Bullets and opium Real-life stories of China after the Tiananmen Square Massacre

Yiwu Liao, 1958-

Book - 2019

"From the award-winning poet, dissident, and "one of the most original and remarkable Chinese writers of our time" (Philip Gourevitch) comes a raw, evocative, and unforgettable look at the Tiananmen Square massacre through the eyes of those who were there."--Provided by publisher.

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Subjects
Genres
Personal narratives
Biographies
Published
New York : Atria Books 2019.
Language
English
German
Chinese
Main Author
Yiwu Liao, 1958- (author)
Other Authors
David Cowhig (translator), Jessie Cowhig, Ross Perlin
Edition
First Atria books hardcover edition
Item Description
"Originally published: Die Kugel und das Opium : Leben und Tod am Platz des Himmlischen Friedens. Germany : Fischer, 2012.
Physical Description
312 pages ; 24 cm
Bibliography
Includes bibliographical references and index.
ISBN
9781982126643
  • Introduction
  • Prologue: "All You Want Is Money! All I Want Is Revolution!"
  • Part 1. Beijing
  • The Performance Artist
  • The Massacre Painter
  • The Idealist
  • The Arsonists
  • The Captain
  • The Squad Leader
  • The Street Fighter
  • The Hooligan
  • The Prisoner of Conscience
  • Part II. Sichuan
  • The Animal Tamer
  • The Accomplice
  • The Poet
  • The Prisoners
  • The Author
  • Afterword: The Last Moments of Liu Xiaobo
  • Appendix 1. A Guide to What Really Happened
  • Appendix 2. List of 202 People Killed in the Massacre
  • Appendix 3. List of 49 People Wounded or Disabled in the Massacre
Review by Publisher's Weekly Review

Describing himself as a "remembrance worker," former political prisoner and poet Liao compiled this album of harrowing interviews of fellow protesters to mark the 30th anniversary of the Tiananmen Square massacre. On June 4, 1989, Communist Chinese troops murdered and injured thousands of demonstrators to quash the budding pro democracy movement. Upon reciting his poem about Tiananmen Square in 1990, the author was imprisoned and tortured for four years. Following his release, he eked out a living until 2011, when he escaped and settled in Germany. Part I includes nine profiles of "working-class people and peasants" present at the square in Beijing on June 4, who recall the exhilaration of the demonstrations ("it felt like we were celebrating a holiday") and then the carnage, with "pools of blood everywhere." Some recount prison experiences similar to Liao's. Part II, titled "Sichuan," for Liao's native province, includes a sardonic self-description as the only "writer in China who writes exclusively for the police" because of the surveillance he has been under. The dark tone reflects the author's struggle to come to terms with his history of displacement and witness by honoring those who perished. Liao succeeds in sharing the mental and physical damage protesters of his generation endured . (May)

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Review by Library Journal Review

Beginning in April 1989, thousands protested for democratic reforms in Beijing's Tiananmen Square. On June 4, the Chinese People's Liberation Army violently crushed this protest. A year later, musician and poet Liao (For a Song and a Hundred Songs) was arrested and spent four years in prison for composing a poem about the massacre. After being released from prison, Liao began the dangerous task of collecting the stories of those who participated in the protests, the result of which is this book. Much of the media coverage and subsequent writings focus on the college student protest leaders, many of whom fled China as soon as possible. However, this work concentrates on the working-class participants unable to leave. These touching and challenging stories shed light on an event that the Chinese government works hard to suppress. Their value is enhanced by the inclusion of an afterword about the final days of writer Liu Xiaobo's life, and appendixes with biographical information on 202 people killed and 49 wounded in the massacre. VERDICT This captivating work is essential for readers interested in China's recent history.--Joshua Wallace, Tarleton State Univ. Lib. Stephenville, TX

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Review by Kirkus Book Review

A survivor of the 1989 Tiananmen Square massacre offers a searingly honest examination of the lives broken by that momentous event.Poet Liao (For a Song and a Hundred Songs: A Poet's Journey Through a Chinese Prison, 2013, etc.) presents a series of harrowing, unforgettable tales of hardship of Chinese who essentially forfeited their youth due to their revolutionary fervor during Beijing's Tiananmen demonstrations in June 1989, when the authorities cleared the square with tanks, killing or injuring thousands of protesters. Unlike the more privileged Beijing students, whose parents had connections and could spirit their children out of the country, the "June Fourth thugs," as the Chinese authorities named them, took the brunt of the violence for their zealous actions, such as throwing eggs at a Mao Zedong portrait. Most received harsh prison sentences involving appalling conditions and slave labor. For reciting a poem about the massacre, "rebel poet" Liao was sentenced to jail, torture, and slave labor. When he got out, he endured "a living hell" in terms of emotional turmoil, a broken marriage, sexual dysfunction, unemployment, and constant police surveillance. Ultimately, the only solace he found was in his mission to seek out and interview fellow "thugs," whose stories mirrored his in many ways: idealistic youth who were swept up in general democratic spring fever, against the wishes of their wary parents incubated in the Cultural Revolution. As these powerful profiles clearly demonstrate, they paid dearly for their activism, suffering the brutality of the Chinese prison system and "education through labor" (including exhausting days making latex gloves for the American market) followed by joblessness, homelessness, and shunning from family and friends. The details about Liao's intervieweese.g., "the performance artist," "the idealist," "the arsonists," "the street fighter"are excruciating and intimate. Had he not fled the country in 2011, they may never have emerged; after all, three decades later, "the regime that committed the massacre is still in power."An indispensable historical document capturing the plight of "people scarred by history and then worn down by money and power." Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Bullets and Opium Introduction by Ian Johnson It's risky to pick turning points in world history, but it's safe to say that the Tiananmen Massacre on the night of June 3-4, 1989, in downtown Beijing, was one of the most important of the past half century. At the time it was recognized as a momentous event--a bloodbath in the center of a world capital usually is--but three decades later its importance has only grown, marking the end of one China and the rise of today's grim superpower. For on that night, soldiers armed with automatic weapons and tanks smashed through crude barricades, killing hundreds, possibly thousands, of Beijingers trying to stop the troops from breaking up a student protest. The students had occupied the city's gargantuan Tiananmen Square, calling for an end to corruption and official privilege and for a more open, freer society. The students were flawed--as are most people, especially when they are eighteen or nineteen years old. Most had little idea of what they wanted. And some were arrogant. But they were well-meaning and idealistic, and many Chinese saw in them a hope for a better, more decent society. From across the country, Chinese traveled to Beijing to support them, wired them money, and wrote poems in their honor. And so, on that fateful night, thousands of ordinary Beijingers ran out onto the streets to confront the troops. On several previous nights the government had also tried to clear the square but sent in unarmed troops. Locals talked them out of their attack and they returned to their barracks. But this time around, China's rulers decided to teach their subjects a lesson they wouldn't forget. They sent in hardened troops with orders to shoot their way to the center of town. The carnage lasted hours and the city's hospitals overflowed with the dead and dying. The message was clear: This will not be tolerated. Ever. Since then, China's course has been set: economic development, yes; an open society, no. The government has banned, arrested, and jailed people who tried to set up new political parties or even write about the need for change. It has brought the Internet to heel by deploying thousands of censors. And it has pushed its ambitions abroad by funding Western universities and think tanks and drawing up blacklists of people who mention its deeds. These are the bullets it uses to silence opponents. The opium is the benefits of economic growth--the real prosperity that makes many people inside and outside of China wary of rocking the boat. For many around the world, China has become an alluring model, and its many apologists, including leading Western political leaders, happily eat from its trough. So today we have a China that is richer than ever, boasting bullet trains and aircraft carriers, but politically stunted and often driven by nationalistic aims--an unhealthy mixture that has rarely turned out well in world history. It is a country for which 1989 did not mean the fall of communism as it did in Europe but rather is synonymous with a failed revolution. And yet, for all of their importance, these events have never been told with much élan or vigor. We have deadening academic prose, policy-wonk jargon, but little to connect us with the people who made these events happen. That is why this book is so important. It is not a definitive history of Tiananmen but something more compelling: intimate interviews with people who fought for the revolution, were jailed, and were then released to a country that had suddenly turned away from politics and embraced the deadening pleasures of consumer society and the cheap thrills of nationalism. That's why this book is about more than the events of three decades ago; it is also a portrait of today's unhappy and repressed China. Our guide is Liao Yiwu, the most remarkable chronicler of real-life China to emerge from his country. He is something like a Chinese Studs Terkel, compiling oral histories of key turning points in his country's history, but he has the maniacal fearlessness of the great Polish war correspondent Ryszard Kapus´cin´ski. He is funny, self-deprecating, and brutally honest about his own failures, making him a compassionate, credible narrator for these stories. Liao came to international attention thanks to a series of remarkable portraits of China's underclass, which he brought to life in numerous profiles and books. His methodology is that of a gumshoe private eye: he walks, listens, and observes. Himself a participant in the protests, he spent four years in jail and then fifteen years interviewing grassroots China. He went to people in remote mountains or under secret-police surveillance. His work often landed him in trouble and often under house arrest. It cost him two marriages and the loss of contact with his first child. But he has remained driven to write the stories that official history books in China try to censor out of existence. Most of what you hold in your hands wouldn't have come to light if not for Liao's personal courage. Facing daily police harassment and a ban on travel abroad, Liao decided in 2011 to flee China for the West. After careful planning, he packed a backpack full of tapes, notes, and photos. He traveled to the Vietnamese border and found a place to walk across to freedom. He soon flew off to Germany, where he lives today with his new family, and a new existence in Berlin. Since then he has been mining his notebooks and now has written what I believe to be his most significant work. A predictable oral history of 1989 would include many of the student leaders of this movement, but Liao focuses instead on more telling and interesting examples. These are the people who couldn't flee abroad or didn't have the fortune of serving a few years and being released in the 1990s as part of deals to reestablish economic ties with Western countries. For the people in this book there were no fellowships at Ivy League schools, no book deals, no rebirth as a religious celebrity--not even the ignominy of boring but comfortable lives in banking or academia. Instead, these are the stories of the "Tiananmen thugs," the completely inaccurate name given by the government to the citizens who bore the brunt of the military's assault on the square and the transformation of nearby streets into killing fields. We often think of Tiananmen as a student revolt and its repression as falling on these young people, but in fact only the first part of this statement is accurate. The protests were led by students, but the people who defended them were ordinary Beijingers. These were the people who were gunned down, arrested en masse, tortured, jailed, and forced to labor in the country's infamous laogai gulag. Liao gives us so many moving stories: three young men who defaced the iconic portrait of Chairman Mao that looks down on Tiananmen Square; a worker who was so incensed by the massacre that he set fire to an armored personnel carrier; a bus conductor so angry that he threw bricks at soldiers. In these pages we hear about parents of the victims, and of course we get to know our guide and interviewer, Liao Yiwu, a poet who had the quixotic idea of filming a musical in his native Sichuan Province to protest June Fourth. These are among the hundreds of thousands of mostly nameless people arrested in 1989, a fact that challenges claims that the pro-democracy protests were something that only concerned students, intellectuals, and other elites. Instead, we meet people from all walks of life who joined in the struggle out of sincere patriotism and paid for it in varied ways: destroyed marriages, lost careers, or a lifetime of sexual dysfunction brought on by torture. Thus, this book does more than keep alive the memory of June Fourth; it helps us rethink those days by focusing on the forgotten people who sacrificed the most. Through them we get a radically new view of Tiananmen, one that increases its importance by showing its broad and terrible scope. But while these stories are depressing, they are also hopeful. Whenever pundits argue that China has created the perfect dictatorship or that the past is forgotten, think of these people. Many were teenagers when their lives changed. Now it is only thirty years later. They are just middle-aged. Many will live another thirty years. Their lives will continue to vex the Communist Party for most of the twenty-first century. These profiles also show the universality of humans' desire for decency and fairness and the right to shape their future. When it is argued that events in faraway lands or distant eras are not our concern, think of these people. They had little to gain. And yet they acted--an inspiration for all of us in today's uncertain times. Excerpted from Bullets and Opium: Real-Life Stories of China after Tiananmen Square by Liao Yiwu All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.