We contain multitudes

Sarah Henstra

Book - 2019

As penpals for a high school English assignment, poetry-loving sophomore Jonathan and popular-athlete senior Adam explore their growing relationship through a series of letters.

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YOUNG ADULT FICTION/Henstra Sarah
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Young Adult Area YOUNG ADULT FICTION/Henstra Sarah Due Jan 2, 2025
Subjects
Genres
Gay fiction
Novels
Romance fiction
Gay romance fiction
LGBTQ+ fiction
LGBTQ+ romance fiction
Published
New York ; Boston : Little, Brown and Company 2019.
Language
English
Main Author
Sarah Henstra (author)
Edition
First edition
Physical Description
375 pages ; 22 cm
Audience
HL830L
ISBN
9780316524650
9780735264212
Contents unavailable.
Review by Booklist Review

Where to begin? This novel's conceit is that it consists entirely of letters exchanged by two boys as part of a sophomore English class project. Adam Kurlansky and Jonathan Hopkirk (or Kurl and Little Jo, as they address each other) make an unlikely couple. Kurl is taciturn, expressionless, and an erstwhile football player who has quit the team under mysterious circumstances. Little Jo is a short, slender, openly gay boy, who idolizes the poet Walt Whitman, whose words become a leitmotif of this remarkable novel. Both boys are gifted writers, and their letters grow increasingly artful as they get to know each other on and off the page and subsequently fall in love. However, this is not the denouement but rather the beginning of a closely examined relationship that, as the two unusually introspective boys describe it in their letters, becomes almost philosophical. This is an absolutely extraordinary work of fiction that illustrates how artful epistolary novels can be. Kurl and Jo are characters to die for, emotionally compelling and empathetic. Their quotidian lives are riveting and their story unforgettable. At one point, Jo describes a novel he's reading by saying, I can't even summarize the plot; it's that strange and sad and marvelous a story. There's no better way to describe Henstra's own novel. It is not to be missed.--Michael Cart Copyright 2019 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Henstra's return to YA (Mad Miss Mimic) tackles gay contemporary teen life via epistolary format. High school student Jonathan "Little Jo" Hopkirk is a gay, bow tie--wearing Walt Whitman fan. Adam Kurlansky (Kurl) is a reserved former football star who quit the team suddenly under strange circumstances. Assigned to one another as part of a weekly pen pal exchange at their high school--and despite their vastly differing interests--they develop a rapport via classroom mail that builds into frequent correspondence and, eventually, romance. Jo's formally styled writing, studded with Whitman quotations, touches on life's passions and on being bullied at school, and Kurl's more casual missives discuss his family: his brother's return from Afghanistan and his mercurial, controlling uncle. The correspondence at times stretches believability by recounting events and conversations for which both characters were present ("You were there, after all. You don't need me to reconstruct the scene for you"). But as a medium for reporting day-to-day occurrences and conveying intimate feelings and classic themes--love, lust, and betrayal, among others--the letters shine. While the story's format and build may strain credulity for some, the volume is likely to find admirers among fans of teen romance. Ages 14--up. (May)

(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review

Gr 9 Up-Henstra's follow-up to Mad Miss Mimic will give romantic and cerebral teens good reason to suspend disbelief. High school sophomore Jonathan and senior Adam are assigned to be correspondents by their English teacher, and it is the ensuing flood of letters that form both the novel and readers' perspective on their evolving relationship. Jonathan is an openly gay kid who models his wardrobe and his language after his literary hero Walt Whitman, while Adam is a private former football star reputed to take no prisoners in fistfights. As their exchange of thoughts and questions develops, however, the two boys discover how much they have in common and how fully the other one brings him into a more complete life and way to consider personal and public options for action. While the extent of the epistolary conceit might beg credulity, plenty of other details here are realistic: the two boys' different but equally troubled families, the important roles siblings play in forming and maintaining one's own identity, and the difficulties inherent in hammering out a healthy, loving relationship among these. VERDICT Teen readers can take heart from Jonathan and Adam's story, especially if they care about Walt Whitman as a gay icon.-Francisca Goldsmith, Library Ronin, Worcester, MA © Copyright 2019. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review

Henstra uses the epistolary format with great success in this novel about the burgeoning friendship, and eventual romance, between two very different high school boys. Sophomore Jonathan Hopkirk (Jo) is an openly gay poetry and music lover who wears only vintage clothing (described as Walt Whitmancosplay); unsurprisingly, he is ruthlessly bullied. Football star Adam Kurlansky (Kurl), repeating twelfth-grade English, is paired with Jo as a pen pal for a letter-writing assignment; Kurl has a reputation as a fighter due to his frequent bruises and black eyes. Over the course of their correspondence, these characters reveal that they are, in fact, not so different in the ways that matter. However, each is himself a truly unique teenin narrative voice as well as in life experience and emotional landscape. Throughout their letters, a memorable supporting cast emerges: Jos rebellious sister and bluegrass-playing widower father; Kurls mysterious older brother and his abusive uncle-turned-stepfather. Also nicely particular is the setting of Minnesota around the 2016 death of beloved local Prince, whose music plays as much a role in the story as does poetry (the title is a Whitman reference, after all). The romance between the teens proves emotionally intimate, and quite sexy; and perhaps theres hyperbole and melodrama in how achingly beautiful this couples love is, and in how spectacularly it is challenged by devastating conflicts. But this is what makes the book such an epic, sweeping romanceand gay teens deserve more of those. katrina hedeen July/Aug p.129(c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

An archaic form of communication, a contemporary setting, and the timeless lure of love.Jo and Kurl attend the same Minnesota school and are pen pals by class assignment. A bow-tied gay dandy and brawny football star respectively, polar opposition on the high school spectrum makes their pairing and correspondence even more poignant. Jo's letters underscore his affinity for Walt Whitman and the reality of incessant bullying. Brooding, beefy Kurl scolds Jo for making himself a target (yet still fends off the bullies like a devoted, disgruntled bodyguard), evolves as a thoughtful writer, and reveals the root of his volatile temper. Over the course of a year, an affection between the two develops, as does a romance with all the trappings of secrecy, revelation, separation, sobs, sex, and longing. The dual narrative differs from other storytelling duets in that these points of view aren't separate; the written perceptions of one character are scrutinized and shared through the lens of the other. A love story, a therapy session, a reason to read Whitmanthe sweetness of unexpected amour is here, as is the saline of sadness. The main characters are white; diversity in secondary characters is implied through names. Graphic toxic masculinity, familial abuse, drug use, and sexual betrayal are balanced (not obliterated) by the beauty of love between two boys who never expected the best from each other.Your reason to root for loveand the power of the pen. (Fiction. 14-adult) Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Dear Little JO,* I guess when you read this letter you'll be sitting right here looking at what I'm looking at. The front of Ms. Khang's English classroom with the old-​fashioned blackboard and the posters offamous book covers and the Thought of the Day and this new thing, this big wooden box painted in bright colors. I mean you don't know me because I just drew your name randomly. And if you're in grade ten this will be your first course with Ms. Khang, which means you don't know her as a teacher yet either. Pretty weird getting a letter from a total stranger I bet. Or how about getting a letter period, in this day and age. Khang stands up there taking as much time as possible telling us what this box is for. She's turning it around and around to show off her paint job, tilting it forward to show the two slots in the top, pointing out the separate combination lock for each lid. All that buildup. After a while we're all expecting doves to fly out of it or something. And then poor Khang looks all disappointed when we're disappointed that it turns out to be only a mailbox. Which is the whole problem with buildup. Well you'll see it foryourself pretty soon I guess. On the board it says Introduce Yourself. So my name is Adam Kurlansky and this is Grade Twelve Applied English. One of the courses I flunked last year, which now I'm regretting because this assignment is not something I'm all that interested in. A letter every week for the entire semester. *JO stands for Jerkoff in case you were wondering. I'm sticking it here in the middle of the letter instead of at the top because Khang wants us to hold up the paper to show her before we put it in the envelope. To prove we actually filled the minimum one page, since she's not actually planning on reading our letters herself. If she asks me I guess I'll just say JO is short for your name, Jonathan. Don't take it the wrong way. I figure it's fair game to call you a little jerkoff even though I don't know you personally because I was one too, as a sophomore. Only most likely not as little. I was already pretty close to my full height by then: six foot three. I mean I see you all in the halls with your faces turning red whenever I catch you staring at me. You're like these arcade gophers popping in and out of holes. People know who I am because of being a bunch of credits behind and not graduating and having to come crawling back for the so‑called victory lap. Or not because of that. More likely because of football I guess. Because they decided to let me keep playing football. Sincerely, Adam Kurlansky Excerpted from We Contain Multitudes by Sarah Henstra All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.