Dear girls Intimate tales, untold secrets, and advice for living your best life

Ali Wong

Book - 2019

"In her hit Netflix comedy special Baby Cobra, an eight-month pregnant Ali Wong resonated so heavily that she became a popular Halloween costume. Wong told the world her remarkably unfiltered thoughts on marriage, sex, Asian culture, working women, and why you never see new mom comics on stage but you sure see plenty of new dads. The sharp insights and humor are even more personal in this completely original collection. She shares the wisdom she's learned from a life in comedy and reveals stories from her life off stage, including the brutal singles life in New York (i.e. the inevitable confrontation with erectile dysfunction), reconnecting with her roots (and drinking snake blood) in Vietnam, tales of being a wild child growing u...p in San Francisco, and parenting war stories. Though addressed to her daughters, Ali Wong's letters are absurdly funny, surprisingly moving, and enlightening (and disgusting) for all"--

Saved in:

2nd Floor Show me where

792.23092/Wong
2 / 3 copies available
Location Call Number   Status
2nd Floor 792.23092/Wong Checked In
2nd Floor 792.23092/Wong Due Apr 27, 2024
2nd Floor 792.23092/Wong Checked In
Subjects
Genres
Autobiographies
Humor
Published
New York : Random House 2019.
Language
English
Main Author
Ali Wong (author)
Edition
First edition
Physical Description
xiii, 216 pages ; 22 cm
ISBN
9780525508830
Contents unavailable.
Review by Booklist Review

Comedian, writer, and actress Wong's first book is a series of letters to her two daughters, who are currently toddlers. Luckily, the frame works well even for readers who don't happen to be Wong's daughters which, considering the girls' ages (and perhaps the unfiltered approach), will mean all readers for the foreseeable future. The letters address subjects like growing up as the much-younger sister of three older siblings, studying abroad, dating, working in comedy, getting married, and raising kids. Readers can expect both genuine LOLs and some pretty intimate truths, like the miscarriage Wong experienced, the prenup agreement that made her determined to keep pursuing her dreams, and the question she wishes people would stop asking. Wong has a lot of respect for failure, and thinks she was able to weather plenty of it because her family taught her to be ""refreshingly rude and honest,"" and ""humorlessly roasted"" her. A touching afterword from Wong's husband adds another dimension and shares honest advice for navigating life with a famous, funny mom.--Annie Bostrom Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Kirkus Book Review

The comedian, actor, and writer distills years of advice into letters to her daughters.In her first book, Wongwhose Netflix stand-up specials, Hard Knock Wife and Baby Cobra, earned her a massive followingdetails how she met her husband; pregnancy, childbirth, and the messy chaos of parenting; New York during her early stand-up career, when bombing on stage honed her talents; her Vietnamese/Chinese upbringing; time at UCLA; and study abroad in Hanoi. Throughout these topical letters, her trademark candor is equal parts crass about sex, tender about her family's sacrifices, and sober about miscarriage, among other pains. A few letters are composed as lighthearted lists, including how to host a cheaper wedding: "Buy your dress on eBay," and "Get your hair done at a blow-out bar." On spotting authentic Asian restaurants, she writes, "Ninety-nine percent of the clientele should be Asian." The author's accounts of her initial forays into the comedy business and brushes with famous people add color and demonstrate the necessity of hard work, but it's behind-the-scenes memories of Wong's past that stand out for their pointed depiction of a Bay Area immigrant family. Her mother's unsentimental love, which the author grew to understand after visiting Vietnam herself, is palpable. Wong also lays bare her young adult years, rife with dating disasters, with amusing self-mockery. Digressions on womanhood are refreshing in their nuances, and pride mixes with conviction in the power of expanding comedy beyond an Asian audience. An afterword by Wong's husband gives insight on what it's like to fuel someone else's jokes. Under the raunchy writingmuch of which repeats the highlights of Wong's actthere's familiar, reassuring optimism. About her mother, she writes, "she did her best to make me tough.She will always be there for me." Wong brings the same dedication here, where mistakes inspire wisecracking wisdom.A down-to-earth collection that is raw but not irreverent. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Chapter 1 How I Trapped Your Father Dear Girls, Your dad is the (if we are divorced by the time you read this, please skip to the next sentence) best, but I didn't just find him overnight. In the fall of 2009, I had been living in NYC for a year and had been unlucky when it came to love and casual sex. Well, let's just get right to it: I dated a series of men who had issues getting it up. It felt like a curse. Five guys in a row lost their boners in the middle of getting busy. Part of me blamed the Raynaud's disease, a condition that was passed on to me by my father. I have extremely poor circulation to my hands and feet, to the point where in the cold, they will turn blue and feel like pain icicles. So, especially in the New York fall or wintertime, my bare hands, much like the hands of Rogue from the X-Men, could suck the life out of a man's erect penis. After the first two guys that I hooked up with in NYC went soft on me, I grew extremely self-conscious of my White Walker fingers. By the third time I started making out with a new guy, I made sure to simultaneously warm my hands up by furiously rubbing them together and breathing into them like a homeless character in a theater production, next to a papier mâché trash-can fire. I felt very good about this new method and used it on a man that I met through comedy friends at a bar. He lived in Coney Island. At the time, I was staying in SoHo, so he might as well have lived in Pyongyang. It took an hour and a half to get to his place by train, but it felt like three because we were both so horny. He was extremely stupid. I know I've confessed that I'm no genius, but this guy had a lower back tattoo of Chinese characters, didn't know who Abraham Lincoln was (this is for real), and couldn't stop talking about how The Crow was the greatest movie ever made (it's good, however Clueless is a masterpiece). But I hadn't gotten successfully laid in so long and was very eager to flex my new technique, so I made my way to Trash Island. I'd thought the whole point of living far away in an outer borough was to afford yourself a nicer apartment with more space. This dude did have a queen-sized, four-poster bed, but . . . ​not in a good way. It was old and dusty and made me feel less like Elizabeth Bennet in Pride and Prejudice, and more like that weird sick kid in The Secret Garden who sleeps in a tunic and is allergic to the sun. He passionately threw me onto the bed, but a sudden, deafening bed creak rendered the mood DOA. I would've believed him if he'd told me that a hundred people over the past two centuries had spent their final days dying of scurvy in this rickety, termite-infested bed. His place was a shithole. But traveling to Coney Island is the New York subway ride equivalent of hiking Machu Picchu, and I'd reached the summit so I couldn't back down now. On the train, boat, and all the way up until I grabbed his penis, I had been consistently rubbing my hands together to keep the blood flowing. And he stayed hard. My method was sound! We were ready to move to the next level and I was finally going to pork a man I met at a bar like those bitches did in Sex and the City. But as soon as he made first contact with my vagina--which Raynaud's does not affect--his boner melted into a wet Cheeto. A total and oppressive silence filled the room. He didn't even apologize, offer to eat me out, or make me a sandwich, which I felt was quite rude. I wanted to go home, but I was too poor to take a cab back and it was way too late and unsafe to take the train by myself all the way back to SoHo. So I slept in this stranger's haunted Victorian bed for the rest of the night and left before I could learn his last name or get attacked by a ghost in a frilled puffy dress. Sex and the City had promised me much more exciting casual sex in New York City. Before moving there, I was looking forward to spending the night in an art gallery curator's loft. Maybe his name was Demetri and he would make me post-coital French press coffee and poached eggs before I had to catch a taxi, in the same Vivienne Westwood dress and Manolo Blahnik heels from the night before, to my very important advertising job. Maybe Demetri was GREAT at eating ass and I would learn later at brunch with my sassy girlfriends that Demetri had, in fact, a reputation for being great at eating ass. Maybe he was known amongst power New York women as "the mASSter." Maybe eventually the relationship would peter out because he was too good at eating ass and my ass would get raw and I would get sick of this one-trick pony. I would try to do missionary with him and then he'd just turn me over, move his head down my butt, and then I'd think, All this f***ing dude does is eat ass. And from that experience I would create the perfect slogan for the new "Yelp for Single Men" campaign and my advertising agency would make me executive girl boss president person! Except I never got to sleep with anyone who earned more than fifteen dollars per hour during that first year in NYC. I'd consider myself a princess if any of the men owned a bed frame (even if it was full of bedbugs in powdered wigs). They never took me out on a date and all of them had roommates. That's what happens when you spontaneously go home with a fellow struggling stand-up comic or, even worse, an improviser. (Please always say "f*** no" to those "yes and" motherf***ers.) At the time, I didn't require or need to be taken out to dinner. But after five consecutive pudding penises, I began to want to get to know a man a little more before taking a chance on his performance abilities. There was a lot on the line: I would have taken a sixth soft dick as a sign to give up my worldly possessions, shave my head, and make Buddha my husband. What I really wanted was a boyfriend. The single life in New York was not just disappointing, it was lonely. Of course there's a ton of cool stuff to do there, but I got sick of seeing the latest MoMA exhibit by myself, eating delicious thin crust pizza by myself, and watching a homeless man argue with pigeons by myself. On my first birthday in New York, I did three five-minute, unpaid sets. One in Bushwick, one on the Upper West Side, and the last in the Lower East Side. I told nobody it was my birthday. I didn't want people to feel bad for me, and I didn't want to acknowledge, even to myself, that this was what I was actually doing on my birthday, because I would have cried. I had already spent two of my post-college years backpacking through Asia solo, so I felt like I'd earned my Cheryl Strayed self-reflection-journey points and was ready for meaningful, caring companionship. I also craved a steady sexual partner, who knew all of my spots and gained a dedicated arsenal of no-fail moves, like pouring Fun Dip into my pussy and then going to town with that little sugar spoon, or sticking a wet thumb up my ass when I announce that I'm gonna cum, which, in my experience, works wonders on men as well. It's a bi-effective move that's rock-solid. Is "bi-effective" a word? Please look it up and let me know, I refuse to google anything for these letters. It was exhausting, trying to train all of these new men who couldn't stay hard. And I got tired of masturbating in my NYC loft, quietly and sans vibrator so as to not disturb my sixty-seven-year-old Russian landlady-roommate. The low rent she charged allowed me to be one of the only struggling stand-ups who could afford to live in Manhattan, and I wasn't about to f*** it up with some loud-ass vibrator just because I was too impatient to masturbate Amish-style. In the fall of 2009, my old high school friend Abby Goldberg invited me to her wedding. At the time, I was twenty-seven years old and she was my very first friend to get married. Her grandfather co-ran a major felt company. Yes, that's what we mean when we say white people are beginning from a different starting line than everyone else. No matter how hard you study or work, you cannot compete with someone when their grandparents manufactured motherf***ing felt, a material so iconic that even you two girls could recognize it by the age of one. Your Mickey Mouse ears wouldn't exist without Abby's family. It had never occurred to me that someone even could invent felt; I must have subconsciously decided that, like a pen or a paper clip, it just occurs naturally. The two-hundred-fifty-plus-guest Jewish wedding at a Napa vineyard was the most lavish matrimony I had ever been to. Most of the weddings I have attended since have a three-hour time limit on the free alcohol. The bat signal goes out to the guests that the open bar is about to close, and people savagely race to the bar, like those shitty-ass buffalos who trampled all over Mufasa in The Lion King, to get their last glass of complimentary booze to hold them over for the rest of the evening. This wedding had an open bar starting before the ceremony, well after the dinner, and the cocktails had all sorts of delicious, fresh-squeezed peach juices and tasted like decorative pillows from Anthropologie. The guests consisted mostly of Jewish people. So right away, I took notice of the only other Asian person at the wedding: your father. Excerpted from Dear Girls: Intimate Tales, Untold Secrets, and Advice for Living Your Best Life by Ali Wong All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.