Review by New York Times Review
The author's grandmother inspired this meaty family saga set in Calabria and Connecticut, crossing two centuries and five generations. The Stella Fortuna of the title was born in a mountainous Italian village early in 1920 to a tough, resourceful woman and a largely absent father who left for America barely a month after his daughter's arrival. While men are certainly not the focus of this spacious story, they have an outsize influence as tyrannical husbands and fathers bent on controlling the lives of their wives and daughters. Despite her own emigration to the United States, at age 19, Stella - who is deeply scarred by childhood sexual abuse - can't escape the power of men. But, oh, how she struggles mightily to do so. "Pretty and sharp - quick, clever and hardheaded, capotost, the most stubborn and willful little girl anyone had ever seen," she grows into a young woman for whom marriage is not "a prize to be won" but "a sentence to be endured." And Stella endures it all, for even if independence is denied her, she is, as the title suggests, a survivor: of husbands, fathers, poverty, war and seven (or eight) near-death experiences. In conjuring this absorbing life, Grames has created a satisfying doorstop of a book, rich in detail, tightly written and delightfully easy to get lost in.
Copyright (c) The New York Times Company [June 23, 2019]
Review by Booklist Review
Fictionalized details from the life of the author's own grandmother inspire this tale of an Italian American family and the complicated woman at its heart, Stella Fortuna. Stella's life began in a remote Italian village in the wake of WWI, and is marked by her brushes with death, ranging from severe childhood burns to the head injury in old age that causes a permanent rift with her sister. Near-fatal experiences continue as Stella and her family emigrate to America, where her boorish, abusive father has found work, and where Stella, despite her resistance to marriage and sex, eventually becomes a wife and mother of 10. Stella is a complex, often tragic character, representative of the struggles of women in the past to exert any sort of autonomy over their lives and bodies, and readers who appreciate narratives driven by vivid characterization and family secrets will find much to enjoy here. While the pacing is a bit meandering at times, readers' patience is richly rewarded in this assured debut, which marks Grames as an author to watch.--Martha Waters Copyright 2019 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Grames's vivid and moving debut follows its heroine from a childhood in the early 20th century in a tiny Calabrian mountain village to her family's immigration to America when she is 19 and then through a long life including a marriage about which she has decidedly mixed feelings, many jobs, and even more children. When the novel begins in the present, Stella is 100 years old and has been brain-damaged for the past 30 years following a fall that required an emergency lobotomy and that left her with a mysterious hatred for her lifelong best friend, her younger sister Tina. The novel's unnamed narrator, one of Stella's granddaughters, reconstructs her life history with the help of Tina and other family members. She shapes it around Stella's numerous near-death experiences, which include being gored by a pig and choking on a chicken bone. Grames keeps the spotlight on stubborn, independent, and frequently unhappy Stella, while developing a large cast of believably complicated supporting characters and painting sensually intricate portraits of Calabria and Connecticut. With her story of an "ordinary" woman who is anything but, Grames explores not just the immigrant experience but the stages of a woman's life. This is a sharp and richly satisfying novel. (May) © Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
DEBUT Born three years after the first -Mariastella Fortuna, whose death in 1919 at age three haunts her entire Calabrian village, Grames's prickly antiheroine suffers debilitating accidents and illnesses throughout her unhappy life. She also eschews men, marriage, and sexuality, having witnessed her mother's abuse by her father. The family eventually immigrates to America, arriving in Connecticut not to the promised house but to a moldy third-floor walk-up, but the undaunted Stella develops a sense of agency unfamiliar to women steeped in Italian cultural mores and secrets away a portion of her earnings for an escape plan. Yet she's forced into marriage by her father and, as the babies arrive, mourns her lost independence, disappearing into a space where secrets, superstition, and jealousy thrive. VERDICT Not your typical multigenerational saga, this debut novel proffers a dark version of the female experience, where motherhood leeches life from the soul. Stella is an original character ahead of her time, and readers may be troubled by her negativity and not wholly convinced by her action-but kudos to an author who can evoke such a strong reaction. For fans of Amy Tan or Isabelle Allende. [See Prepub Alert, 11/5/18.]-Sally Bissel, formerly with Lee Cty. Lib. System., Fort Myers, FL © Copyright 2019. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
Her many near-fatal mishaps aren't as deadly as marriage and motherhood for a fiercely independent Italian-American woman in this century-spanning novel.We know from the scene-setting preface that Mariastella Fortuna's "eighth almost-death" led to a mysterious hatred for her formerly beloved younger sister, Tina. Debut author Grames, who based the novel largely on her own family's history, launches it in a stale magic-realist tone that soon gives way to a harder-edged and much more compelling look at women's lives in a patriarchal society. Born in Calabria in 1920, Stella is given the same name as a sister who died in childhood because her father, Antonio, refused to get a doctor. He heads for America three weeks after the second Stella's birth and comes home over the next decade only to impregnate his submissive wife, Assunta, three more times. During those years, young Stella's brushes with death convince her that the ghost of her dead namesake is trying to kill her, but that's not as frightening as the conviction of everyone around her that a woman's only value is as a wife and mother. Stella has seen enough during her brutal, domineering father's visits to be sure she never wants to marry. When, after a 10-year absence, Antonio unexpectedly arranges for his family to join him in America in 1939, readers will hope that Stella will find a freer life there. But the expectations for women in their close-knit Italian-American community in Hartford prove to be the same as in Calabria. The pace quickens and the mood darkens in the novel's final third as it enfolds an ever growing cast of relativeswith quick sketches of the character and destiny of eachand Antonio's actions grow increasingly monstrous. The rush of events muddies the narrative focus, and the purpose of the epilogue is equally fuzzy. However, a tender final glimpse of elderly Tina conveys once again the strength and hard-won pride of the Fortuna women.Messily executed, but the author's emotional commitment to her material makes it compelling. Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
