billowing around Carden's arms and legs swirled with flakes of red ash. Spit flecked his lips. "Sawed away the corruption of demonism. Expelled the blackened humors from this land. God smiles today!" As Carden lowered his arms, his draping sleeves dropped away like curtains, revealing an inferno of thirty burning crosses in the field behind him. The crucified were hard to see in the thick black smoke. Biette, a sturdy block of a woman and mother of four, rose up like a wounded bear and hobbled on her knees toward Carden before one of the tonsured monks in red stepped forward, planted his boot between her shoulder blades and kicked her face-first into the mud. And there Biette stayed, groaning into the wet earth. Nimue's ears had been ringing since she and Pym rode into the village on Dusk Lady and saw the first dead body on the trail. They thought it might've been Mikkel, the tanner's boy, who grew orchids for the May rituals, but his head had been crushed by something heavy. They could not even stop to check, for the entire village was on fire and Red Paladins swarmed, their billowing robes dancing with the flames. On the fallow hill, a half-dozen village elders were already burning to death on hastily erected crosses. Pym's screams had seemed far away to Nimue as her mind went white. Everywhere she looked, she saw her people being choked in the mud or torn from their homes. Two paladins dragged old Betsy by her flailing arms and hair through her pen of geese. The birds squawked and fluttered in the air, adding to the surreal chaos. Shortly thereafter, Nimue and Pym were separated, and Nimue took shelter in the straw pile, where she held her breath as monks stomped past her carrying blanket bundles of confiscated goods. They unfurled the blankets on the floor of the open wagon where Carden stood, spilling the contents around his feet. The priest looked down and nodded, expecting this: roots of yew and alder, wooden figurines of elder gods, totems, and animal bones. Carden sighed patiently. "God sees, my friends. He sees these instruments of demonic conjuring. You cannot hide from Him. He shall dredge this poison out. And shielding others like you will only prolong your suffering." Father Carden brushed ashes from his gray tunic. "My Red Paladins are eager for your confessions. For your sakes, offer them freely, for my brothers are deft with the tools of inquisition." The Red Paladins waded into the mob to single out targets for torture. Nimue watched as family and friends clawed over one another to avoid the paladins' reach. There were more screams as children were pried from their mothers' grips. Unmoved, Father Carden stepped down from the wagon and crossed the muddy road to a tall and broad-shouldered monk in gray. His cheeks were lean beneath his cowl, and strange black birthmarks were blotted around his eyes and ran down his face like streaming tears of ink. Nimue could not hear their words for the shouting around her, but Carden rested a hand on the monk's shoulder, like a father, and pulled him into a whisper. Head bowed, the monk nodded several times in response to Carden's words. Carden gestured to the Iron Wood; the monk nodded a final time, then climbed onto his white courser. Nimue turned to the Iron Wood and saw ten-year-old Squirrel standing in the monk's path, bewildered, blood dribbling down his cheek as he dragged a sword behind him. At this, Nimue burst from the straw pile and charged at Squirrel. She heard the Gray Monk's hoofbeats getting louder behind her. "Nimue!" Squirrel reached for her, and she yanked him against the wall of a hut as the monk thundered past. "I can't find Papa!" Squirrel cried. "Squirrel, listen to me. Go to the hollow in the ash tree and hide there until it's night. Do you understand?" Squirrel tried to pull away from her. "Papa!" Nimue shook him. "Squirrel! Run now. As fast as you can. Are you listening!" Nimue was shouting into his face. Squirrel nodded. "Be a brave one. Run like you do in our fox races. No one can catch you." "No one," Squirrel whispered, summoning the courage. "You're the fastest of us all." Nimue swallowed back tears, for she did not want to let him go. "You'll come?" Squirrel pleaded. "I will," Nimue promised, "but first I have to find Pym and Mother and your father." "I saw your mother near the temple." Squirrel hesitated. "They were chasing her." Ice coursed through Nimue's veins at this news. She shot a look to the temple at the top of the rise. Then she turned back to Squirrel. "Fast as the fox," she commanded. "Fast as the fox," Squirrel repeated, tensing as he shot furtive glances left and right. The nearest paladins were too occupied with the beating of a resisting farmer to notice them. So without a look back, Squirrel shot across the pasture for the Iron Wood. Nimue lunged into the road and ran for the temple. She slid and fell in the mud dredged up from horses and blood. As she climbed to her feet, a horseman suddenly swung around from one of the burning huts. Nimue barely saw the ball of iron whip around on its chain. She tried to turn away, but it caught her at the base of her skull with such force it sent her nearly airborne into a pile of firewood. The world unglued as stars burst behind Nimue's eyes and she felt warm liquid stream down her neck and back. Splayed out on the ground, firewood all around her, Nimue saw a longbow snapped in two pieces beside her. The broken bow. The fawn. The council. Hawksbridge. Arthur. It seemed impossible that only a day had passed. And as she lost consciousness, one thought left her choking with dread: this was all her fault. Excerpted from Cursed by Thomas Wheeler All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.