Review by Choice Review
Furious Hours comprises three distinct and interrelated stories. The first involves five suspicious deaths and insurance fraud seemingly committed by Willie Maxwell in Alabama in the early 1970s and Maxwell's subsequent murder, in front of a chapel full of witnesses, while at the funeral of his last victim. The second story involves the attorney--Tom Radney--who not only defended and exonerated Maxwell in numerous trials, but also defended his murderer. Cep analyzes Radney within the politics in Alabama during the 1960s and 1970s. The third story, and the real focus of the book, is that of Harper Lee--whom Cep follows from Monroeville, Alabama, to Manhattan--and her struggles to write To Kill a Mockingbird, her work and friendship with Truman Capote, and her retreat from literature. The three stories come together as Lee travels back home to cover the trial of Maxwell's killer in the hope of jump-starting her writing with a book like In Cold Blood, a book she failed to complete. This is a well-written and entertaining read, and Cep does what Lee did not--she writes the story. Summing Up: Recommended. Graduate students and general readers. --Kenneth james Bindas, Kent State University
Copyright American Library Association, used with permission.
Review by New York Times Review
FURIOUS HOURS: Murder, Fraud, and the Last Trial of Harper Lee, by Casey Cep. (Knopf, $26.95.) Cep's remarkable first book is really two: a gripping investigation of a rural Alabama preacher who murdered five family members for the insurance in the 1970s, and a sensitive portrait of the novelist Harper Lee, who tried and failed to write her own book about the case. LOT: Stories, by Bryan Washington. (Riverhead, $25.) This audacious debut collection, set in the sand- and oil- and drug- and poverty- and resentment-soaked landscape of Houston, is a profound exploration of cultural and physical borders. SEA PEOPLE: The Puzzle of Polynesia, by Christina Thompson. (Harper/HarperCollins, $29.99.) Mystery has long attended the inhabitants of the Pacific's far-flung islands: Where did they come from, when did they get there, and how? Thompson explores these questions, with a particular focus on the early Polynesians' incredible navigational skills. WHEN BROOKLYN WAS QUEER, by Hugh Ryan. (St. Martin's, $29.99.) This boisterous history captures the variety and creativity of the sexual outsiders who congregated around the economic hub of the Brooklyn Navy Yard, a flourishing center of gay life from the middle of the 19 th century until well into the 20 th. THE GLOBAL AGE: Europe 1950-2017, by Ian Kershaw. (Viking, $40.) In a time of uncertainty and harsh political division, Kershaw's book is a valuable reminder that Europe's recent history was a period of enormous accomplishment, both politically and economically, achieved against obstacles that make many of today's troubles seem minor by comparison. THE PARISIAN, by Isabella Hammad. (Grove, $27.) This strikingly accomplished first novel, set in the early 20th century and modeled in part on the life of the author's grandfather, captures the fate of a European-educated Arab, a man divided, like his native Palestine. NORMAL PEOPLE, by Sally Rooney. (Hogarth, $26.) Rooney dramatizes with excruciating insight the entwined lives of a high school couple as they mature into college students, bringing to light how her contemporaries think and act in private, and showing us ourselves in their predicaments. RABBITS FOR FOOD, by Binnie Kirshenbaum. (Soho, $26.) After a New Year's breakdown, the heroine of this furious comic novel checks into a Manhattan mental hospital and starts taking notes. OPTIC NERVE, by Maria Gainza. Translated by Thomas Bunstead. (Catapult, $25.) In this delightful autofiction - the first book by Gainza, an Argentine art critic, to appear in English - a woman delivers pithy assessments of world-class painters along with glimpses of her life, braiding the two into an illuminating whole. The full reviews of these and other recent books are on the web: nytimes.com/books
Copyright (c) The New York Times Company [June 2, 2019]
Review by Booklist Review
Harper Lee's crucial work with Truman Capote on In Cold Blood (1966) has been much scrutinized as part of the ongoing mystery regarding her struggle to write after the runaway success of To Kill a Mockingbird (1960), but Cep is the first to reveal in full Lee's efforts to write her own true-crime chronicle, one that, unlike Capote's, would stick to the facts. Lee, who quit law school just weeks before graduation, chose a scandalous case involving the much-feared African American reverend Willie Maxwell, who profited from life-insurance policies on five family members who died under extremely suspicious circumstances; Robert Burns, a relative who shot Maxwell dead at the funeral of his last alleged victim; and attorney Tom Radney, a rare white Alabama liberal who represented Maxwell, then defended his killer. With zeal for research and a gift for linguistic precision, Cep delves into Alabama's history, tells the striking stories of all involved in this macabre saga, and chronicles Lee's extensive investigation, including attending Burns' trial and speaking with Radney and others touched by the killings. Yet Lee could never bring her book to fruition. Cep has vividly and insightfully retrieved a grimly fascinating true-crime story and done Lee justice in a fresh and compelling portrait of this essential American writer.--Donna Seaman Copyright 2019 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Journalist Cep makes her debut with a brilliant account of Harper Lee's failed attempt to write a true crime book. Part one follows the career of Alabama preacher Willie Maxwell as five family members over several years die under mysterious circumstances, all with large life insurance policies held by the reverend, rumored also to be a voodoo priest. On June 18, 1977, Maxwell was shot dead in front of 300 people at his stepdaughter's funeral in Alexander City, Ala. Part two focuses on his killer's trial later that year, which Harper Lee attended. Along the way, Cep relates the history of courthouses, voodoo, Alabama politics, and everything one needs to know about the insanity defense. Part three charts the To Kill a Mockingbird author's efforts to write about the trial, but in Alexander City she finds only myths, lies, and her own insecurities. By many accounts, Lee wrote a book and may have rewritten it as fiction, though no manuscript has ever been found. As to what happened to the years of work Lee did on the story, Cep notes, "Lee... was so elusive that even her mysteries have mysteries: not only what she wrote, but how; not only when she stopped, but why." Meticulously researched, this is essential reading for anyone interested in Lee and American literary history. Author tour. Agent: Edward Orloff, McCormick Literary. (May) © Copyright PWxyz, LLC. All rights reserved.
Review by Library Journal Review
In the late 1970s, while still struggling to write a follow-up to To Kill a Mockingbird, novelist Harper Lee went to Alexander City, AL, to learn everything she could about the mysterious life and public death of Willie Maxwell, Jr. Maxwell, a local preacher, rumored voodoo priest, and suspect in multiple murders, was shot and killed in front of a room full of witnesses at the funeral of one of his alleged victims. This debut by Cep is the fascinating account of Maxwell, his lawyer Tom Radney, and Lee's determination to tell their story in a book called The Reverend. However, this is not a work specifically about Lee; the compelling stories of Maxwell and his lawyer comprise nearly half of the text. There are no major secrets revealed here, as Lee's work on the Maxwell story was discussed in Charles Shields's Mockingbird: A Portrait of Harper Lee, and it's still uncertain how much of The Reverend Lee ever wrote. Yet, Cep masterfully builds the suspense throughout this thoroughly researched and enjoyable account. VERDICT Recommended for all who enjoy true crime and legal dramas and essential for those hoping to learn more about Lee's enigmatic life.--Nicholas Graham, Univ. of North Carolina, Chapel Hill
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Review by Kirkus Book Review
Cep's debut recounts how a series of rural Alabama murders inspired Harper Lee to write again, years after the publication of To Kill a Mockingbird.Death surrounded the Rev. Willie Maxwell. Following his wife's mysterious murder in 1970, four more of Maxwell's family members were inexplicably found dead within seven years. Locals blamed voodoo, but a deeper investigation pointed to fraud: Maxwell, said Lee, "had a profound and abiding belief in insurance," and he collected thousands in death benefits. He was a suspect in his wife's case (charged and curiously acquitted), but years later, before the police could make another arrest, he was killed in a public fit of vigilante justice. In a further twist, the same lawyer who helped clear Maxwell's name decided to represent his killer. Lee, still uncomfortable over the embellishments of her friend Truman Capote's In Cold Blood, wondered "whether she could write the kind of old-fashioned, straitlaced journalism she admired, and whether it could be as successful as the far-bending accounts of her contemporaries." In this effortlessly immersive narrative, Cep engagingly traces how Lee found the case and beganand ultimately abandoneda project she called The Reverend. Cep writes with the accessible erudition of podcast-style journalism; she breathes not only life, but style into her exhaustive, impressively researched narrative. She relies heavily on the backstories of each of her narrative threads, which transforms her book into a collection of connected preambles. Short histories of fraud, Southern politics, and urban development take shape alongside a condensed biography of Lee. This kind of storytelling may feel disjointed, but there's a reason for it: By fully detailing the crimes before Lee even appears, Cep allows readers to see the case through Lee's eyes and recognize its nascent literary potential. Above all, this is a book about inspiration and how a passion for the mysteries of humanity can cause an undeniable creative spark.A well-tempered blend of true crime and literary lore. Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
