Pleasure activism The politics of feeling good

adrienne maree brown

Book - 2019

"How do we make social justice the most pleasurable human experience? How can we awaken within ourselves desires that make it impossible to settle for anything less than a fulfilling life? Author and editor Adrienne Maree Brown finds the answer in something she calls "pleasure activism," a politics of healing and happiness that explodes the dour myth that changing the world is just another form of work. Drawing on the black feminist tradition, she challenges us to rethink the ground rules of activism. Her mindset-altering essays are interwoven with conversations and insights from other feminist thinkers, including Audre Lorde, Joan Morgan, Cara Page, Sonya Renee Taylor, and Alexis Pauline Gumbs. Together they cover a wide arr...ay of subjects -- from sex work to climate change, from race and gender to sex and drugs -- building new narratives about how politics can feel good and how what feels good always has a complex politics of its own"--

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  • section 1. Who taught you to feel good?: Uses of the erotic / by Audre Lorde ; The legacy of "Uses of the erotic" : a conversation with Cara Page ; A spoilerific gush on how Octavia Butler turns me on ; Love as political resistance ; The sweetness of salt / by Alexis Pauline Gumbs ; Why we get off / by Joan Morgan ; A pleasure philosophy : a conversation with Ingri LaFleur
  • section 2. The politics of radical sex: Pussy power / by Favianna Rodriguez ; Sex ed : a poem ; Wherein I write about sex
  • section 3. A circle of sex: Conversation with a sex toy ; Sex majik (no one told me to do it) ; Nipples are magic ; It's bloody fantastic ; Fucking/having sex/making love ; The highs, lows, and blows of having casual sex ; Confessions of a queer sex goddess ; Are you there, goD? It's me, Day / by Holiday Simmons ; Feelmore : a conversation with Nenna Joiner ; Bodyminds reimagined : a conversation with Sami Schalk ; Fuck you, pay me / by Chanelle Gallant ; A timeline/tutorial on squirting
  • sub-section: Skills for sex in the #MeToo era: From #MeToo to #WeConsent ; It's about your game ; It's time to reclaim our skin ; I want you, but I'm triggered ; Strategic celibacy ; Liberating your fantasies ; Pornography and accountability ; Use your voice
  • section 4: The politics of radical drug use: Weed on, weed off ; Conditions of possibility : a conversation with Monique Tula ; Experiments in cannabis for the collective / by Malachi Garza ; Ecstasy saved my life
  • section 5. Pleasure as political practice: sub-section: The politics of healing toward pleasure: Feeling from within ; Black woman wildness / by Junauda Petrus ; Beyond trans desire / by micha cárdenas ; Pleasure after childhood sexual abuse / by Amita Swadhin ; Fuck cancer : a conversation with Alana Devich Cyril ; Care as pleasure / by Leah Lakshmi Peipzna-Samarasinha ; sub-section: The politics of wholeness in movements: The pleasure of living at the same time as Beyoncé Giselle Knowles-Carter ; On fear, shame, death, and humor : a conversation between the Rocca family and Zizi ; The power to make light : a conversation with Dallas Goldtooth
  • Fly as hell : a conversation with Sonya Renee Taylor ; On the pleasures of wardrobe : a conversation of Maori Holmes ; Adornment and burlesque : a conversation with Taja Lindley ; Burlesque and liberation / by Michi Osato and Una Osato ; Working the pole : a conversation with Suguey Hernandez ; Pleasure over sixty : a conversation with Idelisse Malave and Alta Starr ; The work of parenting / by Autumn Brown ; Raising sexually liberated kids / by Janine de Novais ; Tips for raising sexually liberated kids / by Zahra Ali ; subsection: The politics of liberated relationships: Radical gratitude spell ; Liberated relationships, expanded ; On nonmonogamy ; Being second ; The pleasure of deep, intentional friendship : a conversation with Dani McClain and Jodie Tonita ; Principles in practice
  • section 6. Outro, thank yous: Outro ; Gratitude.

Welcome to the Pleasure Dome. I first read the words "pleasure-dome" in a Samuel Taylor Coleridge poem, the rest of which I promptly forgot. But the image of a massive space dedicated to the exploration of pleasure planted itself in my young mind; I thought, "Yes, I want that." Years later I came across Audre Lorde's life-changing essay "Uses of the Erotic: Erotic as Power," in which she taught us what she had learned about the ways the power of the Erotic makes us "give up, of necessity, being satisfied with suffering, and self-negation." Lorde made me look deeply at my life to find the "yes" inside of me, inside of the communities I love and work with, inside our species. I became attuned to the ways erotic and other pleasures shaped and healed me. I reflected on how my experiences with sex had opened doors to loving my body in spite of what society had taught me about big Black girls being undesirable, and how my experiences of deep political alignment with people who wanted to collaborate had taught me more than years of battling with people who wanted to dominate me. I began to make decisions about whether I wanted to do things in my life and in the movements I am part of by checking in for my orgasmic yes. To feel for that resistance inside, the small place in my gut that knows before I do that something is not a fit for me and will not increase my aliveness. This exploration led me to some core questions that have shaped my work: What would I be doing with my time and energy if I made decisions based on a feeling of deep, erotic yes? How do I find balance in the things that give me pleasure, especially the things that tend to be misunderstood and manipulated by racialized capitalism, such as drugs, sex, drank, sugar? How would we organize and move our communities if we shifted to focus on what we long for and love, rather than what we are negatively reacting to? Is it possible for justice and pleasure to feel the same way in our collective body? Over the years some of my work has been directly in the realm of  pleasure , but even as I facilitate movements for social and environmental  transformation , I always prioritize how people feel--is it a pleasure to be with each other, does the agenda/space allow for aliveness and joy, is there a "yes" at the center of the work? There are so many things that are violent, offensive, unbearable. Your embodied "no" is so justified--but I don't think it moves us forward. "Yes" has a future. At the same time, I've been tuned into pop culture and the ways ideas and norms move from the margins and movements into the realms of music, movies, television, books, and other arts, as well as humor, food, travel--even gossip. We can examine what gives us pleasure by observing those spaces. Beyoncé albums give many of us a feeling of power in claiming pleasure. Comparing Dave Chappelle and Louis C.K. as comedians speaking on class, race, gender, and sexuality can give us insight into where the culture is in terms of trans acceptance and solidarity and tangible diversity. Musical artists Tunde Olaniran and Mother Cyborg inspire us to reflect on how they can be so radically pleasing just by being themselves. A quick glance at pop culture shows us that we get pleasure from violence and dominance, public shaming, trolling, being righteous together, knowing other people's private pain, over indulgence, and the accumulation of material things. And those of us explicitly working to grow justice and liberation in the world are not immune to these things; we pick and choose what compromises we make, where we indulge, and where we hold standards. I think there is a fertile ground for learning how we align pleasure with our values, decolonize our bodies and longings, and get into a practice of saying "yes" together, deriving our collective power from our felt sense of pleasure. We're going to start learning together. This is a space to ask shameless questions, love what we love and explore why, cultivate our interest in radical love and pleasure, and nourish the "yes" in each of us. Excerpted from Pleasure Activism: The Politics of Feeling Good All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.