Review by Publisher's Weekly Review
The final decades of struggle against Portuguese colonialism in Brazil are retold in this sweeping, monumental graphic novel, which follows slaves who have escaped sugar plantations as they form thriving villages deep in the unfriendly jungle. Eisner winner D'Salete focuses on several characters-particularly Zumbi, the leader of Macaco, a large village in a region known as Angola Janga-with key scenes widening the narrative scope, such as a blockbuster-worthy battle between ruthless bounty hunters and fugitives. Backstories reveal the depths of inherited dehumanization: Zumbi runs from a relatively safe position, after white boys taunt him with a manacle and he maims one of them; while warrior Soares attacks the heir to the plantation he works after being denied promised emancipation, and then flees. As the communities establish self-governance, broken promises lead to repeated dashed hopes, as when Zona, adviser to Zumbi, turns informant, believing a shifty governor's peace offer. Subplots about colonizers and colonized alike bring to life history rife with messy contradictions, such as a scene where the motherly Curiva tries to stamp out the optimism clung to by the young Dara, only to be dumbfounded when it leads to freedom. The stark, handsome art is rendered in heavily shaded linework, which recalls woodcuts, with wordless sections reminiscent of Flood! by Eric Drooker. D'Salate's bold, often bloody, action-filled scenes combine to form a magnificent history of resistance. (June) © Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
Brazil's east coast, 1600--1740. Portugal establishes sugarcane plantations and buys millions of enslaved Africans as labor. But during the temporary Dutch occupation, many escape to hidden fugitive communities known as mocambos. Angola Janga, also called Palmares, is a group of mocambos that the Portuguese aim to destroy despite heroic escapee resistance. With moody, heavily shaded black linework, D'Salete dramatizes the harrowing struggle by focusing on individual Africans and Portuguese, some characters based on real people.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.