The big book of classic fantasy The ultimate collection

Review by Publisher's Weekly Review

The VanderMeers (The Big Book of Science Fiction) compile an impressive cross-section of early fantasy in this fascinating anthology of 90 stories. They limit their selections to pieces appearing from the early 1800s to WWII and define fantasy broadly to encompass stories where the unreal intrudes into the real without primarily causing fear. Familiar stories, including Washington Irving's "Rip Van Winkle" and Franz Kafka's "The Metamorphosis," appear alongside more obscure ones, such as Der Nister's "At the Border," a Yiddish story with strong Jewish mystical elements. Readers may be surprised to see fantasy works from authors known for more realist fiction, including Louisa May Alcott, Willa Cather, E.M. Forster, and Rabindranath Tagore. W.B. Laughead's original Paul Bunyan tales share space with Native American coyote folktales retold by Mourning Dove; Asia is represented by works such as Edogawa Ranpo's disappearing-person mystery "The Man Traveling with the Brocade Portrait" and an excerpt from Lao She's Cat Country; and there are numerous stories from the rest of the world. Though clearly meant more for academic use than for cover-to-cover pleasure-reading, this sweeping panorama of fantasy is a must-have for those interested in the roots of modern fantasy, and it gives a welcome introduction to many unexpected delights. Agent: Sally Harding, CookeMcDermid. (July) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

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Review by Kirkus Book Review

The VanderMeers follow up The Big Book of Science Fiction (2016) with this counterpart anthology focusing on "classic" fantasy.Ninety stories are selected to represent the roots of genre fantasy, from the 1800s to World War II. Familiar names such as J.R.R. Tolkien, Lord Dunsany, Robert E. Howard, and E. Nesbit are present, but so are authors not primarily remembered in literature as fantasistsFranz Kafka, Vladimir Nabokov, Herman Melville, Willa Cather, Zora Neale Hurston, W.E.B. Du Bois, and others. As in the SF anthology, stories never before translated into English have been included, such as Aleksandr Grin's "The Ratcatcher," Der Nister's "At the Border," and others. That said, the majority of the stories come from Europe or Americathe few contributions from other parts of the world seem more a dash of seasoning to avoid homogeneity than indicative of a truly diverse spread. Some stories are more recognizable as fantasy to the modern reader, some less so (Paul Scheerbart's "Dance of the Comets" barely reads as a narrative; Melville's "The Tartarus of the Maids" contains nothing fantastical that could not be read as the narrator's own pitying-but-skewed perceptions; and Nikolai Gogol's "The Nose" is a cynical fable more absurdist than fantastic). Highlights include the wry observational humor of Stella Benson's "Magic Comes to a Committee," the meticulous creepiness of Edogawa Ranpo's "The Man Traveling With the Brocade Portrait," and G.K. Chesterton's unsettling "The Angry Street: A Bad Dream." Like its SF counterpart, this dense and exhaustive collection would serve as an admirable survey course for the genrethough some stories feel included out of just such a didactic sensibility.Dozens upon dozens of seminal fantasy stories, some well-known and others delightfully rescued from obscurity. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

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