Batman Damned

Brian Azzarello

Book - 2019

"The Joker has been murdered. His killer is a mystery. Batman is the World's Greatest Detective. But what happens when the person he is searching for is the man staring back at him in the mirror? With no memory of the events of the previous night, Batman is going to need some help. So who better to set him straight than John Constantine? The problem with that is as much as John loves a good mystery, he loves messing with people's heads even more. So with John's "help," the pair will delve into the sordid underbelly of Gotham as they race toward the mind-blowing truth of who murdered The Joker. Batman: Damned is a visceral thrill-ride and supernatural horror story told by two of comics' greatest modern crea...tors, Brian Azzarello and Lee Bermejo."--

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COMIC/Batman/2018
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Location Call Number   Status
2nd Floor Comics COMIC/Batman/2018 Due Nov 18, 2024
Subjects
Genres
Superhero comics
Comics (Graphic works)
Graphic novels
Published
Burbank, CA : DC Black Label [2019]
Language
English
Main Author
Brian Azzarello (writer)
Other Authors
Lee Bermejo (artist), Jared K Fletcher (letterer)
Edition
[Hardcover editrion]
Item Description
Chiefly illustrations.
"Batman created by Bob Kane with Bill Finger"
"Originally published in single magazine form in BATMAN: DAMNED 1-3."
Physical Description
1 volume (unpaged) : color illustrations ; 29 cm
ISBN
9781401291402
Contents unavailable.
Review by Publisher's Weekly Review

This eccentric outside-of-continuity tale from DC's newly launched mature readers label plunges deep into the angry psyche of its flagship hero. Following Batman's umpteenth confrontation with the Joker, which seems to culminate in the psychotic clown's demise, the stabbed hero awakens in a police ambulance. Upon escaping, he is joined by urban mystic John Constantine, who leads him on the mayhem-laden trail of an apparently not dead Joker, while simultaneously guiding him on an odyssey through memories of Batman's childhood traumas stemming from his parents' dysfunctional marriage. He encounters several of DC's occult mainstays, including reimaginings of the Spectre, the Demon, and Swamp Thing, all leading toward a surprise ending. Azzarello (the 100 Bullets series) has previously written both Batman and John Constantine brilliantly in their respective milieus, but the fusion here of Batman's costumed crime fiction and Constantine's mystical-meets-the-mundane flavor does not quite gel. What results is a horror quest spliced with "Batman on the couch" examinations of his control-through-fear m.o. Bermejo's painted art is moody and macabre, but ultimately serves to gloss a script that needed fine-tuning. It's not a disaster, but it's also not a good entry point for newbies to its universe; this volume's recommended strictly for completists dedicated to Batman's eight decades of tropes and enamored of DC's roster of other magical players. (Sept.)

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