Pity the reader On writing with style

Kurt Vonnegut

Book - 2019

"Here is an entirely new side of Kurt Vonnegut, Vonnegut as a teacher of writing. Of course he's given us glimpses before, with aphorisms and short essays and articles and in his speeches. But never before has an entire book been devoted to Kurt Vonnegut the teacher. Here is pretty much everything Vonnegut ever said or wrote having to do with the writing art and craft, altogether a healing, a nourishing expedition. McConnell has outfitted us for the journey, and in these 37 chapters covers the waterfront of how one American writer brought himself to the pinnacle of the writing art, and we can all benefit as a result. Kurt Vonnegut was one of the few grandmasters of American literature, whose novels continue to influence new genera...tions about the ways in which our imaginations can help us to live. Few aspects of his contribution have not been plumbed--fourteen novels, collections of his speeches, his essays, his letters, his plays--so this fresh view of him, written by a former student, is a bonanza for writers and readers and Vonnegut fans everywhere"--

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Subjects
Published
New York : Seven Stories Press [2019]
Language
English
Main Author
Kurt Vonnegut (author)
Other Authors
Suzanne McConnell (author)
Edition
A Seven Stories Press first edition
Physical Description
xii, 418 pages : illustrations ; 24 cm
Bibliography
Includes bibliographical references (pages 393-399).
ISBN
9781609809621
  • Introduction
  • Chapter 1. Advice for Everyone on Writing Anything
  • Chapter 2. About Writing Fiction
  • Chapter 3. The Prime Mover
  • Chapter 4. Detouring Forward
  • Chapter 5. Dead Ahead
  • Chapter 6. Breakthrough
  • Chapter 7. Fear of Finding a Worthy Subject or A Dearth of Death
  • Chapter 8. The Last Word on the Prime Mover or Fear Not
  • Chapter 9. Soul Growth
  • Chapter 10. Sanctuary
  • Chapter 11. What Makes Great Art or Art and Soul
  • Chapter 12. Agents of Change
  • Chapter 13. Writers as Teachers or The Noblest Profession
  • Chapter 14. Vonnegut in Class
  • Chapter 15. Heft and Comfort
  • Chapter 16. Talent
  • Chapter 17. Diligence
  • Chapter 18. Pitfalls
  • Chapter 19. Methodologism
  • Chapter 20. Materializations
  • Chapter 21. Propagation
  • Chapter 22. Regeneration
  • Chapter 23. The Mother of All Pearls
  • Chapter 24. Beginnings
  • Chapter 25. Plot
  • Chapter 26. Character
  • Chapter 27. Prose, the Audial
  • Chapter 28. Prose, the Visual
  • Chapter 29. The Joke Biz
  • Chapter 30. Black Humor
  • Chapter 31. Much Better Stories: Re-vision and Revision
  • Chapter 32. Eeny-Meeny-Miny-Moe or Choice
  • Chapter 33. Making a Living
  • Chapter 34. Caring for Your Piece in the Game
  • Chapter 35. Farting Around in Life and Art
  • Chapter 36. Love, Marriage, and Baby Carriage
  • Chapter 37. Better Together or Community
  • Acknowledgments
  • Permissions
  • Bibliography
  • Notes
Review by Kirkus Book Review

Seminal views and guidance on writing from Kurt Vonnegut Jr., freely annotated by a former workshop student.Vonnegut is best remembered for his novels such as Cat's Cradle and Slaughterhouse-Five. However, during a career that spanned more than five decades, he also published several autobiographical essay collections, and much of this writing referenced the writing craft. In this latest posthumous work, a project that was commissioned by the Vonnegut Trust, McConnella former Vonnegut student at the Iowa Writers' Workshop and currently a writing instructor and authorhas drawn from a hefty assortment of Vonnegut's writing, including letters, essays, speeches, and lectures, to structure her thematic chapters around Vonnegut's views on the inspiration, mechanics, and profession of writing. Taken together, the chapters paint an expansive portrait of Vonnegut's life and career, with examples of how personal experiences often directly contributed to his work. A profound example was his experience as a prisoner of war during the World War II firebombing of Dresden, which he brilliantly recounted in Slaughterhouse-Five. "That event, and others, fueled his writing and shaped his views," writes McConnell. "(It did not, however, as is often assumed, initiate it. He was already headed in the direction of being a writer when he enlisted.)" Though much of his writing is served up as fragmented bits to support the choppy narrative, for the most part Vonnegut's practical advice and acerbic humor remain richly articulated. He stresses the need to be entirely passionate about whatever the subject matter is and to bring as much clarity to the writing as possible, which is accomplished mainly through extensive revisions. The downside of McConnell's approach is that too often her own voice intrudes on Vonnegut's lessons. In fact, her writing comprises nearly half of the book, and with frequent references to her own opinions on writing and teaching, she stretches her role beyond what would seem appropriate for such an annotated collection.An uneven assemblage of memoir and writing advice that will interest devoted readers of Vonnegut's work. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.