Straw into gold Fairy tales re-spun

Hilary McKay

Book - 2019

A collection of ten classic fairy tales, reimagined with fresh perspectives and unexpected twists, giving glimpses into happily, and not as happily, ever afters.

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Subjects
Genres
Fantasy fiction
Fairy tales
Published
New York : Margaret K. McElderry Books 2019.
Language
English
Main Author
Hilary McKay (author)
Other Authors
Sarah Gibb (illustrator)
Edition
First U.S. edition
Physical Description
293 pages ; 22 cm
Audience
Ages 8-12.
Bibliography
Includes bibliographical references.
ISBN
9781534432840
9781534432857
  • The tower and the bird or "Rapunzel"
  • Straw into gold or "Rumpelstiltskin"
  • The roses round the palace or "Cinderella"
  • The fountain in the market square or "The Pied Piper of Hamelin"
  • Chicken pox and crystal or "Snow White and the seven dwarves
  • The prince and the problem or "The princess and the pea"
  • Over the hills and far away or "Red Riding Hood and the piper's son"
  • Things were different in those days or "The twelve dancing princesses"
  • What I did in the holidays and why Hansel's jacket is so tight (by Gretel, aged 10) or "Hansel and Gretel"
  • Sweet William by rushlight or "The Swan Brothers."
Review by Booklist Review

McKay delivers bedtime-worthy old yarns respun with fresh perspectives. Many fairy tale retellings end up stretching stories into entire novels, and it's refreshing to see a short story collection along the same lines. Add to that the artful language and lovely illustrations sprinkled throughout some in silhouettes, others with finer detail and soft shading and this book is a real delight. Here, a "forest lapped all around, a green ocean of trees"; there, the aroma of roses "rolled down the hill over the little river and bathed the town in perfume." For discerning readers, there's even a reference to hobbits. Anyone who loves fairy tales would be hard-pressed to put this down as they hear the story of the Pied Piper from the perspective of the town's old mayor, or the story of Snow White from someone who lived it. Of course, there's the titular tale of Rumpelstiltskin, a favorite of the author's. A thought-provoking take on familiar, well-loved stories, ideal for anyone who can't get enough fairy tales.--Kristina Pino Copyright 2019 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Stepping assuredly into fantasy, McKay (the Casson Family series) displays ingenuity and wit in these 10 cunningly reconfigured tales, illustrated with Gibb's stunning silhouette artwork. The inventive array of narrators includes classic fairy tale characters as adults (whose identities are initially ambiguous), sharing their stories with subsequent generations. The present-day adventures of Rapunzel's two children frame her tale; Snow White reaches into her past to tell her granddaughter the story of a girl who escapes from her wicked stepmother to live with dwarfs (and offers to take her to visit the seven, still living in the forest); and the eldest of 12 dancing princesses, while recounting her girlhood nocturnal escapades, reassures her skeptical daughter that there "was a lot more magic about" in bygone days. Abundantly magical, the anthology also features new characters, among them the prim Fraulein, who teaches Hansel and Gretel and their off-puttingly "sticky" schoolmates, including Jack of beanstalk fame. In her introduction, McKay notes, "If ever I wrote a book with love, it is this one!" That is wonderfully apparent, and kids will read it in kind. Ages 8-12. (Feb.) © Copyright PWxyz, LLC. All rights reserved.


Review by Horn Book Review

In a collection pleasingly reminiscent of the work of E. Nesbit and Eleanor Farjeon, McKay (most recently Love to Everyone, rev. 11/18) retells ten familiar fairy tales from the European tradition, including Rumpelstiltskin, Cinderella, The Princess and the Pea, and The Swan Brothers. Each has its own McKay spin: Grandma Snow White tells her chicken-poxy granddaughter about her own terrifying childhood; Gretels new teacher reads her writing assignment, What I Did in the Holidays and Why Hansels Jacket Is So Tight (by Gretel, aged 10). Within the context of varied tellers and points of view, the gist of the classic stories remains largely intact, but McKay brings her own warm, insightful humor into the magical world. Earnest, scruffy, brave, greedy, or hard-working, her child characters are earthy and realistic. Gretel sucks her pencil until it leaves a damp ring of gray around her mouth, and Red Riding Hood kisses her favorite pig between the ears every night. Even the tensions of narrow-minded villagers and smug urbanites are as vital to McKays subtle magic as the classic plots. Gibbs delicate silhouette illustrations favor the pinch-waisted figures and curly up-dos of Perraults time, casting a sparkle of glamour over McKays pig-loving, lumpy-handed maidens and the round, soft blossom of a girl who is Rumpelstiltskins nemesis. deirdre f. baker January/February 2019 p 98(c) Copyright 2018. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Ten familiar Western tales are buffed up, inventively recast, and infused with tenderness and warm good humor.Opening with the parochial (her sources, characters, and settings seem to be exclusively Eurocentric) but lovely observation that fairy tales "are our living heritage, true fairy gold, except these stories do not disappear at sunset," McKay begins with a tale in which, intercut with flashbacks, an older Rapunzel teaches her twin children about patience when they bring home a songbird that fearfully clings to its cage. A heart-rending version of "Rumpelstiltskin" featuring a lowly "hob" who aches for a child to love follows. Snow White artfully uses her own experiences to wean her granddaughter Sophie away from the notion that being prettiest of all is all that counts; peas and mattresses come into play when a newborn Prince Charming pulls the Dust-Gray Fairy's nose. "Red Riding Hood" is stripped of its stranger-danger overtones and ends with a joyful wedding; in a clever bit of literary legerdemain, Gretel tells her tale with perfect coherence but back to front in a school report; and for the closer, an atmospheric retelling of the Grimms' "Six Swans" proposes an answer to the powerful riddle: "If I have seven boys and a sister for each of them, how many children have I?" With rare exceptionsnotably Gretel's class picture, which features a lineup diverse in dress and skin toneGibb sticks to traditional white figures and antique or country garb in her frequent silhouettes and delicately detailed painted scenes. Some dark doings, but far more charm and happy endings. (bibliography) (Fairy tales/short stories. 10-13) Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Straw into Gold The Tower and the Bird or Rapunzel The tower stood on a small rise in the middle of the forest. It looked a little like a squat, dark windmill without its sails, or the monstrous chimney of some cold furnace. It was built of dark stone; reddish black and smelling of iron. Even on the brightest of days it was a menacing presence. And at night it loomed like a deliberate insult inked against the stars. Grass and thornbushes grew at the base of the tower, but the deer from the forest did not graze there. Nothing ever moved on the tower mound except for the scuttling witch. The forest lapped all around, a green ocean of trees. Great carved oaks and airy maples. Tall, sweet-scented pines. Rust-red streaks of hurrying squirrels. Many bright birds. Jess and Leo always noticed birds because their mother loved them so much. "They are so brave," she said, "and so fragile, and so quick and bright." Jess and Leo preferred dogs for company. Dogs who would come on adventures all day, and sleep on your bed all night. Their father, the Prince, loved his old white horse. "But birds suit Mother," Jess and Leo agreed, and so they looked out for the first swallow and counted the storks' nests on the rooftops in the village, and they saw the bird in the cottage window. It was a small thing, green with a yellow head, hunched on its perch in a miniature cage. Three cats sat underneath, watching. The sight made Jess boil with indignation. "We should steal it," she said, "and set it free. It's cruel!" "We don't have to steal it," said Leo, reasonably. "There's other ways of getting things. Perhaps they would sell it." "We haven't any spare money. I suppose we could ask at home." Excerpted from Straw into Gold: Fairy Tales Re-Spun by Hilary McKay All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.